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james p zeruk

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Peg Entwistle and the Hollywood Sign Suicide
by james p zeruk  Foreword by Eve Golden 

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McFarland & Company Publishers
McFarland Publishers
The Hollywood Sign Girl

Category:  Action/Thriller
Publisher: McFarland & Company

ISBN-10:  9780786473137

Type: Non-Fiction

Pages: 350

Copyright: 
June 2012
ISBN-13: 9781476612195


This is the first-ever complete biography of tragic actress Peg Entwistle, who is remembered as the Hollywood Sign Girl because of her death leap from the Hollywoodland Sign in 1932.

This is the first complete book on Peg Entwistle. It was meticulously researched for over seven years and includes startling, never-before-published information involving Peg's personal life, career, rocky marriage to actor Robert Keith (father of actor Brian Keith),and shocking, brutal death from the H of the Hollywood Sign on September 16, 1932.

I had the complete cooperation of the Entwistle family, including intimate interviews with Peg's brother Milton, and her cousin Helen, both of whom shared wonderful and sad stories about Peg, growing up in Hollywoodland, and the final weeks and days of Peg's life.

Included in my book are almost 30 rare images, and direct quotes from Peg's letters to her family.

Peg's short life made for a limited (but amazingly successful) career, thus, it isn't likely another Peg Entwistle biography can written. 


Excerpt

PROLOGUE

What’s Past Is Prologue
Shakespeare

Bette Davis wants to be an actress, but she is sad, confused, her life seems hopeless….

January 1926. Bette’s mother cannot afford to send her to a good acting school, one which could properly prepare her for Broadway. To ease her daughter’s pain, Ruthie surprises the future Hollywood legend with a trip to see Henrik Ibsen’s The Wild Duck at Henry Jewett’s highly regarded Boston Repertory. Starring in the play is Blanche Yurka, the famous Broadway player and director. Yurka will play the role of a mother named Gina Ekdal.
Filling the role of Gina’s daughter Hedvig is a lovely new addition to the Boston stage, an English girl by the name of Peg Entwistle. When Bette sees Peg for the first time, she gasps; astounded at the face of this young actress. “My heart almost stopped,” Bette will write in her memoirs many years hence. “She looked just like me!”

They were both just seventeen years old.

Bette sits erect, her large blue eyes mesmerized at the resemblance, her soul captivated by Peg’s interpretation of Ibsen’s tragic Hedvig—whose own eyes are going blind. “I was watching myself. Miss Entwistle had lost herself in Hedvig. Now I did too. There wasn’t an emotion I didn’t anticipate and share with her.”

Bette remains hushed, attentive to every nuance Peg brings to her role, every subtle gesture, every word of dialogue. She is profoundly attached to Peg’s Hedvig … ache for ache, sigh for sigh, and tear for tear. Peg has given life to Hedvig and Hedvig has in turn changed Bette’s. An epiphany has taken place fore and aft of the footlights—the three girls have become as one. The last moments of the play begin to unfold. Bette watches with an intensity she has never before known. Hedvig agonizes. She is being shunned, rejected, abandoned by the father she loves—just as Bette had been not long before.

“Father! Father! No, no! Don’t turn away from me,” cries Hedvig as she clings to him; hysterical and broken hearted. Enduring unbearable torment, the poor child is tossed aside and watches in horror as Father storms out of the house. Desperate for help, for love, for understanding, she runs frantically to the woman who only minutes ago confessed to her husband that Hedvig may not be his daughter. “Mother, you must get him home again! Why won’t Father have anything to do with me anymore?”

The scene is gut-wrenching; the finale, more so. Hedvig takes a pistol and disappears into the attic to prove to Father that nothing is more important to her than he … she will destroy her most treasured possession—a beautiful wild duck that had been wounded by a hunter and then nursed back to health by the love and innocence of Hedvig. But the play is allegorical—Hedvig is The Wild Duck, and her wound is beyond nursing.

A gunshot! The family rushes to the attic.

A moment later Hedvig is brought center stage, lifeless, carried down in Father’s arms.

He had come to his senses and then desired to forgive his wife and once again love dear Hedvig with all his heart. But it is too late and poor Hedvig will never learn that Father really does love her.

The audience weeps for the girl but no one has as much feeling for her as Bette Davis … “When ‘the little wild duck’ shot herself in the breast, I died with her.”

The curtain falls and Bette is more determined than ever to fulfill her dream. “A whole new world opened up to me,” she said. “I was thrilled with Miss Entwistle’s performance.” As they were leaving the theater, Bette cried out, “Mother! Someday I will play Hedvig.”

Three years later Blanche Yurka needs a Hedvig. Bette Davis will be The Wild Duck.

Bette begins her climb up the ladder to the top of the Hollywood heap.

Three years later Peg begins her climb up the ladder to the top of the Hollywood Sign.

Peg Entwistle wants to be an actress, but she is sad, confused, her life seems hopeless….


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