LKG-G: How did the idea come about to turn Minnie into a stage play?

AL: I’ve always been a fan of Steel Magnolias and had on hand the script I bought from Amazon, which I read from time to time. Then it hit me a couple months back that Minnie could be translated to a play like Steel Magnolias. They’re both about real life situations and real reactions, and people always like to be entertained by things they can relate to. I sometimes read the script aloud to myself and edit it that way, to make it as real-sounding as possible. It’s very exciting to see Minnie evolve the way it has been.

LKG-G: What were some of the challenges you faced with writing the play versus the manuscript?

AL: Since plays are mostly dialogue, I had to change a lot of the intrapersonal segments into outward dialogue and remove some of the characters. For example, in the book, Minnie has an angry, paranoid daughter named Marcia and she is softened by Sadey, but in the play, to keep it simple, Marcia is only talked of. Sadey’s toddler sister, Cora, is one of Sadey’s reasons for living in the book, but in the play, she is also only talked of. It was hard to eliminate the positions for actors, but I didn’t want a complicated script. I’m very tidy and linear in everything I do, so I wanted the play to be something I could look at and not wince. I was able to keep a lot of the back story, which the characters discuss (Minnie’s abusive marriage, Sadey’s unfit mother, Gabe’s hand in an abortion).

Note by LKG-G: I'm very sorry to hear that Marcia will not be a part of the stage play. When I first heard you were working on the stage play for Minnie, my mind immediately visualized the off-beat Marcia, and it would be a great part for a character actor.

LKG-G: As a script what do you see as the potential for Minnie?

AL: I see Minnie becoming fairly popular as a play, simply because it’s based on something believable. I’m not trying to sound conceited, but history shows that audiences like things that can sweep them away: Steel Magnolias of course, Titanic, The Sound of Music, Pride & Prejudice, and countless other plays like them. Once Minnie is on stage, I feel that it will slowly but surely gain popularity like it did when it was first published.

LKG-G: When do you anticipate Minnie to be in production?

AL: That’s the funny part. Right now I’m in the middle of turning Minnie into a play for a scriptwriting contest that Loves Street Playhouse is having and I feel that it will be my turn to do something great and to see my characters that I’ve known for a few years to finally take tangible breaths and to live out what has been a vision for so long. As for a timeline, if my script wins the contest, Loves Street Playhouse will have the rights to my script for the 2009-2011 seasons and will be produced once or several times. Worst case scenario, if I do not win the contest, I want to put on my own production of Minnie with friends and community members and work my way up from there!

Thanks to author Ashley Lane for sharing her next steps with Minnie with us.

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LK Gardner-Griffie
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