Written by Sam Vaknin
(In Hebrew, the word "Agala" means both cart and the feminine form of calf. A beheaded calf is among the sacrificial offerings enumerated in the Bible).
My grandfather, cradling an infant's crib, departed. Navigating left and right, far along the pavement, he reached a concrete, round, post. There he rested, sheltered from the humid sun by peeling posters for lachrymose Turkish films. He pushed the crib outside the penumbral circle and waited.
Curious folks besieged the old man and his orphaned frame and then proceeded to buy from him the salted seeds and sweets that he lay, meticulously organized, inside the crib. My grandfather smiled at them through sea-blue eyes, as he wrapped the purchased sweetmeats in rustling brown paper bags.
My embarrassed uncles built for him a creaking wooden cart from remaindered construction materials. They painted it green and mounted it on large, thin-tyred, wheels borrowed from an ancient pram. They attached to it a partitioned table-top confiscated from the greengrocer down the lane. Every morning, forehead wrinkled, my grandfather would fill the wooden compartments with various snacks and trinkets, at pains to separate them neatly. Black sunflower seeds, white pumpkin seeds, the salted and the sweet, tiny plastic toys bursting with candies, whistles, and rattles.
Still, he never gave up his crib, installing it on top of his squeaking vehicle, and filling it to its tattered brim with a rainbow of offerings. At night, he stowed it under the cart, locking it behind its two crumbling doors, among the unsold merchandise.
With sunrise, my grandfather would exit the house and head towards the miniature plot of garden adjoining it. He would cross the patch, stepping carefully on a pebbled path in its midst. Then, sighing but never stooping, he would drive his green trolley - a tall and stout and handsome man, fair-skinned and sapphire-eyed. "A movie star" - they gasped behind his back. Day in and day out, he impelled his rickety pushcart to its concrete post, there dispensing to the children with a smile, a permanence till dusk. With sunset, he gathered his few goods, bolted the fledgling flaps, and pushed back home, a few steps away.
When he grew old, he added to his burden a stool with an attached umbrella, to shield him from the elements, and a greenish nylon sheet to protect his wares. He became a fixture in this town of my birth. His lime cart turned into a meeting spot - "by Pardo", they would say, secure in the knowledge that he would always be there, erect and gracious. Like two forces of nature, my grandpa and the concrete post - older than the fading movie posters - watched the town transformed, roads asphalted, children turn adults, bringing their off-spring to buy from him a stick of bitter black chewing gum.
Lone by his cart, he bid the dead farewell and greeted the newborn, himself aging and bending. Creases sprouted in his face, around his dimming sights, and in his white and delicate hands.
My grandfather had one love: my grandmother. A ravishing, proud, raven-haired woman. A framed retouched photo of her hung, imposing, on one of the walls. In it she stood, defiant, leaning on a carved pillar in a faraway place. This is how he must have seen her at first: a mysterious, sad-eyed disparity between dark and fair. Thus he fell in love and made her his only world.
This woman sat by his side, adjacent to his azure pushcart, day in and day out. She said nothing and he remained mute. They just stared with vacuous eyes, perhaps away, perhaps inside, perhaps back, to previous abodes in bustling cities.
At first, she seemed to like being his sidekick, confidently doling confectionery to toddlers, whose mothers remained forever infants in her memory. Intermittently, she laid a shriveled hand on his venous knee, leaving it there for a split, fluttering, second, conveying warmth and withdrawing as unobtrusively. It was enough to restore him to his full stature. But then, the municipal workers came and pasted funereal announcements onto his concrete pole and the magic was all but gone.
My grandma withered, dilapidated by this onerous existence. Eveningtime, she would get up and carry her stool afore, clenched in two twiggy hands, tediously dragging her reluctant self on the long march home. My grandfather observed her, his eyes a moist, eroding guilt. His disintegrating pushcart, the rain-drenched figure of his loved one, the whizzing torment of the desert winds, the sound of the crackling paper bags in her arthritic palms - they all conspired to deny him his erstwhile memory of her.
Each morning, my grandfather woke up to study this ageless image as he glided over her translucent skin, high-arching cheeks, and sleep-fluttery eyelashes. He fended off the intrusions of the world as he smoothed the covers and tucked her figure in. Then, he would get up and make her breakfast, arranging ceremoniously her medicines in multicolored plastic containers on the tray.
But my grandma rejected his sunup pleas. She wouldn't go on living. One silent morning, she clung to her sheets and wouldn't rise and accompany him. That day, gray and defeated, my grandpa ploughed the pavement with his barrow, unfolded a worn deck chair, and sank in, awaiting my grandmother's reappearance.
When she did not materialize, he left his post much earlier than usual. He emptied the compartments duteously, packed the unsold goods in large canvas sacks, tidying them away behind the two bottom doors of his cart. He then unfurled a polyester sheet above it and sailed home, shoving and cajoling his screeching and scraping workstation.
My grandma was in bed, as he had left her, ensconced in blankets, a suicidal tortoise, glaring at the ceiling as it bled in aqueous abstracts. My grandfather parked his rusting, faded, wagon and climbed home. His wife awoke with startled whimpers, tears streaming silently down her creviced face, tearing his heart with the iron grip of festering love. He hugged her and showered her with panicky little kisses.
She froze and fortified her berth with pillows piled high, staring at him through narrow cracks of oozing sanity.
One day, my grandpa, returning in the evening, left his cart outside, uncharacteristically. He entered and, for a few minutes, he and my grandmother just watched each other wearily. He extended a calloused hand and she dreamily stood up and escorted him to their porch, which overlooked the weed-grown garden.
My grandfather draped her shoulders with a knitted woolen shawl. He tightened it, and then, her shivering hand in his, he sat his love among some cushions he prepared. She glanced aimlessly at a guava tree that shot among the trail of graveled stones. My grandfather contemplated her awhile and then, with sudden resoluteness, left.
Seconds later he reappeared among the shrubs, saluted her with a sledgehammer he held tenuously with both hands. She strained her face, attentive, consuming his image, like a flower would the sun, or the blind do the sounds.
Gasping and panting, my grandpa heaved the pushcart to the center of the plot. With repeated, furious, blows, he dislocated its wheels and doors. Reduced to splintered wood and twisted metal, he cocooned it in the nylon throw and left it, devastated by the trees.
Sitting beside, they watched the setting sun diffracted from the green-hued sculpture in the garden. A smile budded in my grandma's honeyed eyes and spread into my grandfather's deep blue gaze.
The cart stood there for years, disintegrating inexorably beneath its blackening shield. Its wheels, now rooted in the soil, it sank into the mildewed ground, another, peculiarly shaped sapling. My grandpa never adjusted the synthetic sheet that swathed it, nor did he dig out the burgeoning wheels.
My grandpa was visiting a pharmacy, replenishing her medications, when my grandma died. With the dignity of the indigent, he never bargained, never raised his voice. Packed in small, white, paper bags, he rushed the doses to his wife, limping and winded.
This time the house was shuttered doors and windows. My grandma wouldn't respond to his increasingly desperate entreaties. He flung himself against the entrance and found her sprawled on the floor, her bloodied mouth ajar. As she fell, she must have hit her head against the corner of a table. She was baking my grandfather his favorite pastries.
Her eyes were shut. My grandpa knew she died. He placed her remedies on the floured and oiled table and changed into his best attire. Kneeling beside her, he gently wiped clean my grandma's hands and mouth and head and clothed her in her outdoors coat.
His business done, he lay besides her and, hugging her frail remains, he shut his eyes.
My uncles and aunts found them, lying like that, embraced.
My grandparents' tiny home was government property and was reclaimed. The sanitary engineers, revolted, removed from the garden the worm-infested, rotting relic and the putrid sheet concealing it.
The next day, it was hauled by sturdy garbage collectors into a truck and, with assorted other junk, incinerated.
Sam Vaknin ( http://samvak.tripod.com ) is the author of Malignant Self Love - Narcissism Revisited and After the Rain - How the West Lost the East. He served as a columnist for Central Europe Review, PopMatters, and eBookWeb , and Bellaonline, and as a United Press International (UPI) Senior Business Correspondent. He is the the editor of mental health and Central East Europe categories in The Open Directory and Suite101.