A Confederate guerrilla and a Union captain discover there’s something more dangerous in the woods than each other.
Jimmy Rawlins is a teenaged bushwhacker who leads his friends on ambushes of Union patrols. They join infamous guerrilla leader Bloody Bill Anderson on a raid through Missouri, but Jimmy questions his commitment to the Cause when he discovers this madman plans to sacrifice a Union prisoner in a hellish ritual to raise the Confederate dead.
Richard Addison is an aging captain of a lackluster Union militia. Depressed over his son’s death in battle, a glimpse of Jimmy changes his life. Jimmy and his son look so much alike that Addison becomes obsessed with saving him from Bloody Bill. Captain Addison must wreck his reputation to win this war within a war, while Jimmy must decide whether to betray the Confederacy to stop the evil arising in the woods of Missouri.
Professional Reviews
Historical horror at it's finest
A Fine Likeness by Sean McLachlan is a historical horror novel based during the Civil War. Jimmy is a young bushwhacker fighting for the South with his group, the Rawlins Rangers. The group of young men from the same town are a fairly successful ambush troop taking out Union supply caravans and destroying transportation and communication lines. Elijah, one of the members, also has the dubious habit of collecting the souls of the soldiers he kills in a special bottle. When the boys are offered the chance to join up with Bloody Bill Anderson, the most famous bushwhacker, they are eager to strike a meaningful blow for the Confederacy. What they see after joining up however terrifies them all (except Elijah) into second guessing if the South should actually win.
On the side of the Union you follow Captain Richard Addison. He is a good man who only joined the military reluctantly after he realized how badly he was needed. Dealing with his wife seeming to lose her mind after the death of their youngest son and none of his requests for assistance being granted, he has a heavy burden. When his patrol is ambushed by Jimmy he sees his son in the young Southerner's face. As he begins to try to hunt down Bloody Bill he secretly hopes that Jimmy can be redeemed, but the more atrocities he sees committed the more he doubts himself.
Sean has written several books about the Civil War the history of Missouri, so he has a lot of knowledge to share. The book is very well done using actual people (Bloody Bill) who were involved with the War in the area to add a layer of realism to the story. He does such a wonderful job with the weapon descriptions and battle detail that the book really comes alive. I had some interest in this time period in high school so it appealed very much to me. This is the only book like this I have ever read so I don't have anything to compare it to, but if he writes any more like this I will read them.
An Excellent Blend of History and Horror
Normally, I'm not really that interested in the American Civil War. I understand the basics of the war - the lead-up, the battles, the conclusion and the aftermath - but for one reason or another I've never felt the need to do a deep dive into this time period. Because of this, I've never had a strong interest in reading any fiction relating to the ACW, such as The Killer Angels or Bernard Cornwell's Nathaniel Starbuck chronicles.
Even with an only lukewarm interest in the conflict, I was intrigued by Sean McLachlan's A Fine Likeness when I first heard about the book. A "Civil War Horror" novel written by a seasoned archaeologist, travel writer, and historical reference author sounded peculiar enough to warrant a second glance, and although it took me a while to circle around to reading it, I'm now kicking myself for waiting so long, because it's one hell of a good yarn.
The book starts off near Columbia, Missouri with a skirmish between Captain Addison's militia company and Rawlins' Rangers, a six-man band of "bushwhackers". The term refers to small bands of guerrilla fighters who operated in many states during the war, launching ambushes and raids and falling back into the wilderness, where the men lived off the land and the generosity of sympathizing civilians. Like the guerrilla fighters of the Napoleonic wars and WW2, these "combatants" occupied a weird middle ground between organized military units and simple armed civilians taking action against their enemies. Missouri was a state absolutely infested with bushwhackers, and due to the fieldcraft of these guerrillas, and their habit of carrying upwards of four six-shot revolvers apiece (opposed by men carrying single-shot long arms), these small bands were often able to cause a degree of havoc and mayhem disproportionate to their numbers.
What starts off as a small battle between Union militia and Confederate guerrillas grows into something a lot more deadly and dangerous when Jimmy Rawlins, the "Captain" of Rawlins' Rangers, gets his band involved with Bloody Bill Anderson, one of the most violent and dangerous guerrilla fighters of the Civil War. I don't want to give away any of the book's twists and turns, but suffice to say the small conflict between militia and bushwhacker is only the facade of a much larger, far more diabolical battle taking place, one that stretches beyond the boundaries of our physical world. Some of the characters are hinted to be far, far more than they appear, and there is a greater "mythos" for lack of a better term, lurking just below the surface of the story.
This is a whole other aspect of A Fine Likeness that should be discussed. At first I thought this was going to be an ACW "ghost story". Because of the war's incredibly brutal nature, and the way it coincided with the rise of spiritualism, mentalism, and the more pseudo-scientific theories regarding ghosts and the spiritual world, there were many people during and after the war who tried contacting dead friends and relatives, and a great deal of fraud was committed by charlatans who preyed upon those who sought them out. Hand-in-hand with this, a lot of post ACW horror fiction, especially Southern horror, revolved around ghosts and hauntings. So, I figured the author was throwing his hat into the ring, so to speak, and writing a ghost story tied to the Civil War.
While the story does have elements dealing with ghosts and spirits, that's just the tip of the supernatural iceberg, and as I said above, the story makes it clear that there are forces - both sinister and benevolent - at play in a much larger and more active cosmology. This was a pleasant surprise for me, and I feel it shifts the book from being a "Civil War ghost story" to something a lot more like a Weird West tale, similar to the Weird fiction of the 30's written by authors like Robert E. Howard or H.P. Lovecraft, tales that blend history and the supernatural in a way that could be considered "Pulp Horror", although I don't feel that this book really falls into the category of "Pulp". Indeed, I think the only weakness of A Fine Likeness, if there is one, is that I'd be hard-pressed to pin this book down in any sense of a traditional genre. I don't really consider it traditional horror, but the supernatural elements definitely take it out of the realm of historical fiction. I think the author was actually very smart in independently publishing this book, because I can't imagine a traditional publishing house attempting to market this book.
Which reminds me to set any potential reader's fears to rest and point out that this novel is very well-written. The author has a long career writing non-fiction works for established publishers such as Osprey, and that professionalism carries over into this book. I didn't notice any spelling or formatting errors, and the prose overall is very deft - descriptive without being exhaustive, colorful without being overwrought. The author handles both action and dialogue quite well, and every character has their own well-considered "voice".
In conclusion, if you like historical fiction with action and a touch of the supernatural, you cannot go wrong with A Fine Likeness. It's a great novel, and I'm eagerly awaiting the sequel.
A rip-snorting historical horror story
I generally don't read much long-form prose on my kindle, unless I'm trapped on an airplane but I was at home for this one. That says something about my experience with A FINE LIKENESS. Setting aside my downloaded newspapers and blogs paid off, because reading A FINE LIKENESS -- which must run over 85,000 words -- renewed my faith in both the e-reading experience and my attention span.
McLachlan sets his horror-history story well outside the norm, avoiding the tried-and-true territory from big clashes like Gettsyburg and Shiloh. I would like to see more stories set in places that are often overshadowed by the giant military maneuvers. By sidestepping the stereotypes, McLachlan takes readers smack dab into the guerrilla war of the trans-Missouri theater. This clears out the preconceptions that Hollywood has inserted into our minds and prepares readers for a singular story with hairpin turns.
McLachlan leads on with solid action and an especially deft hand for description. He clearly knows the terrain under his characters' feet and offers sensory impressions of the natural world that anchor the story in place and time. One well-handled account of riders approaching an abandoned camp through smoke and a screen of trees instantly conveys the creepy reality of the tale -- and there is real poetry here as well. Most tellers of swashbuckling tales tend to skip this stuff, and their stories often suffer as a result. McLachlan is at his best with description of this kind and with action -- much more so than with dialogue. One downside: I wish we had seen Bloody Bill sooner in the story, but it's tough to get everyone on stage, and set up the tale, which is braided together while being told from different perspectives.
Central themes -- spirit photography and spiritualism - serve to tie the story together and prove thought-provoking. I even found some relevance for our own times --contemplating soldiers in Iraq and Afghanistan dealing with guerrilla warfare on very different terms.
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