Drag performer Christopher Marlowe has kept Tamburlaine, a failing, NYC show bar, open because of a promise. When a young man enters her life, everything changes. Crowds flood to Tamburlaine for the gender-bending shows and Chris’s performances are once again loved. So, why is someone trying to kill him? “Confident, playful prose” (Kirkus)
“Two Knockers Up!”
~Rusty Warren, comedienne
Runner Up: 2017 San Francisco Book Festival Category: Gay Fiction
Chris Marlowe, a drag queen of a certain age, has kept the failing, New York City show bar, Tamburlaine, open because of a long-ago made promise. When a young man enters her life, Chris reconnects with the world and everything changes. The bar once again enjoys success, crowds flood to Tamburlaine for the gender-bending shows directed by The Great Jericho Taylor, and Chris’s impersonations of the famed comedienne, Rusty Warren are once again loved by audiences. So, why is someone trying to kill Christopher Marlowe—again and again?
“Kompes writes in a confident, playful prose that perfectly captures Chris’ snarky worldview…. A colorful, surprising novel about an over-the-hill artist grappling with times gone by.” ~Kirkus Reviews
Professional Reviews
Kirkus
In Kompes’ (The Middle Man, 2016, etc.) mystery, an aging drag performer tries to save his business—and his life.
Chris Marlowe is just trying to keep everything going: his looks, his sex life, his act, and his failing club, Tamburlaine, which he runs as a tribute to a dead lover. But when he starts a new relationship with a young cook named Ingram, who appears suddenly and offers to revamp Tamburlaine’s kitchen, Chris feels energized in a way that he hasn’t in years. He also reconnects with Jericho Taylor, an old friend and fellow drag performer who went on to Broadway success years ago. Jericho offers to do some performances at Tamburlaine in order to bring in much-needed crowds. Chris is just beginning to enjoy this unexpected second act—performing as real-life 1960s musical comedian Rusty Warren to a packed house—when he suffers a sudden, stroke like attack. A medical examination reveals that someone had slipped aconite into his bourbon to poison him. Chris recovers and gets to work on his big plans for the new Tamburlaine, which include an in-house theater troupe, a stellar restaurant, and a partnership with Jericho; he also continues his courtship with Ingram. Everything is falling into place when Chris is attacked outside the club by someone wielding a barrage of Molotov cocktails. It’s clear that before Chris can enjoy his success, he’ll have to figure out why someone wants him dead. Kompes writes in a confident, playful prose that perfectly captures Chris’ snarky worldview. Here, for example, he describes Chris’ reaction to seeing Ingram eat pie: “Watching young men eat made Chris feel the way he knew Whitman must have felt watching the boys swim in the Hudson.” That said, the novel takes a while to find its feet, as several unnecessary setup chapters weigh down the momentum. But once the story gets going, the reader quickly becomes invested in the mysteries surrounding Chris and his past. The novel’s ending is about as campy and melodramatic as a Tamburlaine show, and readers will likely find that to be a good thing.
A colorful, surprising novel about an over-the-hill artist grappling with times gone by.
Amateur sleuth and cobbler Fulton Moon (yes, his nickname is Full Moon) encounters beautiful and sinister Lucinda Mathews. Lucy, wife of prominent florist Arthur Mathews, wants to escape an abusive husband and Moon only wants to help. It isn’t that
