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Monte R Anderson

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The Register Cliff Rapist
by Monte R Anderson   
Books by Monte R Anderson
· The Throuple Private Eye—Hate Crimes
· A Head for Murder
· Night Predator    >> View all

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Download from Smashwords (eBook)
Smashwords

Category:  Crime
Publisher: Smashwords

ISBN-10:  1311741267

Type: Fiction

Pages: 115

Copyright: 
12/08/2015
ISBN-13: 9781311741264

Price: $3.99 (eBook)


The Register Cliff Rapist is a crime novel that takes place in Wyoming.

Jason Franco is an aspiring novelist working for a newspaper in a small town where nothing exciting happens until someone rapes and murders a young woman only 18 years old. All evidence points to the woman's boyfriend who confesses to the crime. Jason is assigned to write a follow-up story for the paper and soon suspects that the local police are covering up for one of their own. An unexpected turn of events put Jason in the cross hairs of a killer.

Excerpt

PRELUDE
Wednesday, August 15, 2012

“What is the nature of your emergency?”
The caller was out of breath. Between breaths, she screamed into the telephone. “My daughter. She’s been stabbed. I think she’s dead. Send the police and an ambulance right away.”
“Yes, Ma’am. Lower your voice, please. Are you sure she’s dead?”
The caller took a deep breath.” I’m a nurse. I checked her vital signs.”
“Okay. Stay on the line. The police are on the way. They should be there soon. What is your name?”
“My name is Margaret Littlefield.”
“Okay Margaret, are you in a safe place?”
After a short pause, Mrs. Littlefield answered, “I don't know. I think so. I'm in the house.”
“Maybe you should leave the house and wait outside.”
“Okay. Please hurry.”
Officers Marini and Boyd were first to arrive at the Littlefield residence, a three-bedroom house on the east side of town. They were at the police station when the call came in around 11:30 pm and drove over in separate patrol cars. Mrs. Littlefield was standing in the driveway when they arrived. She was still in her nurse uniform with a sweater on over it. Fall had not yet arrived, but the weather had turned chilly. She led the two officers inside her house through the side door off the car port. Only the kitchen light was on. Her daughter, Angelina Littlefield, lay on her back on the kitchen floor. She was naked from the waist down. Her jean shorts were pulled over her head. Her tube top was covered with blood and there was a large puddle of blood on the floor. A stab wound was in her chest.
Naomi Marini was the senior officer. She told Mrs. Littlefield and Officer Art Boyd to stay out of the kitchen to avoid contaminating the crime scene. She carefully tiptoed into the room, avoiding any blood spatter. She knelt down and checked for a pulse in Angelina’s carotid artery but found none. “Ma’am, is anyone else in the house?”
“Oh. I didn’t check. They told me to stay outside to wait for you guys. I didn’t see anyone.”
Naomi instinctively pulled her service revolver and turned to Art Boyd. “Check the house. The perp may still be here. Then check the doors and windows for a forced entry.” Naomi wasn’t worried about Art checking the house without backup. Art stood six feet two and was an expert in martial arts. He was also the top marksman in the department.
Art drew his service pistol and flashlight and carefully checked every room. He saw no one. He checked all the doors and windows but found no indications of forced entry. He returned to the dining room where Naomi was questioning Mrs. Littlefield. “All clear. I didn't see any evidence of forced entry.”
Chief of Police, Jeri Cruse, arrived with Officer Gerald Dunley followed by the ambulance. Naomi and Art met them in the dining room. After conferring with Naomi, Chief Cruse said, “Let’s protect the crime scene and don’t touch anything. I’m going to request assistance from the State Police. They have a Regional Enforcement Team on standby. They can be here within a couple of hours. Gerald, you check outside around the house. Make sure no one is lurking about and then check for forced entry from the outside and footprints.”
Chief Cruse turned to Mrs. Littlefield. “I’m sorry for your loss, ma'am. I promise we’ll find whoever did this. But right now we can’t touch the body. We need to look for clues. Did you cover her face like that?”
Mrs. Littlefield shook her head.
“Ma'am, I know this is hard for you, but the first forty-eight hours are critical to catching whoever killed your daughter. We need to ask you some questions. Do you understand?”
Mrs. Littlefield shook her head yes. She was beginning to feel numb.
Chief Cruse removed a pocket recorder and turned it on. “In your own words, tell us what happened.”
She took a deep breath. “Okay. I'm a nurse at the Torrington Community Hospital. I work the second shift until 11 pm. I got home around 11:30. That's when I found her.” She began to choke up. “Like that.”
“Was anyone with your daughter tonight?”
Mrs. Littlefield wiped her face with her hands. “I don't know. My daughter usually stays up until I get home. Sometimes her boyfriend is with her.”
“Is there a Mr. Littlefield?”
Mrs. Littlefield shook her head again. She was starting to shake and turn pale. Chief Cruse took her hand and led her to a chair at the dining room table. “What about Paulo?” she asked.
“Who?” asked Jeri.
“Paulo McAdams. He’s Angelina’s boyfriend. Someone has to tell him.” She gave Chief Cruse Paulo’s address.
“Okay, ma’am. We’ll take care of it. Naomi, go over to Paulo McAdams’s house and notify him. Take Art with you.” Jeri followed Naomi and Art outside. In the drive way he stopped them. “Be careful. This Paulo guy might be the perp. Look around and see if there’s any indication that he might be involved then bring him in for questioning.”
Officer Dunley came around from the back of the house. “All clear, Chief. No signs of a forced entry or footprints. She may have let her attacker inside–maybe someone she knew.”
“Okay. Check it again after sunrise. Something might turn up in the daylight.”
The McAdams's house was on the west side of town near the National Guard armory. When Naomi and Art arrived at the McAdams's residence, they found all the lights off. After several knocks, Paulo answered the door followed quickly by his mother in a robe. Paulo had on a pair of khaki shorts and a white T-shirt. Naomi noted there was no visible blood stains on his clothes. Se also noted there were no scratches or wounds on his face or arms.
“Do you mind if we come in?” asked Naomi. When she saw the puzzled looks on the faces of Paulo and his mother, she added, “It’s about Angelina.”
Without another word, Paulo opened the door wider and stepped aside. Once inside, Naomi said, “We regret to inform you that Angelina Littlefield has been killed. We're sorry for your loss.”
Paulo’s knees buckled. Art grabbed him before he collapsed and helped him to the couch. Mrs. McAdams ran to the kitchen and returned with a glass of water for Paulo. As he slowly regained his composure, Mrs. McAdams hugged her son.
“When? How? Who?” stammered Paulo.
Naomi took the lead. “We don’t have much information at this time. Apparently, someone came into the Littlefield residence and killed her while her mother was at work. Right now that's all we know. Mrs. Littlefield said we should tell you right away.”
Paulo was still in shock as the news set in. “Can I see her?”
“I’m afraid not,” answered Naomi. “We’re waiting for a Regional Enforcement Team from the State Police. They’re the forensics experts. The medical examiner hasn’t released her body yet. When did you last see her?”
Paulo started to cry. Unconsciously, he began to pitch the skin on the back of his hand. “Like every night, we hung out at her place until about nine thirty. She wanted to clean up the kitchen before her mother came home from work, so I left.”
“Just the two of you alone?”
“Yes, of course.”
Naomi looked at Mrs. McAdams. “I hate to ask this but I’ve to. Can you verify that Paulo came home around nine thirty and stayed here?”
“She was asleep,” interjected Paulo. “I came in, watched TV for a few minutes and went to bed around ten or ten thirty.” His mother nodded her head in agreement.
Naomi made a note in her notebook. “Did you call anyone or did anyone call you?”
“No,” answered Paulo.
Naomi made another notation. “Did you use your computer or cellphone, so we can verify the time?”
Again, Paulo answered, “No.”
Naomi touched Paulo’s shoulder. “We’re sorry for your loss. Would you help us by answering some questions down at the station? Maybe later you can see her body.”
Paulo stood up. “Yeah, sure.”
“I’m coming too,” said Mrs. McAdams. “Just let me put some clothes on.”
“Paulo, Officer Boyd here will stay with you as you dress,” said Naomi. “I want you to give him the clothes you wore tonight at the Littlefield house. We have to check them. It's protocol. Your shoes too.”
“Sure. I understand.”
After a few minutes, Paulo and his mother were dressed. Art had a large plastic bag with Paulo's clothes in it.
“Cellphone?” Naomi asked Art.
“Got it,” answered Art as he pointed to the bag of clothes.
“Officer Boyd will take you two to the station,” said Naomi.
After five minutes Art left with Paulo and Mrs. McAdams. Naomi waited in her patrol car until they left and then marched back into the house with her crime scene kit and a paper bag. In her hurry, Mrs. McAdams forgot to lock the door. Since Paulo was a suspect, Naomi could legally enter the house. Naomi was in the McAdams house for only a few minutes when she called Chief Cruse. “Chief, we got a situation here. Art is taking Mrs. McAdams and her son to the station. I think I've found the murder weapon‒the knife.”
“I thought so,” answered the Cruse. “Don't touch anything. I'll be over there in a few minutes. Meanwhile take pictures.”
“One more thing, Chief. I found Angelina's cellphone. A picture of her dead body is on it.”
“Are you sure it's hers?”
“I'm sure. Mrs. McAdams took hers, and Art has Paul's cellphone. It has a pink cover and the information on the phone says it's Angelina's.”
Before noon, the Torrington police charged Paulo McAdams with aggregated assault and the murder of Angelina. Later, after the Medical Examiner’s autopsy, they added the charge of first degree sexual assault.



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