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Jen Knox

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Back to Basics
By Jen Knox   
Not "rated" by the Author.
Last edited: Monday, June 07, 2010
Posted: Monday, June 07, 2010

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Saturday, June 5, 2010




There seems two schools of thought on what makes a writer great: a strong education (self or institutionally-guided) or a sort of gift that, like height or a high metabolism, is something that you either have or don't.  I bring this up because I'm currently masterminding the syllabus for my first creative writing course, which will begin fall semester.

This particular course is an introduction to creative writing and it will encompass numerous genres, including drama, fiction, poetry and creative nonfiction.  Truthfully, this feels like play for me--it's so much fun to sift through endless literary shorts, to decide which works I want to include in my course reading.  I have a large compilation of works that I'll have to pare down a bit before fall, but I'm confident that the end result will be an eclectic collection that will appeal to a wide array of tastes and sensibilities.  But this is the easy part.

I have been putting off constructing the craft lessons and writing assignments because I figured this would be the cumbersome work.  Perhaps this is due to a slight bent toward the idea that to teach writing is a limited venture, after all, so much depends on voice and the writer's motivation, ability to create.  Creativity, I hate to say, can be exercised but not taught.

That said, I began today--I began putting together assignments that go back to basics: character development, types of conflict, ways to raise tension, how to avoid cliches, etc... And guess what?  I realized I hadn't really broken writing down to the basics in quite some time.  Not that I forgot the basics, but I just didn't think about them much.  I figured they were all just coming out, naturally. 

As I sketch potential exercises for my students, I've found myself taking time to pause and reflect on my own works-in-progress with a newfound (re-found) focus.  So, for me, the education is not necessarily a formula to create a bestselling author or literary phenom, but it does contribute to the perspective I need to have to round out my own work.

Regardless of any creative gifts a writer has, the formula for a strong work will always be there.  X(believable narrative) + Y(defined conflict or topic) + Z (specific descriptions) = A complete work.  Experimental structures and the all-elusive 'voice' can take this simple formula and make it look more like calculus than simple algebra, but the basics will endure; and they can be taught.

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