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Carmel M Audsley

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No boundaries to learning
by Carmel M Audsley   
Rated "PG" by the Author.
     
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Carmel M Audsley

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You can learn a lot from historical fiction novels - like how women were not allowed to study medicine in the mid-1800s in Scotland.

In my latest novel The Undertaker, set in 1858 in Edinburgh Scotland, a 23-year-old woman named Kate Grainger inherits her father's undertaking business. It is a time when not much is expected of women, other than to be wives and mothers, and Kate wants to be neither. She wants to be a doctor but women are not allowed to enter the prestigious Edinburgh School of Medicine. Until 1869, no British medical school would admit women as students. Sophia Louisa Jex-Blake led a campaign to secure women access to a university education when she and six other women, collectively known as the Edinburgh Seven, began studying medicine at the University of Edinburgh. She was the first practising female doctor in Scotland and a leading campaigner for medical education for women. Prior to Sophia's legitimate admission to the school, an Irish woman named Margaret Ann Buckley who masqueraded as a male called James Barry in order to study for three years in Edinburgh. She graduated in 1812 and spent her life as a male doctor for the next fifty years. Back to the novel and Kate has a male friend, James, who is a doctor - he is smitten with her and wants to marry her, but she has made it clear that she has no such intentions. She spends a lot of time with him looking through his medical books to learn all that she can. She has drive and ambition - and a special gift. Kate can communicate with people who have passed over. She had, what her father thought, was an imaginary friend when she was a child, but her companion was the spirit of a little girl who had died in the Great Fire of Edinburgh. When Kate discovers that her first client at Grainger Undertakers has been murdered, she sets out on a journey that takes her deep into Edinburgh's underground and into the spirit world to catch a serial killer. As with all of my novels, the characters are dropped into real places and experience what the people of the time would have experienced. When you have a thirst for knowledge, nothing can stand in your way.


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Reviewed by Carmel Audsley
Reviewed on April 10, 2016
thanks for your comments Ron. The books doesn't dwell on the spirit world - it is one small part of many parts. The main theme is about a determined young woman, denied the right to higher education, who finds her own way to solve problems. There is no mind twisting - that would suggest that adults who read the book are of feeble mind, and I can assure you that my readers are not. If you close your mind to possibilities, then you can't continue to learn. Maybe there isn't a life after life, but for people who have lost a loved one, it is very comforting for them to think that they will see them again. Your comment that the spirit world 'may have thrived during that period but was later debunked' - I was writing about 'that period' so it is entirely relevant to the story, just as much as the opium dens of Edinburgh and death by hanging which are also mentioned. I don't expect that you will give the book a fair shake and actually read it as you have said it is not your thing. However, if you would like to read three books based on family history in Scotland from the 1600s to 2012 you might enjoy my earlier three novels. 'Faeries, Farms and Folk' does mention witch hunting and witch burning, and I can tell you that it definitely took place in Scotland in the late 1600s and 1700s. Thanks for taking the time to open this discussion. Best wishes, Carmel Audsley

Reviewed by Ronald Hull
Reviewed on April 10, 2016
You're right. Readers can learn a lot by reading historical fiction that has well researched background material to make it more realistic. Unfortunately, the spirit world, while it may have thrived during that period but was later debunked by the likes of Houdini and others, is a turnoff for me. However, many like this kind of mind twisting in a novel, so you may have a substantial readership.

Ron

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