practicing an architecture of words...on the page, on the tongue, on the ear...even the feel of the flow of ink from a pen.
wrt influences--can i claim as my professor, melville; my advisor, basho; my dear friend, gabriel marquez? or do so, without offending faulkner, or mantel?
if you must know about my background, you will find traces of it in the pages that follow...
-- aa < more...