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Donna Ballman

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The Writer's Guide to the Courtroom: Let's Quill All the Lawyers
by Donna Ballman   

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Reference

Publisher:  Behler Publications ISBN-10:  1933016531
Pages: 

254

Copyright:  2010 ISBN-13:  9781933016535

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Novelists, screenwriters and journalists, this book is for you. It has everything you need to inspire your writing, help your characters navigate the legal system, and get your story right. When your fiction or non-fiction calls for a character to sue someone or be sued and survive the ordeal, this book should be number one on your docket.

Why All Writers Need The Writer's Guide To The Courtroom

Maybe you have a novel, story, screenplay, or other writing project that has a character involved with the court system. Or you're a journalist writing a story about a court case. (Some law students and new lawyers have said they found it useful too, but we can't vouch for its exam-worthiness).

When you write, sometimes you don't know where your mind will take you. Maybe there's a character in your head but you haven't decided what to do with them. Or you have a plot that's stuck. The law is a great device for writers. It can add an obstacle, a sexy twist, or a fun character to your story.

The law can also accidentally drift into your plot. Everything your characters touch during their day has something to do with the law. They wake up. Their cereal box has legal requirements about how contents are listed and what claims it can make.

They drive to work in a car that doesn't explode when hit from behind because of civil lawyers. They go to work and have to be paid wages and can't be subjected to discrimination.

When they make a purchase, the laws say what businesses have to disclose, what advertisements can say. Doctors have to treat them within acceptable practices or face a suit. Companies handling hazardous materials must dispose of them in particular ways.

When they get a divorce, your characters have to do it through the civil justice system. If a character dies, their will has to go through probate.

The claims characters can make in the law are almost infinite. Anything that can go wrong for them can end up in court. Whether in an accident, the workplace, a business, or in a relationship, the law can offer a slight plot twist or an entire plot. And if you're a journalist, you probably have legal issues in your stories regularly.

The purpose of The Writer's Guide to the Courtroom is to touch on some of the highlights, to give you a starting point for your research or just trigger an idea for your story. This book is for every writer who doesn't have a law degree, and even for those lawyer/writers who are writing outside their area of practice.

Most lawyers can't read or watch stories about law because the factual errors are too frustrating. Gross misunderstanding of how the justice system works can take away from even the best plot. There are over 1.1 million lawyers in the United States, so alienating them with mistakes that are easily corrected can affect your sales and ratings.

Ms. Ballman asked some lawyers and judges, including TV's Judge Alex and bestselling author Brad Meltzer what really bugged them about how the civil justice system is portrayed in books and screenplays, and to talk about which ones really got it right. Their responses are quoted throughout this book to help you see the ways in which "getting it wrong" can alienate readers/viewers, whereas "getting it right" can enhance the story for your audience.

Inside The Writer’s Guide to the Courtroom

Here's just some of what you'll find to help inspire you and to help your characters navigate the civil justice system:

Chapter 1: The Characters Suggestions of courtroom characters you might use in your story, like bailiffs, court reporters, paralegals, judicial assistants, runners/messengers, process servers, notaries, and of course, lawyers. Find out about their training, job duties, and maybe, just maybe, what kinds of misdeeds they might have witnessed.

Chapter 2: Settings Where is your story set? Find out what a real legal setting looks like. Whether a law office, government building, mediator's office or court chambers, your story will feel more real if you choose your setting well.

Chapter 3: Types of Lawyers Here's where to figure out what kind of lawyer you need in your story. Personality types, motivations, and how to use attorneys practicing in areas you might not ever have thought of. From admiralty to worker's compensation, there's a lawyer type just right for your story.

Chapter 4: Legal Ethics Yes, they exist. Don't have your lawyer characters doing something obviously unethical without showing some consequences. Find out what your characters are supposed to be doing, and what happens if they get caught.

Chapter 5: How Law Firms Run Who is in charge at a big firm? What's the difference between a senior and a junior partner? How do law firms bill their clients? What differences are there between the way a big firm and a solo practitioner prepare for trial? What do lawyers have to learn to live without when they form a midsize firm?

Chapter 6: Pre-Suit What happens in an initial meeting with the client? What kinds of fee arrangements might your character make? What steps might lawyers take before suit is even filed?

Chapter 7: The Complaint What's in the document that begins a lawsuit? How does it get to the defendant? Where can a lawsuit be filed? Who can sue and be sued?

Chapter 8: Responses to the Complaint What will the defendant do once they receive the complaint, other than curse a lot?

Chapter 9: The Authorities How do lawyers find out what the law is?  

LOADS OF INFORMATION ON THE BASICS OF THE MAJOR TYPES OF LAW AND HOW YOU MIGHT USE THEM IN YOUR STORY

Substantive law chapters include

Chapter 10: Torts Negligence, assault, battery, false imprisonment, slander/libel, trespass, privacy, causation and damages

Chapter 11: Cases About Employment The types of claims that might come up if your characters work

Chapter 12: Professional Malpractice

Chapter 13: Business to Business Trademark, copyright, patent, unfair trade practices, contracts, partnerships, corporations, shareholder disputes

Chapter 14: Person to Business Landlord/tenant, consumer protection, real estate, admiralty, small claims

Chapter 15: Person to Person Divorce, auto accidents, probate

Chapter 16: Person to Government Civil rights, condemnation, zoning, government employment, government unions, elections, administrative law, abortions, civil unions and other gay rights issues

HOW CIVIL CASES WORK, FROM INTAKE TO COLLECTION

Chapter 17: Discovery How the lawyers get information. Find out how a deposition might be a better setting for your story than a trial, and how lawyers really get all those exhibits they use.

Chapter 18: Alternate Dispute Resolution Ways your story could get a final resolution without a judge. Where can your character throw a fit without going to jail? Find out about arbitration, mediation, collaborative law and private judging

Chapter 19: Trial Preparation What do lawyers have to do before they even walk into the courtroom on trial day? Jury instructions, verdict forms, exhibit and witness lists, subpoenas, and motions that might end the case or limit evidence

Chapter 20: Civil Practice Before Trial Ways your characters can interact besides trial. What happens at calendar call, motion calendar and specially set hearings?

Chapter 21: The Trial The way the trial in your story should happen, from jury selection to motions to the reading of the verdict.

Chapter 22: Post-judgment Just because your character won the trial, doesn't mean your story has to end. Motions, appeals, writs and collection.

Excerpt

Chapter 4 Ė Legal Ethics


Yes. You read that right Ė legal ethics. Har de har. Go ahead. Get it out of your system. How about this one? Why do scientists prefer using lawyers over lab rats? There are some things lab rats just wonít do. Are we done?
Yes, I know you think lawyers donít have ethics. But ethical gaffes in shows and novels about lawyers just make me steam. My favorite TV groaner is the one where the lawyer switched sides in the middle of the case. What the writer of that episode didnít show was the disbarment proceeding that would have taken place right afterward.
Iím going to talk here about some of the things you may not know about lawyersí ethical rules and how they may affect your stories.
\

Conflict of Interest
I didnít think it needed to be said until I saw it on a TV show. Iíll say it again here. The lawyer canít switch sides in the middle of the case. It can never happen. The lawyer cannot handle a case against the interest of a current client. The lawyer cannot handle a case against the interest of a former client regarding the matter they handled for the former client. The lawyerís firm cannot handle one side of the case with the lawyer handling the other.
So, letís say your character is a homeowner whose house is sitting on a toxic waste dump. He goes to his deposition and decides that he likes the other sideís lawyer better than his own. No matter how much he begs, no matter how much he offers to pay, your lawyer character canít take the case and represent someone on the other side of his existing client even if he withdraws. Your lawyer character canít even talk to this person without their lawyer present.
Letís say your character, Ida Mae, had her will done by a lawyer, then files a suit against Jones Company, can the lawyer who did Ida Maeís will represent Jones Company against her? Yes, unless the lawyer is still representing Ida Mae on something like a re-draft of the will. See the difference? Current client, never, ever. Former client, only if they are truly former.
How about if your characterís title to real estate is at issue? Can the lawyer who prepared the title policy represent someone who claims the title is bad? No, even if the client is a former client, because the dispute is regarding something the lawyer handled.
What if the client consents? Well, then the lawyer character could represent somebody against the clientís interests, but only if it didnít require them to reveal something against the former clientís interest that was said in confidence. For instance, say your lawyer character represented two clients who worked for the same company and are claiming discrimination. Suddenly, they end up having to testify against each other because one knows the other punched the boss, giving the company cause to fire. Sometimes they will both agree to allow the lawyer to represent one of them. But if the lawyer knows something about the former client they wouldnít know if they hadnít represented them, they canít use that information against the former client. If the boss is in a coma after the punch you may have to write it differently than if the boss is able to testify.

Scope of representation
Can your characterís lawyer do something the character specifically told them not to? No, no, no. Can they accept a settlement without getting the client to agree? No, absolutely not. So if the lawyer does this in your story, youíd better show them running from the Bar.
If the client tells the lawyer to lie for them or to help them commit a crime can the lawyer do it? No. Not without ending up in jail or disbarred.
Does the lawyer have to believe the client is a good person, believe in the clientís religious, political or personal views, or think the client is moral? Heck no.

Fraud on the court
If the client tells your lawyer character they intend to lie on the stand, can the lawyer allow them to testify? No. If the client testifies falsely and the lawyer finds out later do they have to tell the judge? Yes.
If the lawyer in your story knows thereís a case that would mean theyíd lose their motion, can they fail to disclose it and hope nobody finds it in time? No.

Meeting with the judge or the opposing party
Is your lawyer character allowed to take the judge aside and tell her things about the case without the other side being present? No. Can the lawyer for the plaintiff meet with the defendant without the defense lawyer present? No. Neither side can meet with the judge or any represented party without the other side present.
What about key witnesses? If the disgruntled president of the company your lawyer character is suing calls the lawyer up and offers to provide secret evidence and to give a statement, should your character jump on it? No. Any officer or manager of the company is considered an agent with authority to bind the company. What does that mean? For all intents and purposes, somebody high up IS the company. If the company is represented, the lawyer canít meet with that person.
If the janitor comes to the lawyer and offers to testify against his employer, can the lawyer take his statement? Absolutely. Anyone lower to mid-level in the company can meet with either lawyer if they want. The company can force its employees to meet with the company lawyer, but meeting with the other side is either voluntary or done in a deposition with both sides present.
What if the former president offers to testify? Itís a stickier situation. Most lawyers would call the former president for a deposition unless that former president is represented by other counsel. For instance, if your lawyer character gets that call, but the president volunteering to talk has their own lawsuit against the company, then the lawyer still canít speak to the president. What they have to do is get permission from the presidentís current attorney, or speak with the president in the presence of their attorney. Confused? Heck, ethics is a whole class in law school, so donít feel bad.
In fact, your lawyer character could be confused about their ethical requirements. They could hire another attorney to give them advice or get an opinion from their Bar Association before they decide what to do. Or they could guess, get it wrong, and end up in hot water.

Confidentiality
The lawyer has to keep all client communications confidential. Surely you knew that from watching TV court shows. But did you know there are times the lawyer can tell or even has to tell something the client told them not to disclose?
If the client character tells the lawyer they are about to commit a crime, the lawyer has to report the client. Same with bodily harm Ė if the client says they are going to beat somebody up or kill them, the lawyer has to go to the police. If the lawyer knows the client is a child abuser, they canít allow the child to be in danger and have to go to the appropriate agency.
Say your client character is suing the lawyer for malpractice. Can the lawyer tell the court about the clientís confidences? Heck yes. The lawyer is allowed to defend themselves, and confidentiality is out the window.

Ending representation
If the client character fires the lawyer, can the lawyer still handle the case because they want to help? No. That is, unless the judge orders them to stay in. The judge can refuse to allow a lawyer to withdraw from the case in some circumstances, such as the middle of a trial.
If the lawyer character knows the mob boss client is using the lawyer to commit a crime, can the lawyer continue representing your mob boss? No.
If the lawyer is a drug addict and isnít in denial about it, or has gone off her manic depression meds and canít properly represent the client, can she continue representing your character? No.
If the client is a criminal but the lawyerís representation doesnít help them commit the crime, can the lawyer continue to represent your client character in a civil case? Yes, but they are also allowed to withdraw.
If the client insists on doing something stupid or unethical, can your lawyer client stay in the case? Yes, but they can also get out at that point.
If the client stops paying, is the lawyer stuck in the case? No, unless the judge says otherwise. They can withdraw with the judgeís permission if a lawsuit is going on.
If the client refuses to obey a court order or provide information the lawyer needs, can the lawyer withdraw? Yes. They donít have to, but that is something that allows them to get out.
If the judge orders your lawyer character to stay on the case even though the corporate president client has threatened to kill the judge, refuses to pay the lawyer, and has fired the lawyer, does the lawyer get to withdraw? No. The lawyer has to obey all court orders. The lawyer can and should appeal such an order though.

Dealing with the other side
Can your lawyer character burn evidence they know goes against their clientís case? No.
Can your lawyer character lie to the other side? No.
Can your lawyer character pay a witness to testify? No. The witness fee allowed is usually something from under ten dollars to around forty dollars. The only witnesses that can be paid are expert witnesses.
Can your lawyer character threaten to notify the police about a crime if the other side doesnít settle quickly? No. And thatís extortion, so theyíll go to jail for it.
Can the lawyer character threaten to report the other side to the Bar unless they settle? No. Still extortion.

Lawyer as witness
You think it would be fun to have a key witness in your story also be the lawyer. Can you have the lawyer walk from counsel table to the witness stand and call himself to testify? Well, maybe. Iíve actually seen it done. It was absolutely not a good idea because the lawyerís testimony ended up hurting his client. The only times it really happens is if the lawyer has won the case and is testifying about their own fees to get the court to make the other side pay the fees.
When else can it happen? Itís allowed if the testimony isnít adverse to the client, and if the matter is supposed to be a formality or uncontested. Say the lawyer is the only person who can authenticate a particular piece of evidence, that is, say that the evidence is the real thing. The lawyer is probably allowed to testify. But things can go so wrong so fast if the lawyer is on the stand in their clientís case.
Would it be fun to have your lawyer character testify, then have the other side turn it around to work it against the client? What if the lawyer testifies that the client did something based on their advice. Could the plaintiffís attorney get them to admit they would never have advised the course of action the client actually took?

Malpractice
Hereís where the doctors have it good. If a lawyer realizes they did something wrong in a case, missed a deadline or failed to raise an issue they should have, can they sit back and hope nobody finds out? Nope. They have to tell the client. Do you think doctors have to disclose to patients that they sewed the sponge in during surgery? No, they donít. So your young lawyer could have to tell the elderly character they missed the deadline to file the lawsuit to get back the money the nursing home bilked from them. Does she do it, or does she move to Wisconsin and become a waitress?

Consequences
Now, of course, Iíve said lawyers canít do these things, but we all know they can. They arenít supposed to, but even lawyers break the rules. What happens if a lawyer is caught breaking an ethical rule? One of three things usually happens.
ē Disbarment - where the lawyer loses their license to practice law. Sometimes a lawyer admitted in two states can continue practicing in the second state (but they have to tell the other state about the disbarment). So maybe the incompetent lawyer moves to New York after getting disbarred in California, leaving your bilked character frustrated with the system.
ē Suspension - where the lawyer has to stop practicing law for a set period of time. It could be a week or a year. The Bar Association has lots of discretion in setting the penalty. Many times the lawyer will accept a suspension with the agreement they wonít be disbarred. Is your character so angry when her crooked lawyer gets to come back to practice law and steal from another client that she takes matters into her own hands?
ē Reprimand - where the Bar tells the lawyer not to do it again. A public reprimand is published in the papers, done in court or a public ceremony, and the other lawyers get to kick sand in the reprimanded attorneyís face. Well, I made up the last part, but a public reprimand isnít a picnic. A private reprimand means the lawyer is told quietly not to do it again, and they get to avoid the public humiliation.

So, if your characters do something that you know they arenít allowed to do, are you going to tell and show the reader the possible consequences, or do you hope the reader doesnít notice the inconsistencies? The show that had the lawyer switch sides mid-case lost me as a viewer forever. Considering how many lawyers there are, do you really want to take that risk with your writing?


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Reader Reviews for "The Writer's Guide to the Courtroom: Let's Quill All the Lawyers"

Reviewed by Nicholas Reiersgard 1/29/2010
This is great! I have always wondered how authors can become so comfortable writing about law when they have no law background…This is how!

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