George Bernard Shaw

Wit, wisdom and windows http://news.bbc.co.uk/1/hi/magazine/4944100.stm

By Andrew Walker BBC News Tony Blair unveils Shaw's design (pic by Maria Moore/LSE) While the centenary of Samuel Beckett's birth is being marked by a global celebration, 2006 also marks the 150th anniversary of the birth of fellow countryman, and playwright, George Bernard Shaw - an occasion that Tony Blair celebrated by opening a window. "Prime Minister Opens Window" is not the most enthralling headline a newspaper's sub-editor could come up with. But last week it would have been literally true , as Tony Blair unveiled, at the London School of Economics (LSE), an intriguing relic of the life of one of the most influential, and creative, minds ever to come out of the British Isles. For not only was Bernard Shaw - he dropped the hated "George" at an early age - an iconoclastic playwright, journalist, polemicist, scintillating public speaker, arts reviewer and campaigning socialist, he also turned his hand to design. In particular, Shaw produced an outline for a stained-glass window to commemorate the Fabian Society, the socialist group which helped form the Labour Party and is still alive and kicking today. Bernard Shaw delighted in subverting society's norms But the Fabian window, which depicts the Society's founders - including HG Wells, Sidney Webb and Shaw himself - helping to build the "new world" can boast a mysterious history of which even Agatha Christie would be proud. After producing its design, Shaw forgot to pick the finished article up from the workshop. It was rediscovered in 1947, when the then Prime Minister, Clement Attlee, unveiled it at Beatrice Webb House in Dorking. But that wasn't the end of the story. "The window was subsequently stolen from the house in 1978," says the LSE's archivist, Sue Donnelly, "It surfaced in Phoenix, Arizona, soon after, but then disappeared again until it suddenly resurfaced at a sale at Sotheby's in July 2005." Re-purchased by the Webb Memorial Trust, it is now on loan to the LSE, in whose Shaw Library it now resides. The rest of this year's many celebrations represent a wide-ranging commemoration of the life of a man once viewed as a prophet. Nobel and Oscar There are countless conferences, theatrical productions and even talk of a remake of the film version of My Fair Lady - the musical version of Shaw's Pygmalion - starring Keira Knightley as the flower girl-turned-socialite, Eliza Doolittle. See the entire window Enlarge Image Shaw's credits, which include Man and Superman, Major Barbara, Arms and the Man and Androcles and the Lion, established him as one of the greatest, and most versatile, of all dramatists. Ivan Wise, editor of The Shavian, the journal of the Shaw Society, explains Shaw's place in the canon. "He remains the only man to have won both the Nobel Prize for Literature - for Saint Joan in 1925 - and an Oscar for Best Screenplay - Pygmalion in 1938. "In 1937, Churchill called him 'the greatest living master of letters in the English-speaking world'. Today, his plays are revived by Peter Hall in the West End, at his old house in Hertfordshire, and at the annual Shaw Festival in Canada. "Other than Shakespeare and Wilde, Shaw is probably the best-known English language playwright." Shaw was a decidedly modern writer, infusing his work with social comment and employing the language which we still use today. My Fair Lady - the musical of the film of the play In Major Barbara, for example, the pragmatic industrialist, Andrew Undershaft, rails against the "deadly sins" responsible for poverty: "Food, clothing, firing, rent, respectability and children." Mrs Warren's Profession deals with prostitution, perhaps for the first time in drama, in a level-headed, even sympathetic, manner. And the intriguing Candida blends religious, social and sexual themes into a remarkable fable for our times. Witticisms Another person for whom Bernard Shaw still cuts the mustard is Jackie Maxwell, artistic director at the Shaw Festival in Niagara, Canada, which has been producing his works, together with those of his contemporaries, since 1962. "Shaw's writings are, by nature, subversive," she says. "They're filled with people with strong points of view and he highlights the absurdity of how and why people make choices." In addition, Shaw's works provide meaty roles for women, she says. "His women are hugely smart, much cleverer than the men, and all the characters are active, not passive." Kerry Katona: A Pygmalion for our times? As to Shaw's relevance today, Ivan Wise says: "Pick up any dictionary of quotations and you will find dozens of Shaw entries on issues of current relevance. "He wrote on the folly of patriotism, the immorality of politicians, the evil of poverty and many other subjects that still occupy us today. "And his best-known play, Pygmalion, concerns whether it is possible to pass off a flower-girl at a society ball, by teaching her to speak properly, which sounds like the pitch for a reality TV show." Which - with My Fair Kerry, a recent television programme in which the earthy ex-Atomic Kitten star, Kerry Katona, was groomed to act like an aristocrat - is just what has happened. His bon mots include gems like: "I'm only a beer teetotaler, not a champagne teetotaler"; "If all economists were laid end to end, they would not reach a conclusion"; and "A fashion is nothing but an induced epidemic." But anyone who writes off Bernard Shaw as just a comedian, does so at their peril. Although it is 150 years since his birth, Shaw's work - including his fabulous and mysterious window - can still shed penetrating light on the human condition.