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Odin odin@aflx.com

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Member Since: Jul, 2008

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Books
· Perceptions

· ECHOSIS

· Prosetry at Work

· Said and Unsaid - Vol 1

· 3 WAY MIRROR


Short Stories
· Patience Waning

· Ladle Lines (A prosetry memory)

· A Gentle Man

· Pacing Love's Journey

· Gratitude

· A Sticky Conversation

· Blazing Now and Then

· Vulnerable Captivity

· The Kite That Would Not Bow

· Time


Articles
· War and Peace

· Desperation Breeds Desperation

· Preference Manifest

· Innocent Guilt

· Barbed Isolation

· A Place...

· Sanity's Loss

· Organs Anonymous

· Fatuous Beyond Absurdity

· Truth is One


Poetry
· The Life-long Pernicious Evil

· Cherishing Sounds of Silence

· Understanding the Unexplainable

· Reality of Another Kind

· Finding Trust Again

· Aromalicious Memories

· A Jungle-rain Pastorale

· Sediment Within the Soul

· Life's Enormous Green Chest

· Roadkill Memoriam

         More poetry...

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Melencholy Bliss

by Odin odin@aflx.com — Read all 3,869 poems by Odin odin@aflx.com

“I can barely conceive of a type of beauty in which there is no Melancholy.” Charles Baudelaire
(Image by recorrido-ekonomix)

Wednesday, January 1, 2020


Poem Artwork

 

Melancholy Bliss

 

What creative moment has not experienced distress or sadness from an experience?

 

Mistakes are human.

Not learning from errors is derelict.

Rising above one’s fallacies

Is to challenge that which would otherwise take one down.

 

To arrest the tools of one’s creativity,

To hear the sound no one has heard,

To see the composition no one has visualized,

To convey the texture of a sculpture’s touch,

To be an arabesque in life,

To be in sync with the vast creative realm

While suffering reflection of one’s missteps,

Ah…

Such is to know of melancholy bliss.

 

 



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Reviewed by Ronald Hull
Reviewed on January 4, 2020
Another word could be used… Regret. But I have noted that many of the great writers that I have read, painters and sculptors, have been faced with great loss in their lives, driving them to heights of expression that are beyond most others' perception. Which makes me wonder about Salvador Dali with his "limp," landscapes. Was he really sad to the point of losing all rigidity, or was he merely toying with our perception of objects with a kind of boyish mirth?

Ron

Reviewed by Michael Schafer
Reviewed on January 2, 2020
Nicely done, and I wholeheartedly concur.


New Poetry by Odin odin@aflx.com
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