A year after dad after three days rose
from muddy canal water near town
drowned
mom packed-up and we moved out
the little white house which stood
center of a wide wheatfield, like a heartbeat,
out in the sticks on Washington Boulevard,
and we came to dwell in this dilapidated shack
on puncture-vined sandy corners
of Lincoln and Longview,
what else could mom do?
Inside: walls cringed with cracks and grease
smothered bowed ceilings
embedded with dead flies,
and wood floors moaned sad sighs
dressed in worn-out linoleum
with disemboweled pieces
patched with aluminum
and there were holes in spots
earth below you could see dog hairs confessing
where they hid in winter and in the distance stood
a tall outhouse, a box of splinters leaning like the
Tower of Pisa, a stones throw near a field tattooed
with tumbleweeds and busted-up yam boxes,
in time mom made the shack a cozy place for us
and accepting dad was never coming back
for four years we called that shack: Home.
Forty years later;
That toothless ol’ shack still stands
a different color
near ninety or older
squatted as it was back then,
and each time I pass by
it sacrifices a smile
wrinkles and all.
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Reviewed by Glenda Bixler (Reader)
Reviewed on April 14, 2025
Wow Manny,
This is one of the best of your poems in my opinion... I felt closr to you as a brother than ever before through your words...
Wrinkles aplenty for both of us these days, pain, fear and more
Have been thinking of you, scared how you are possibly being affected by the madness in America, knowing you could be picked up and disappeared... Even me for that matter...
I hope I hear from you soon...hope to use this to post on my blog...
I'm not sure what happened to the first paragraph of this... ? Anyways, I love that you don't say the shack was "old", but that it had wrinkles-- that gives it so much character-- friendly-- homey-- simple-- loving-- like an elderly great-grandparent to tend and be fond of. You always have great ideas. --Charlie
The songs and art in this book are about our collective emergence after the pandemic and trauma of the last few years - comprised of 5 collections: World as Refuge, Where We Live, In Our Hands, Rhythms of Change and What We See & Sow.
From First Love to its destructive end and on to new beginnings, Mary Angela Nangini's poems explore the birth and death of a relationship. The powerful poems are presented in two parts with an introduction to her next book My Ontario Beautiful. (Th
This is one of the best of your poems in my opinion... I felt closr to you as a brother than ever before through your words...
Wrinkles aplenty for both of us these days, pain, fear and more
Have been thinking of you, scared how you are possibly being affected by the madness in America, knowing you could be picked up and disappeared... Even me for that matter...
I hope I hear from you soon...hope to use this to post on my blog...
Blessings
Glenda