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Odin odin@aflx.com

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Books
· Perceptions

· ECHOSIS

· Prosetry at Work

· Said and Unsaid - Vol 1

· 3 WAY MIRROR


Short Stories
· Patience Waning

· Ladle Lines (A prosetry memory)

· A Gentle Man

· Pacing Love's Journey

· Gratitude

· A Sticky Conversation

· Blazing Now and Then

· Vulnerable Captivity

· The Kite That Would Not Bow

· Time


Articles
· War and Peace

· Desperation Breeds Desperation

· Preference Manifest

· Innocent Guilt

· Barbed Isolation

· A Place...

· Sanity's Loss

· Organs Anonymous

· Fatuous Beyond Absurdity

· Truth is One


Poetry
· The Life-long Pernicious Evil

· Cherishing Sounds of Silence

· Understanding the Unexplainable

· Reality of Another Kind

· Finding Trust Again

· Aromalicious Memories

· A Jungle-rain Pastorale

· Sediment Within the Soul

· Life's Enormous Green Chest

· Roadkill Memoriam

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Barbed Entitlement

by Odin odin@aflx.com — Read all 3,869 poems by Odin odin@aflx.com

The world of artistic ownership deprives so many of the creative rewards. (Image by Strategic Sorcery)

Saturday, January 28, 2017


Poem Artwork
Barbed Entitlement
by Odin Roark

The fresh steamed suit
knows that light awaits its movement
to render the hues
of silk thread,
ever so proper for his entrance.

Clinking crystal and perfumed air
fill the gilded atmosphere
where privilege wanders among
fraudulent pleasure seekers
feasting upon the wall and pedestal trophies.

Such is the tempting insatiable sense of ownership addiction.

In the canvas world of chafed hands
made calm by coins at her feet
being tucked beneath
an ever stooped body,
a jocular bid wins the misery depicted.

Such art continues to spin the cocoons of
tomorrow’s adornment for the gluttonous,
wanting only to own, keep hidden in private rooms
removed from all eyes except those he invites.

Do they deserve to drive the price up of interlaces of many kinds,
the paint-layered canvases moving from backroom
to a easel beneath auction lights?

These woven and layered carriers of beauty,
often have but the eyes and fingers that harvest,
weave the fine silk
of the man’s blue threads,
moving with cunning aplomb,
his bidding fingers high.

One wonders…

As a sculpture is up for the next indulgent session,
does the lady in diamonds care of the life-fire that melds steel upon steel,
or the exhausted arms that wield hammer and chisel to reshape granite,
certainly not the delicate hands becoming one with the loom
blending rainbow threads for vibrating quiet tremors of color and light
for the intimate silence of an ownership’s need.

Is art’s birth not only the beginning, but the end?

The only realm that knows
the infinite grace of imagination,
where creation cares not
for the auction power of the gavel,
or life’s work enslavement the privileged keep hidden
behind their castle walls

How curious…

Beneath the guise of champagne and charming smiles
the indulgent think otherwise
until sometime down the road,
fate delivers the hidden costs of their appetite with gnawing despair,
even as the manufactured remorse spews forth for sympathy.

“This has worn out its welcome. Put it up for auction,
or give it to a museum. My friends have all seen it.”

Such a destiny asked why we should care for those
whose insatiable voracity for trophydom
has delivered them into the open arms
of greed’s chameleons of pain,
where entitlements barbed inevitability
leaves its scar…

Until the next auction.
  


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Reviewed on January 29, 2017
yes, all arts are the form of accomplishment, which is the end and death by definition, created and produced beautifully. Those, who can afford it, are looking for dying beautifully by all means. 'this is my investment in my sarcophagus by right!' and that's the whole story ;)) Cheers, alex

Reviewed by E Phillips
Reviewed on January 29, 2017
While reading your rendition of the play habits of the wealthy. I was reminded of a documentary featuring Michael Jackson. He and the curator (perhaps someone by another title) were walking through an extensive gallery of art pieces. Michael was completely out of his depth, and so he said quite matter of factly "I want 3 of those, and 4 of them, and I want this entire wall. how much has I spent so far?" The answer was "about 2.5 million, sir." To which Michael added "OK, give me this, and this, and this. Give me my usual discount and that will be all for today." For me he could not have parodied the world of buying and selling art among the illiterate better.

Reviewed by Ronald Hull
Reviewed on January 29, 2017
Who would know the true value of this art without the auctions? But is it really the true value or the inflated value of moneyed egos clashing? I can't help thinking of the artists who ended up penniless after a lifetime of creation only to have their works sell later for millions. What a disservice to their contribution.

Where are the patrons of the arts during the classical period and the Renaissance? Why aren't artists compensated to do great work? Hopefully billionaires are and not just collecting the most famous works out there. At least that is my wish. Along with a government willing to spend billions on artists, video makers, songwriters and writers in patronage rather than on war machines.

But the private sector is supposed to make money from the government for war machines. There is no government money for pushing the limits of art. It is every entrepreneur to his or her self.

Ron

Reviewed on January 29, 2017
Yes, the clinking glasses and smell of money. Money enough to hide all this beauty. Greed enough to choke it.

Love ya!

Jane

Reviewed by John Herlihy
Reviewed on January 29, 2017
An amazingly descriptive romp through the glittering world of art and auction. Especially notable where your lines: "The only realm that knows the infinite grace of imagination where creation cares not for the auction power of the gavel." How true. John


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