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ANANDO SEN

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Entwined...The Freedom Ignored!!!
by ANANDO SEN → (All Poetry by ANANDO SEN)
   Rated "G" by the Author.
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What is freedom when we actually talk about it?

Is it something what we please to do or is it something that we have not anticipated literally. The poem attempts to explore the significance of well sought freedom in all of our lives that we often fantasize. The backdrop is the cultured city in India, Lucknow where kite flying is an important tradition to mark the country's independence day. The poem has some beautiful poetic moments when one is lost in individualistic chase for freedom. However, the poem-turnaround takes place in the second stanza where freedom is sought no more when it is achieved and becomes complicated and entwined in relationships. One often stops at the threshold and realizes that this is not the freedom they have asked for. Freedom is depicted innocent in the poem like the cherished wish of a boy running to fly for his kite in the streets of Lucknow, least bothering of his chances of falling down or getting wounded. However, when his kite is stuck in the locks of a beautiful lady, his wish is switched to some desire which is not the kite anymore for which he fought so well.

Down the memory lane, across the nawab streets-

Running out of breath to catch the flying sheets;

Sheets of paper bearing the message of freedom-

Like the commitments of indulgence and innocent fathom;

Almost bare-footed and injured by the sudden pavements-

Sometimes with the scratches while the edge of latchments;

Down the memory lane, along the nawab streets.

 

 

Down the memory lane, away the nawab streets-

There we crashed and she mended her traditional fleets;

It was that wonderful kite that got entwined in her locks-

The more the string was pulled, the more it tied in knots;

Like she wanted to protest but could not-

And there was no more longing for the reins well fought;

Down the memory lane, behind the nawab streets.

 


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 Reviews of "Entwined...The Freedom Ignored!!!"
Reviewed by Michelle Mead
Reviewed on January 2, 2010
I loved this. You use such vivid imagery, and that last stanza is so alive, you can see her as if you are right beside her.


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