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Trains to Nowhere
by R David Fulcher

Three dramatic stories set during World War II...  
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Clemente Bornacelli

F.W. MURNAU His purely visual storytelling approach inspired Hitchcock, beginning with the 1926 thriller, The Lodger. D.W. GRIFFITH Hitch appropriated chase and last-minute rescue motifs for many films, from Blackmail (1929) to Family Plot (1976). LUIS BUNUEL Hitch's penchant for dream sequences came from surrealism, particularly Bunuel's 1928 Un Chien Andalou (made with Salvador Dalí, a collaborator on 1945's Spellbound). SERGEI EISENSTEIN To Catch a Thief's (1955) crosscuts between amorous couple (Grace Kelly and Cary Grant) and fireworks pay homage to Eisenstein's use of montage more...

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