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Tim Vicary

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Women of Courage
by Tim Vicary   
Books by Tim Vicary
· A Game of Proof
· Nobody's Slave
· A Fatal Verdict    >> View all

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Kindle Edition
Tim Vicary - quality legal thrillers and historical fiction

Category:  Historical Fiction
Publisher: White Owl Publications Ltd

Type: Fiction

Copyright: 
14 Feb 2015
Price: $4.99 (eBook)


A Boxed Set of three historical novels - Cat & Mouse, the Blood Upon the Rose, and the Monmouth Summer.

Women of Courage These three novels are very different but they have one thing in common: they are all about women who lived through dramatic periods in history, and showed great courage in fighting for what they believed to be right. All three books are works of fiction, but they are all based on careful historical research. Most of the historical events in them really did happen, more or less exactly as I describe. So although my three heroines - Sarah Becket, Catherine O’Connell-Gort, and Ann Carter - are creatures of my imagination, I think it’s fair to claim that real women very similar to them really did face such difficult and dangerous choices, and behaved very much as they did. Sarah Becket, for example, in Cat & Mouse, does many of the things that British suffragettes actually did in their struggle for the Vote, and suffers just like them; and in the same book her sister, Deborah, is involved in a conspiracy that very nearly plunged Britain and Ireland into a civil war in 1914. In The Blood Upon the Rose, set five years later, the young medical student Catherine O’Connell-Gort finds herself at the heart of the terrible and heart-breaking events which led to British and Irish people murdering each other in the names of loyalty or freedom; she has to choose which side to support. And in The Monmouth Summer, set 240 years earlier, Ann Carter, too, is caught up in a religious struggle for power which tears her family apart and tests her - and her father’s - courage, facing them with dreadful, shattering decisions which alter their lives forever.  

Excerpt

‘LOOK OUT! Oh, sorry, ma’am, never saw yer.’

‘What? Who are you — oh, I see. It doesn’t matter.’

‘Beg pardon, ma’am. I’m sure.’ The two coster boys, grubby and boisterous in their flat caps and ragged, oversize jackets, scurried away across the square. As they went they winked and grinned at each other, knowing they had made a discovery. They were connoisseurs of street life and there was something about the woman that drew their attention. A few yards away they glanced back over their shoulders to make sure, and then, their suspicions confirmed, parked themselves calmly under one of the great lions of Trafalgar Square to watch. One of them shied a pebble at the pigeons as they waited.

There was nothing particularly strange about the appearance of the woman. She was fairly tall, about five foot eight perhaps, and quite slim. Between thirty and thirty-five years old. She wore a long grey ankle-length skirt belted at the waist, with a pleated jacket with puffed sleeves above, over a white blouse buttoned up to her chin. On her head was a hat with red and yellow feathers in it. Nothing unusual about that — they were the clothes of a respectable, well-dressed lady — perhaps even a rich one, for the fur of the muff she held in front of her to warm her hands in was expensive, thick and ostentatious. The muff was rather odd though, because it was a fresh, sunny day in April, and she had not chosen to wear a coat.

But it was the look on her face that had struck the boys. When they had bumped into her she had, at first, stared right through them, then started away as though they were trying to attack her. The woman’s face was pale, white as a cloud, the eyes in it burning like coals. An attractive face perhaps, with smooth skin and soft curling brown hair, but that was not what interested the boys. It was the haunted look that riveted them, the idea that she might be a ghost, a woman who scarcely knew where she was.
‘What d’yer reckon?’ the elder boy asked, taking a bite from an apple which he had purloined from a grocery stall in Charing Cross. The odd behaviour of the woman was all part of the joy of observing the eccentricities of the rich. ‘Going to kill herself, maybe?’

He glanced hopefully at the motor omnibus which was trundling towards them at nearly ten miles an hour, a few feet from the pavement where the woman stood.

‘Dunno,’ his mate said, judiciously. ‘Be as good as that, anyhow. You wait and see.’

The other curious thing about the woman was that she stood absolutely still. All about her was movement. Nannies stood by their perambulators talking while their charges cooed at the sky or toddled across Trafalgar Square in pursuit of the pigeons. Amongst them passed office boys, servant girls, city gents in top hats and striped trousers hurrying to get somewhere. The street in front of her was thronged with motor omnibuses, hansom cabs, horsedrawn delivery wagons, and messenger boys on bicycles. All of them hooted, shouted, and jangled past each other. The woman seemed to stare right through them, intent on some vision only apparent to herself. In the whole square, she and the boys were the only living creatures that did not move.

As the seconds lengthened into minutes, the boys’ attention deepened, hunters sure of their quarry. Once or twice she swayed, as though almost too weak to stand, then checked and held herself rigidly upright. But still she did not move.

When nearly three minutes had passed, the elder boy turned to his mate, a broad grin on his face.

‘You wait, Jem,’ he said. ‘This one’s going to be good.’



Professional Reviews

Very good reads from an interesting author
This group of novels was free so I took the risk and ordered them. Thank goodness. I can now add another writer to my trusted authors who give women a valuable place in fiction. Vicary refers to his brief as writing about 'women who lived through dramatic periods in history, and showed great courage in fighting for what they believed to be right'. I think he undersells himself. These novels are not only a gripping read but have a really sensitive understanding of the way in which laws, understandings and behaviours discriminate against women, making their tasks even more difficult to accomplish. The historical underpinnings of each novel not only reflect Vicary's understanding of women's position but provide some valuable historical detail of the periods in which they are set. In 'Cat & Mouse' Sarah joins the suffragettes; her sister Deborah becomes vicariously involved with the conflict between Britain and Ireland in 1914. Both women also deal with personal conflict - and what stories they are! In particular, it is instructive to read the way in which the sexual exploitation of children is dealt with in 'Cat & Mouse' - for example, the historical perception of 'child' is significantly younger than is acknowledged in current popular understandings. 'The Blood Upon the Rose' also deals with conflict between Britain and Ireland. Catherine, unlike Deborah, becomes intrinsically involved through her relationship with another medical student. The political events are closely associated with the political manoeuvrings around Michael Collins. 'The Monmouth Summer' depicts an earlier period, 1685, but also advances the arguments associated with religious and political differences and each side's determination that only they are right - and the horrendous consequences of such determinations. The detailed scenes of warfare in the day of the musket are shocking, but compelling reading. Vicary gives the courageous women he depicts and the historical circumstances he describes the treatment they deserve. Likewise, he really deserves to be paid to be read so I have bought his legal thrillers, also great reads.

Credible historical fiction
A 3 book bundle of historical sagas spanning over 1200 pages making for a hefty bargain when you also consider each individual book sells for $4 thus saving you a bit more than half the price. Each book is loaded with plenty of flawed yet believable characters set in interesting and largely historically accurate settings. If you enjoy history books (as I do) expect a more even-paced start until being fully immersed in the story lines as the plot gradually thickens (battle scenes in "The Blood Upon the Rose" making this my favorite book of the three). For those preferring the romance/love story (not my preference) some may be a little disappointed in the endings as not all will end happily ever after.

Tim Vicary is my new favorite author!
I absolutely loved the three novels in Tim Vicary's Women of Courage. I don't typically read historical fiction because it seems rather dry, but these were gripping stories, with characters who are easy to care about. Each time I think of a favorite among the three, I remember how much I enjoyed the others as well. Each book was literally very hard to put down and, when I did, I found myself reviewing the characters and intrigued by trying to imagine where the plot would go next


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