The poem, Taos Summer, has been accepted for publication in the November 2012 issue of Bosque
Taos Summer The dead fly on the windowsill next to a magpie feather reminds me to be humble. On a bed shaped like Taos summer, all rounded edges and sage, I daydream in adobe. Cottonwoods have abandoned me. Yesterday they chattered through the night but this morning wind moved and left only the crows. A spider drops from nowhere and lands near my leg. I don’t know whether to run for the mountains or enter her silent web. I allow her sticky, silken strands to bind me to the physical while singing bowls ring out the sounds of emptiness. It’s always a question of balance. Do I leave behind the poetry of my body, its litany of suffering and bliss, and journey to the Blue Lake of my dreams? Or do I stay and dance with spiders with only a glimpse of filtered light through quaking aspen? The dead fly speaks to me of impermanence.
The songs and art in this book are about our collective emergence after the pandemic and trauma of the last few years - comprised of 5 collections: World as Refuge, Where We Live, In Our Hands, Rhythms of Change and What We See & Sow.