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Guy Hogan

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The Flash Fiction Writer #5
by Guy Hogan   
Not "rated" by the Author.
     
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Flash Fiction / Pittsburgh / Publication / Blogging

What you leave out of a piece of flash fiction is more important than what you put in; but what you put in must imply what you leave out. Only in this way will a 400 to 1,500 word short story resonate with things the reader will not understand but will sense beyond the actual words on the page/screen.

The easiest way to try to get this resonance is to over write your first draft. If your first draft is 3,000 to 4,000 words cut it down to an essential 800 to 1,200 words.

The shorter a story is the deeper it should be.    


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Reviewed by Linda Lavid
Reviewed on June 10, 2007
I should be writing but... I'm enjoying your articles. I think shorter the piece the tighter the language should be. I see novels at one end of the continuum and poetry at the other. The range in between varies. Still it's imperative to cut and hone.

Reviewed by Georg Mateos
Reviewed on May 8, 2007
Many times I don't care to read maybe a very good flash fiction because the story are buried inside an entangled spaghetti of inane details which distracted me from the main theme.
Great advice, hold it short so the reader can't put down the pages keeping on reading.
Georg

Reviewed by Randall Barfield
Reviewed on May 7, 2007
this is true. 'deeper' is an important word here in this article. thanks for sharing

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