Category: Mystery/Suspense Publisher: Blue Fairy Books
ISBN-10: 0615245366
Type: Fiction
Pages: 230
Copyright: June 16, 2009
ISBN-13: 9780615245362
For those of who are haunted, and all of you who will be, this novel hits a spot in your heart.
Two years after the sudden death of his fiancé, up-and-coming musician Isaac Owens is still grieving, haunted by memories of his tragic loss. Fresh off a world-tour, Isaac decides to seek solitude in the woods of South Georgia where he has recently inherited a house. It soon becomes apparent he isn't alone there after all. As he delves deeper into the mystery surrounding his inheritance, Isaac is drawn into its secrets whose only key to unlocking them lies behind a door that shouldn't be.
Weaving the past with the present, he finds himself falling in love with a woman trapped in a time long before his own. When he realizes his new love is in danger, Isaac must decide whether to leave history alone or succumb to a fate he might not survive.
Professional Reviews
King of the Nerds!!
es, another book from another small press publisher Blue Fairy Books. At this point The Space Between by Erik Tomblin is their only book. The site has a really neat flash trailer that really captures the atmosphere of the novel; you should definitely check it out. The Space Between is, in a sense, a haunted house story. Then again it isn’t really a haunted house story. It is, perhaps more accurately, a haunted person story. Musician Isaac Owens arrives to the house already haunted by the memories of his recently deceased girlfriend and the house, and some of the other characters in the novel, are themselves haunted by their own pasts. It is also a novel that, in the end, that left this reader a bit haunted himself.
I should point out here that given the southern setting I was expecting a novel with a languid narrative drenched in Southern Gothic overtones and a slightly more poetic vocabulary. While Tomblin certainly employs certain elements of the Southern Gothic in terms of setting he employs a more workman-like tone and vocabulary. This isn’t really a bad thing but I did have to readjust my own expectations as a result. There is a great degree of clarity to the prose, a specificity of place and setting that I’ve never really seen in other novels. Tomblin has a very specific vision of setting, of the house and grounds in particular, that he convey’s with a laudable ease. I don’t know whether or not the house in the book is based on a house in real life but in either case Tomblin displays an almost uncanny ability in crafting the locations in the book; so much so that even after having set the book down several days ago I can still easily conjure up the various places that Isaac visits.
As brilliant as that sense of setting is there are some aspects of the novel that didn’t sit as well with. One of which was Isaac’s sudden, love-at-first-sight connection with Elizabeth. Perhaps I’ve grown a bit cynical but there seems little foundation for their sudden romance is a bit shaky and, time displacement aside, as a couple they seem rather ill-matched. Isaac comments on Elizabeth’s similarity to his deceased lover Emily, his escape to Southern Georgia as means to exorcise her memory and presence in his life, and in-part his physical reaction to Elizabeth’s presence leads me to believe that his attraction to Elizabeth, his drive to “save” her, is more based on his feelings towards Emily then any actual love for Elizabeth.
In truth the reader’s experiences with Isaac resemble a somewhat twisted run-through of the stages of grieving. It’s not perfect but they’re there in Isaac’s initial inability to divorce himself from the expectations and opinions of Emily (denial), his use of music at the end of his tour that he had previously played only for her as well as his reminiscing about the night of her death (bargaining) and his inability to compose new music or rather his ability to compose only really dark music (depression). Where things kind of twist off path is with the introduction of Elizabeth and culminating in scene where, as Isaac falls asleep, we learn it is the first night he doesn’t turn to the space next to him looking for Emily. Is this really the road towards acceptance though? This move “forward” seems to come only as a result of his attraction to Elizabeth and the belief that he can save her when he couldn’t save Emily. I would posit that this is not “true love” at all and more an act of transference. (Note: I am particularly fond of the wikipedia article’s use of the phrase “emotional time warp,” apropos I think). As I sad, when it comes to love maybe I’m a bit of a cynic but I just didn’t buy Isaac’s attraction to Elizabeth as love. It is a conceit that, in the heat of the moment, I had to force myself to buy into.
That being said I still enjoyed the novel. I think that someone who can actually buy into love at first sight might find Isaac/Elizabeth an easier pill to swallow but I also think that the novel works extraordinarily well as a metaphor for grieving. It is a novel that certainly stuck with me all weekend. There are some elements I found predictable especially when once we get certain details about a specific character it becomes fairly obvious what exactly that character is and I found it a bit odd that Isaac was so slow to grasp that fact. I was also slightly nonplussed by some of the attention given to Isaac’s physical well being early in the novel, but maybe I missed something there. The Space Between is an impressive novel that is well worth a look by fans of supernatural fiction and is a novel that I think will haunt you long after you’ve closed its cover. The Space Between is available from Amazon (both trade and Kindle), direct from the publisher, and from MobiPocket.
Goodreads Review
Alfred Hitchcock was called the ‘undisputed king of movie mystery’. He was the Master of Suspense on the big screen and for good reason - I will never forget the thrill I got when I saw ‘Psycho’ for the first time. It occurred to me while reading ‘The Space Between’, that I’m looking for that same experience every time I pick up a mystery. Erik Tomblin has yet to disappoint and I would even go as far as to call him the Master of Suspense in the literary world.
Isaac Owens is blindly walking through the fame of his musical career, still mourning the loss of the love of his life. His good friend and attorney comes to his dressing room one night and urges him to take a break. To find himself again. He tells Isaac about several acres and a home that have been left to him in Logan County, Georgia. The mystery begins here - the land is coming out of a trust set up over ten years ago and the small firm in charge will not disclose any information as to who it is coming from. Isaac goes into the woods of South Georgia and the mystery involving a room that shouldn’t be, a love from another time, and his posterity begins to unravel. Tomblin's writing has a descriptive and easy-conversational flow that is easy to read and hard to put down. I'm excited to see what he will dream up next!!
During the Christmas Season, servants Jane Meyers and Alfie Dawkins search for missing persons from opposite sides of the social spectrum: a homeless man and the Duke's son.