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David A. Schwinghammer

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Books
· Soldier's Gap

· Soldier's Gap

· Soldier's Gap

· Soldier's Gap


Short Stories
· Mengele's Double, Chapter 12

· Fisher of Men, Chapter 11

· Mengele's Double, Chapter 11

· Honest Thief, Tender Murderer, Chapter 11.

· Mengele's Double, Chapter 10

· Honest Thief, Tender Murderer, Chapter 10

· Fisher of Men, Chapter 10

· Mengele's Double, Chapter 9

· Seminary Boy, a memoir

· Fisher of Men, Chapter Nine


Articles
· The Jerk

· Bone-headed Supreme Court Decisions

· Republicans Work Hard at Creating Divisive Issues

· Pipestone: My Life in an Indian Boarding School, book review

· Auschwitz (Always Remember Your Name), book review

· Fahrenheit 2021-22

· Biden's Approval Rate Plummeting

· Mr. Trump, have you no sense of decency?

· Critical Race Theory

· Clueless Judge Compares AR-15's to Swiss Army Knives


Poetry
· Should I Take Ballet?

· Caboose

· The Girl Next Door

· Llama, Llama (dedicated to William Blake)

· The Terminal Booger

· Fashion

· Widow's Peak

· Myth

· Alumni Game

· Stradivarius

         More poetry...

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The Weekend Novelist (book review)
by David A. Schwinghammer
Last edited: Wednesday, June 3, 2009
Posted: Wednesday, June 3, 2009



     
Robert Ray's WEEKEND NOVELIST (May be out of print. Look for used copies) is the best writing book I've read. I always use it when I start a new novel.


I've read all of the so-called writing gurus, John Gardner, Janet Burroughs, Dwight Swain etc., but this is the one that has been most helpful.
Don't be put off by the title. This was how Robert Ray wrote his first novel; I don't think he means to imply that everybody should write only on weekends.
If you're a beginning writer, Ray will take you from idea all the way through three rewrites. The first thing he will do is help you get to know your characters. You will write a back story for each of your main characters, you will come up with a time line, and you will dress them for business. When you finish they will start to come alive for you.
Next he will provide a structure for your novel, something I've been led to believe is the biggest problem for beginning novelists. Ray uses the Three Act method. Act one is where you show the problematic situation and bring your main characters on stage. Act Two is where you build complications. Act Three is the climax and resolution for your novel. Ray will help you fashion plot points that will help you write all the way to the end. There are three of them, plot points one and two and midpoint, which will give you targets to aim at. Ray also emphasizes chains of events before and after each plot point which will further hold your work together.
Every time I start a new novel I skim over the WEEKEND NOVELIST. The man clears things up. I had no idea how rhythm worked in a novel until I reread this book. The scales have fallen from my eyes. What's really surprising is that the book is out of print (Used copies are available). It was originally a Dell Trade Paperback but I got it from Writer's Digest Book Club. They need to republish this baby; it will enhance their somewhat suspect reputation.  

Web Site: Mystery Writer


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