Join Free! | Login 

Happy 4th of July!
   Popular! Books, Stories, Articles, Poetry
Where Authors and Readers come together!

Signed Bookstore | Authors | eBooks | Books | Stories | Articles | Poetry | Blogs | News | Events | Reviews | Videos | Success | Gold Members | Testimonials

Featured Authors: Jennifer Miller, iCheryl Carpinello, iStanley Ely, iT. Cline, iGeorge Cunningham, iLinda LeBlanc, iSteve Kerr, i
  Home > Arts/Entertainment > Stories
Popular: Books, Stories, Articles, Poetry     

Laurie M Conrad

  + Follow Me   

· 372 titles
· 262 Reviews
· Share with Friends!
· Save to My Library
Member Since: Mar, 2004

   Contact Author
   Read Reviews

Subscribe to the Laurie M Conrad Newsletter. Enter your name and email below and click "sign me up!"

· We Meet in Dreams, A New Interpretation of Dreams

· Visits With Angels

· Realms of Light: Clairvoyant Experiences of Life After Death

· The Spiritual Life of Animals and Plants

Short Stories
· Still Working on the Musical Score of Glimpses: A Composer's Journal

· Filling in the Sketches for the Flute and Piano Piece : A Composers Journal

· Working on the Dance for “Glimpses”: A Composer’s Journal

· Finding Melodies and Harmonies for 'Glimpses': A Composer's Journal

· Sketching out 'Glimpses' for Flute and Piano: A Composer's Journal

· Starting to Write for Flute and Piano: A Composer's Journal Entry

· Another Story from The Spiritual Life of Animals and Plants

· Story From 'The Spiritual Life of Animals and Plants'

· After the Musical Score is Finished: A Composer's Journal

· Finishing the Musical Score of 'Unsung Songs: Songs of the Earth'

· The Medjugorje Hymn to Our Lady

· Writing the Musical Score: A Composer's Journal

· Our Lady's Newest Message from Medjugorje: A Mystic's Journal

· Copying Out the Music: A Composer's Journal

· Still Writing the 'Unsung Songs' Cycle: A Composer's Journal

· An Interview on Creativity and Mystical States: A Mystic’s Journal

· The Living Rosary : A Mystic’s Journal Entry: November 28, 2010

· Our First and Last Mistake: A Mystic's Journal

· Letting Go of the Past: An Exercise in True Being: A Mystic’s Journal

· The Madonna's Latest Message from Medjugorje: “Be My River of Love”

· Elegie

· 3 Poems for the Flute Piece Glimpses

· The Dancer

· Spring Song

· The Message

· Poems For the Dying

· Unsung Song: The Visit

· Two Songs: 'Sailboats' & 'A Feather'

· Poem: Words to the Song, 'The Storm'

· Poem: The Golden Arrow

         More poetry...
· See the CD cover for the 'Unsung Songs: Songs of the Earth' Here!

· Listen to my new piece Unsung Songs

· New Amazon Review of We Meet in Dreams

· Epilogue to New Book We Meet in Dreams

· New Book We Meet in Dreams Now Available on Amazon!

· More Reviews of the CDs 'Visions' and 'Images'

· Read the First Newspaper Review of We Meet in Dreams

Laurie M Conrad, click here to update your web pages on AuthorsDen.

Books by Laurie M Conrad
Classical Music: A Composer's Journal: Entry February 18, 2005
By Laurie M Conrad
Posted: Sunday, February 20, 2005
Last edited: Sunday, February 20, 2005
This short story was "not rated" by the Author.
Share    Print   Save   Become a Fan
Recent stories by Laurie M Conrad
· Still Working on the Musical Score of Glimpses: A Composer's Journal
· Filling in the Sketches for the Flute and Piano Piece : A Composers Journal
· Working on the Dance for “Glimpses”: A Composer’s Journal
· Finding Melodies and Harmonies for 'Glimpses': A Composer's Journal
· Sketching out 'Glimpses' for Flute and Piano: A Composer's Journal
· Starting to Write for Flute and Piano: A Composer's Journal Entry
· Another Story from The Spiritual Life of Animals and Plants
           >> View all 243
Modern Composer Laurie Conrad's "A Composer's Journal": Entry February 18, 2005. Laurie Conrad is a pianist and composer living in Ithaca, New York.

Friday, February 18

2:25 a.m.

The Alfred Consort rehearsed the new string quintet again tonight, String Quintet II. (Bob named it that because I couldn’t think of a title for it & he needed something to put on the title page of the printed version.) Not very original, but it is accurate.

It was their third rehearsal. Bob & I went to dinner before the rehearsal. Bob spoke about Stradivari again. There are some missing years in Stradivari’s personal, biographical timeline. One of his close relatives was an architect, and some scholars suspect that in those missing years Stradivari studied architecture. That would explain his knowledge of geometry & form, which would be essential for the structural changes & improvements one finds in his instruments. He was a student of Amati, another legendary instrument maker.

Bob becomes so very vibrant when he speaks of Stradivari - at those time he glows with pleasure. While Bob was speaking tonight, I inwardly traveled to Italy, many centuries ago, & felt as though I had met this revered instrument maker & walked around his workshop with my friend Bob. I have the strong feeling that the improvements & changes Bob has made on these new stringed instruments will also live on in history. He is one of the best instrument makers of our century, I am convinced of it. And I have already decided that I will write more music for his instruments.

We then went to the rehearsal, & the instruments sounded better than ever. The musicians are more used to their new instruments, my music & each other. The sound - at some points during the rehearsal, I almost couldn’t bear the Beauty all around me. I again said very little, but occasionally conducted or counted for them. The main problem is still of keeping them together, they are still getting lost in the score. This is not surprising - it is a long & difficult score & unknown to them. Answered questions & gave a suggestion or two. Changed one note in the tenor violin, added a double stop. The tenor violin player said: "That’s very interesting. I wanted to play that double stop there." One member of the Consort was sick, so we only had four players tonight. They agreed to at least one additional rehearsal. They also agreed to a television taping after the concert. Must call Lauren and set that up. Paul to do the television taping and Al to do the CD recording. Those notes are by the phone downstairs, I hope that I remember to look at them.

I have not, as yet, heard the entire piece. Tonight, they read through the third movement twice & the second movement twice. The next rehearsal is March 3 , the concert is March 13th. It’s a good thing I meditate.

They are excellent musicians, truly professional - & at times we heard glimpses of what the piece will sound like, hopefully by the concert. The sound & artistry of the musicians at those times was incredibly beautiful. As for the piece, my intention was to show the instruments off well, & I believe that I did achieve that. Because I came mainly from my love of these beautiful instruments, rather than solely & primarily from my musical ideas - this quintet has an unusual quality & sound, a depth of perspective, a layering of voices & instruments & between instruments - & a certain clarity that I find most unusual in sound and concept. I do not think that I am imagining this. This was the result of my respect for the instruments, not a technique I consciously imposed on the music. So, I say all this in humility & detachment - merely as an observation. Once a piece has been written, I do not claim ownership of it in any case. It is as though someone else wrote it, because now it is outside myself - no longer within. Now it is everyone’s property, starting with the musicians that play it.

As a composer, I am always surprised how the musicians make my scores their own. Often musicians, in our early rehearsals, will ask me about mistakes in the score - not because the notes sound dissonant or strange - but because they do not seem right for the piece. And yes, I had written the wrong note when I copied out the parts. On the other hand, sometimes my singer, Louise McConnell, would sing a note not written in the score during our first rehearsal - & the note she sang was really better than the written one, more natural - & I would change the score.

My music becomes their music. The gifted musicians I have always been fortunate enough to work with, have always brought the music alive. My world easily became their world. Why this surprises me is mysterious to me. Perhaps, it is because the rest of the time I do not feel that I live in the same world as other people. Nor am I using the same language. During the rehearsal tonight, there were times when the world around me, the earth itself - was also my world. A world I shared with others. I was no longer alone.






















Web Site: Figaro Recordings  

Reader Reviews for "Classical Music: A Composer's Journal: Entry February 18, 2005"

Want to review or comment on this short story?
Click here to login!

Need a FREE Membership?
Click here to Join!

Reviewed by m j hollingshead
interesting read

Popular Arts/Entertainment Stories
1. Steve and Eydie
2. 6 Sec. Trailer
3. Bloodlines, Tales From the African Diaspor
5. Sketching out 'Glimpses' for Flute and Pia
6. Undiscovered Porn Star
7. Anonymous Annie
8. After the Musical Score is Finished: A Com
9. Baltimore Ravens Super Bowl Song
10. Still Working on the Musical Score of Glim

Cat Whiskers and Talking Furniture: A Memoir of Radio and Television B by John Rayburn

A Memoir of Radio and Television Broadcasting...  
BookAds by Silver, Gold and Platinum Members

Authors alphabetically: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Featured Authors | New to AuthorsDen? | Add AuthorsDen to your Site
Share AD with your friends | Need Help? | About us

Problem with this page?   Report it to AuthorsDen
© AuthorsDen, Inc. All rights reserved.