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Barbara Brett

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Between Two Eternities
by Barbara Brett   

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Category:  Mainstream
Type: Fiction

ISBN-13: 9780963662071

Price: $4.99 (eBook)


Married ten years, and more in love than ever, Robert and Marcie have everything to live for. But a terrible secret is breaking Robert's heart: he knows that Marcie is about to die...

It’s the early 1970s, a time before cell phones, computers, and e-mail—a time when tenderness trumps technology.  Robert and Marcie Silver are young and even more in love than they were when they married nine years ago. He’s caught up in the intrigue of academic politics at New York City’s Seward College, where he teaches English literature and is hoping to earn tenure.
She, at home, is caught up in taking care of their two adorable children while she tries to fulfill her lifelong dream of becoming an illustrator of children’s books. There are struggles, but love and high spirits have always seen them through. Life is good, and it seems them that it can only get better.
 
Then Marcie begins to suffer from nausea, fatigue, headaches. At first, they think she may be pregnant again. When this proves false, she visits their internist, who identifies the condition as anemia combined with young-mother fatigue. The diagnosis appears to be correct, for the symptoms disappear before very long, and Robert and Marcie take off with the children for summer in a rented cottage at the beach. It’s an idyllic interval of brilliant sun and cool ocean breezes, of frolicking with the children by day and hand-in-hand strolls in the moonlight at night. In between, Robert labors on the book he must write to gain tenure, and Marcie works at her easel on the winsome paintings that are bound to bring her recognition as an artist. All seems to be right with their world once again. Until Marcie’s symptoms return.
 
Back home in Brooklyn, the doctor sends Marcie to the hospital for two long days of tests. Still puzzled, he adds another day of tests. Specialists are brought in for in-depth consultations. Then Robert is summoned to the doctor’s office, where he receives the heart-shattering news: Marcie has an inoperable brain tumor. Her life will be over in less than a year. The doctor has told Robert first so that Robert can be better prepared to help Marcie when she learns the devastating contents of his report.
 
But Robert cannot bear to let Marcie know the truth. There was so much he had longed to give her, things that will now and forever be impossible. The least he can do is make her last days happy and free from the knowledge that death is hovering over her. Despite the doctor’s strong objections, Robert insists that Marcie be given a false and hopeful diagnosis.
 
And so begins the spinning of the web of love lies. How long will Robert be able to keep Marcie entwined in it? She is a bright and curious woman. As her symptoms intensify, will she search for, and find, the truth on her own? And if she does, how will she react to the truth? And react to Robert, who has been hiding it from her? And how long will it be before Robert begins to feel strangled within his web of deception?
 
Between Two Eternities is the heartrending story of a young husband’s struggle to protect his wife from a terrible truth, and then of their desperate search to find together the courage to live with it. It is the haunting account of their quest for answers to life’s most painful questions. And it is the unforgettable chronicle of the breathless romance that comes to mean more than life itself—and that suddenly demands the ultimate sacrifice from both of them.
 


Excerpt

Chapter One
Attending a stuffy faculty party was not the way Robert and Marcie Silver would have chosen to spend the tenth anniversary of the day they met, but with Robert’s tenure hearings scheduled for the following term, they had no alternative. Besides, they were young and strong and sure that they had many years ahead of them in which to commemorate the occasion properly. There was no way they could have known that this was their last year together.
So they left a baby-sitter in charge of five-year-old Rachel and three-year-old Benjie and set off for the home of Roscoe Bradcliff, who evidently believed that if he plied his colleagues with sufficient drink, he could float their votes for the chairmanship of the English department into his port.
The elevator in their apartment house was out of order once again, so they walked down the five double flights of stairs that led to the lobby, where Robert paused to light his pipe. It would have been difficult to single him out in a group of other men in their mid-thirties. Of average height and weight, he wore his sandy hair fashionably long and his beard fashionably short in the manner of men in the 1970s; but, though his wire-framed glasses gave him a studious look, they did not mask the humor that lurked in his gray eyes. Marcie, too, might not have stood out in a crowd of beauties, though she was an attractive woman of thirty-two whose dark eyes shone with intelligence and laughter. Yet, when the two stood together, an aura of their love and oneness seemed to surround them, often making others pause and take notice.
Robert drew on his pipe, and a spark puffed out of it, alighting on his beard. Quickly, Marcie reached up to brush it off.
“Hey, watch it!” she teased. “You don’t have to prove you’re the light of my life by going up in flames. I need you.”
“Don’t worry,” he said. “I plan to stick around for at least another hundred years.”
“Swell, and after that, we can grow old together.”
Robert laughed, but the thought crossed his mind, as it had more than once since they’d fallen in love, that he was glad wives usually outlived their husbands. For him, life without Marcie would be no life at all.
He took her hand, and they walked out into the April evening. Though earlier the air had glowed with the sunny promise of spring, the remembered chill of winter had sneaked back under cover of the evening shadows, and, instinctively, Robert and Marcie hugged their coats a little closer.
Having long since tired of keeping local car thieves supplied—two used Chevrolets had disappeared within months of their purchase—they had for some time remained voluntarily dependent upon public transportation. Now they headed for the subway along a street that, like the house they lived in, had gone to seed. When they had married nine years before, the neighborhood—formerly a prestigious one that surrounded the beautiful Brooklyn Botanic Garden, the Brooklyn Museum, and the main branch of the Brooklyn Public Library—had only just begun to show signs of crumbling, and they had felt lucky to have found a large, roomy, rent-controlled apartment there. Over the years, however, crime, along with its henchman, neighborhood blight, had begun to put more and more of a claim upon the area as its own private turf. Robert and Marcie would have liked to move, but, city people at heart, they found the thought of fleeing to the suburbs stultifying; and, with rent control no longer in existence, moving to an apartment, even halfway comparable to the one they occupied, in a safer, more
elegant neighborhood would have meant financial disaster. So they tried to be cheerful about the fact that they were trapped where they were for the foreseeable future.
Marcie took a deep breath of the chilly air. “The weather was something like this the day we met,” she said. “Remember?”
Robert gave her a sidelong look. “How can I remember that when I had eyes only for you?”
She shook her head in mock despair. “Oh, brother! The ten years haven’t done much to improve your line either!”
Smiling, but silent, they walked on toward the subway, each lost in memories of that day ten years ago. Marcie, who was an undergraduate art student back then, had stationed herself across the street from New York’s luxurious Plaza Hotel, intent upon capturing its elegance in her sketchbook, but she had captured instead Robert, the passer-by who had paused to kibitz.
Robert, who was then winding up his studies for his master’s degree in English literature, had never been particularly interested in art, but he did like the shape and form of the artist before him. Hands in his dungaree pockets, he peered over her shoulder for a while, and when she pointedly ignored him, he finally ventured to say, “You don’t mind if I watch, do you?”
She shrugged, saying, “It’s a free country,” her hand never missing a stroke. Then she continued to ignore him.
After a moment, he tried again: “I like your blues and greens.”
That caught her attention. “I’m using charcoal.” She looked at him as though she thought he was crazy, but, at least, she looked at him.
“I know,” he said, his gaze flipping over her.
Realizing he was referring to her jeans and green sweatshirt, she rolled her eyes heavenward and, possibly addressing a pigeon that was heading for Central Park, said, “Spare me!”
The pigeon, evidently more interested in peanuts than in dungaree-clad damsels in distress, did not interrupt its flight to come to her aid, and Robert continued to hover at her elbow, an elbow that began to move up and down more vigorously as it followed the movements of her hand across the page.
“Your style reminds me a lot of Renoir’s middle period. Before he was influenced by Cezanne.”
“I don’t think Renoir was ever influenced by Cezanne.” Her eyes never left her work.
“By Picasso then, or Andy Warhol.”
“Come on, will you? I’m trying to concentrate. This sketch is a homework assignment.”
“What if you should flunk? Would your teacher make you copy the Mona Lisa ten times?”
Her eyes still didn’t leave her work, but the corners of her mouth began to twitch upward. “Probably the Sistine Chapel. He’s very tough.”
“I think this picture is going to be too good for your teacher. How about selling it to me?”
“Just before you came along, the art director of the Metropolitan Museum offered me a quarter of a million for it. Can you top that?”
“Easy! Of course, I’ll have to consult my banker first. In the meantime, can I make a down payment by taking you to lunch?”
“I’m sorry, but I don’t lunch with strangers.”
“Not even if they’re millionaires?”
The smile she had been trying to suppress bubbled over into a laugh. “With millionaires, I usually make an exception.”
“I think that’s very wise. May I suggest the Automat?”
“The Automat?” Her eyes danced with mischief. “Why not the Plaza? It’s right across the
street, and I thought that was where all you millionaires hung out.”
He sighed. “The Plaza holds no thrill for me anymore. I eat there morning, noon, and night. All that rich food is finally affecting my stomach. My Park Avenue physician has ordered me to switch to the simple fare that can be found only in places like the Automat.”
“Well, we certainly can’t go against your physician’s orders,” she said, closing her sketchbook and putting her charcoal into her pocket.
Taking her pad from her, he slipped it under his arm. “If I’m to be your patron, I think I should tell you my name.”
“No, let me guess. You must be one of the Marx Brothers.”
“You’re close. I’m Robert Silver, though people often mistake me for Robert Redford. I guess you’ve noticed the resemblance too.” He offered her a view of his profile.
“Sure. It’s the first thing I noticed about you. I said to myself, ‘Look, there’s Robert Redford. I thought I read in Rona Barrett’s column that he was making a movie in China. A lot she knows! He’s right here in New York, and if I play my cards right, maybe he’ll take me to lunch at the Automat.’”
“Actually, I’ve heard he’s a food faddist. Probably the most he would have done for you would have been to buy you a cup of green tea. You’re lucky it was me instead.”
“Talk about narrow escapes!”
They strolled over to the Automat on Fifty-ninth Street, and there, over fish cakes and spaghetti, they began to fall in love.
Since they were both students with very little means, their romance had been a frugal, but delightful one. They’d had no need for expensive entertainment, though, not with all the joy they found in each other. They visited museums and galleries, where Marcie taught Robert to share her love for art. They went to free lectures and readings, where Robert shared with her his world of words. Arms around each other, they strolled the city streets. Hand in hand, they sat on park benches. And always they talked, sharing with each other their thoughts, their beliefs, their hopes, their fears, and their dreams as they had never been able to share them with anyone before. It had been more than a sharing; it had been a merging of mind and heart and soul, a living, growing process that they knew was vital to each of them and that they realized bound them together for life.
They married that December, and their first domestic activity upon moving into the dilapidated one-room apartment they had rented in the East Village had been to hang Marcie’s sketch of the Plaza over the studio couch that served as their bed. The sketch had had the place of honor over their bed ever since.
Their first five years had been a struggle. At the start, Robert worked full time while Marcie finished her studies for her degree. That accomplished, they reversed their roles that June, and Marcie went to work as an illustrator for an advertising agency while Robert studied for his doctorate in English literature.
Now the hard times were over. For nearly five years, Robert had been teaching at Seward College, one of the branches of the City University, and Marcie, who had left the agency to raise their children, had turned the spare room of their apartment into a studio, and did occasional free-lance jobs. Money was far from overabundant, but life was good. As long as they had each other, life would always be good.
Pausing at the entrance to the subway, Robert knocked the ashes from his pipe. “I have a great idea: Let’s ditch Bradcliff’s bash and go someplace where we can be by ourselves.”
“That has to be one of the nicest, and also the dumbest, ideas you’ve ever come up with. If
you don’t show at Bradcliff’s party, you’ll be on his enemies list forever.”
“Not necessarily. He has to be nice to me. He wants my vote for department chairman.”
“But the election will be over long before your tenure hearing comes up. That will give him plenty of time to brood over old wounds. Besides, I thought you were voting for Tilman.”
“Probably, but neither he nor Tilman knows that.”
“For a professor, you’re turning into quite a politician.”
“Unfortunately, to be a professor and stay one, one has to turn into a politician.”
“Which is exactly why we have to turn up at all Bradcliff’s bashes—and Tilman’s.”
Robert sighed and started down the subway stairs. “Screw them both.”
“The thing is,” Marcie said, “to keep them both from screwing you.”
They sat on a bench on the subway platform to await their train. Marcie leaned her head back against the wall and closed her eyes.
Robert peered at her. “Are you okay? You look a little pale.”
She shrugged. “My lunch disagreed with me. My stomach’s been a little queasy on and off all day.”
“Why didn’t you tell me? I’d have called Bradcliff and canceled.”
“Let’s not go through that again. That’s exactly why I didn’t tell you. Besides, there’s nothing like one of these faculty parties to test and strengthen one’s intestinal fortitude.”
“We can still get out of it.”
“You’re looking for excuses,” she teased.
“You’re damn right I am,” he said, laughing.
“Well, forget it. I feel well enough to face the whole boring crew.”
“Even Professor Graystone?”
“Well, almost the whole crew.”
Their train pulled into the station, and they boarded it, laughing.
Roscoe Bradcliff and his shadow of a wife occupied the second floor of a renovated brownstone in the east Eighties, where they surrounded themselves with the anthologies of works of famous authors that Roscoe compiled and edited. The buzzing of voices that drifted through his door as Robert and Marcie approached it indicated that the party was already in full swing.
Robert rang the doorbell.
A few seconds later, the door swung open, and Bradcliff, who attempted to espouse the fashions of youth physically as well as intellectually, stood before them in burgundy bell-bottoms and a pink, flower-print, wide-sleeved shirt.
“Welcome, shalom, bienvenue!”he said, giving Robert a hearty slap on the back. “So glad you could make it to our little get-together.”
“It’s good to be here,” Robert said. He smiled warmly at the frail, graying woman who was hovering behind Bradcliff. “How are you, Mrs. Bradcliff?”
“I’m fine, thank you,” Mrs. Bradcliff ventured.
“Yes, yes, they can see that. Why don’t you take their coats?”
“We’ll take care of them,” Marcie said.
“Melba wouldn’t hear of it, would you, Melba?”
Melba nodded that of course she wouldn’t hear of it and ducked away with the coats.
Placing an arm around each of them, Bradcliff headed them away from his wife and into the heart of the party. “Go on over to the bar and get yourselves something to drink. Make yourselves comfortable. Everyone’s here.”
Everyone was the entire English department, with the exception of Tilman and the few
professors who had sufficient tenure and reputation to swear their allegiance to him openly before the election.
The doorbell rang, and Bradcliff gave their shoulders a parting squeeze. “Go ahead. Get yourselves a drink. I’ll get back to you.”
“Not if I see him first!” Marcie whispered as he walked away.
“After a few drinks, he’ll look better.”
Robert took her hand and headed toward the bar, which was knee-deep in scholarship.
“Oh, lord!” Marcie whispered. “There’s Professor Graystone. He looks half-crocked already. Any minute now, he’ll start reading his poetry.”
“Coraggio! I’ll make us doubles.”
They took their drinks and settled themselves on the sofa.
“Would you like an hors d’oeuvre?” Melba Bradcliff looked as if she half-expected them to slap away the tray she was tentatively extending toward them.
“Thank you, I’d love one,” Marcie said, reaching for one with an olive-topped, yellowish-orange spread. She bit into it. “This is delicious! How do you make it?”
Melba shrank into herself with a nervous laugh. “Oh, I never make the hors d’oeuvres. Roscoe says I’d just botch them. We always get them from a caterer.”
“Well, then you certainly know how to pick caterers,” Marcie said.
“Oh, no! Roscoe does that. He’s much better at planning parties than I am.”
“Melba! There are more coats to be seen to!” Bradcliff’s voice cut across the room.
For a moment, Melba’s eyes darted from the tray in her hands to her husband and back again in confusion.
“Melba!”
Quickly, she placed the tray on a nearby table. “Excuse me, please,” she whispered and scurried away.
“That son of a bitch!” Robert said. “If he had a dog, he’d probably kick it.”
Marcie’s eyes grew sad. “A dog, at least, might turn on him and bite him one day. I think he’s long since robbed his wife of the ability to do that.” She handed Robert her hors d’oeuvre. “Do you want this? It’s awful. Tastes like yellow plaster of paris.”
He laughed and slipped it into an ashtray. “And you would have eaten the whole thing if she had stood there any longer, wouldn’t you?”
“Well, it’s time someone made the poor woman feel she’s good for something, even if it is just handing out yellow plaster of paris.”
“I see you’ve made yourselves comfortable. That’s fine, fine.” Bradcliff had made his way over to them again. “How do you like the old homestead?”
Robert looked around at the sharp angles of the starkly modern black and white furniture. The apartment was decorated with all the warmth of a hospital operating room. “It’s certainly very now,” he said.
“And that’s where it’s at, boy. That’s where it’s at." There was room for him on the sofa, but he settled instead on its arm, a perch from which he could look informal yet condescending. “And that’s where we’ve got to be in our work as well as in our lives. Of course, this is a party and no one wants to talk shop, but you know what I mean,” he said with a wink. “There are those stick-in-the-muds who have never had a new idea in their heads and who would like to keep the whole English department in the Dark Ages. But we’re not going to let them get away with that, are we?”
Robert managed to be sipping his drink so that he didn’t have to answer.
“Exactly!” Bradcliff said, getting up. “Well, enjoy yourselves. I’ll get back to you again.”
He had no sooner walked away than Katherine Marish zeroed in on them. A short redhead with a voluptuous figure, she looked and dressed as if she belonged on a centerfold of Playboy rather than behind a lectern, but she was all scholar from her summa cum laude degree from Barnard to the thesis on “Henry James and Evolution of the Parenthetical Clause” that would soon win her her Ph.D.
“Marcia! How good to see you again!” she said, extending a cool, well-manicured hand. “What have you been doing with yourself lately?”
“Oh, wiping noses, applying Band-Aids.”
“Now you can’t fool me!” She tossed her head back and laughed. “Robert has told me how hard you work on your little drawings. I’ll bet you’re working on something right now.”
“As a matter of fact, I’m illustrating a pamphlet for the Anti-Smoking League.”
“How fascinating!”
“Not really, unless you happen to get turned on drawing cross sections of diseased lungs.”
“Oh, come now! I’m sure you find a way to get some self-expression into it!”
“I understand that the way I render smoke curling from a cigarette is something to behold.”
“You see!” Katherine said in the tone of an adult who has just scored a point with a child. She took Robert’s hand in an effort to pull him to his feet. “I have to borrow your husband for a little while. I need him to settle an argument about Fitzgerald. Robert’s the only person whose word I’ll take on Fitzgerald.”
With a sigh, Robert rose. “Be back in a minute, honey.”
Marcie nodded.
Katherine wound a possessive arm through Robert’s. “I hope you’ll send me one of those little pamphlets when they’re ready,” she called over her shoulder as she led him away.
“Oh, I will!” The smile on Marcie’s lips matched Katherine’s, but the mischief in her eyes indicated that if the pamphlet were to arrive at Katherine’s house at all, it might be through a closed window, wrapped around a brick. She took a long swallow of her drink.
The sofa sagged under the weight of Arthur Dowley, who had been teaching at the college for thirty years and who, for some obscure offense in the remote past, had been on the shit list of every chairman of the English department for the past twenty-five. His vote, however, could never be overlooked, and so he received grudging invitations to every pre-election get-together.
He took a swallow of what was obviously only one in a long line of drinks. “Look at that shithead,” he said, nodding toward Bradcliff, “prancing around, talking about how exhausted he is from working on his latest anthology.” He fixed a bleary eye on Marcie. “Do you know what parts of a man get most worn out working on an anthology?”
“What parts?”
“His ass and his index finger. All he has to do is select an author, then sit himself down in front of a card catalogue in his local library and make a list of all the works by that author. He gets copies of the works, strings them all together, and, voila!, an anthology.”
Marcie laughed. “Sounds like instant scholarship.”
“Exactly. Just add a few lines of bullshit for a forward and mix.” His thick, graying brows lowered over his eyes in a scowl. “What a bunch of phonies we all are, trying to build reputations for brilliance and cleverness on works created by minds far more brilliant and clever than our own. There are damn few who can see the situation in perspective—who are in this business for the love of teaching and the love of what they’re teaching. You happen to be lucky enough to be married to one of them.”
Marcie smiled. “And to be sitting next to one of them too.”
“No.” He gulped down the remainder of his drink. “I lost all my perspective long ago. I’m too bitter to offer accurate judgments, and if you’re smart, you’ll keep that in mind whenever you talk to me.”
“The only people whose judgment I’d deem worth trusting are those who have the wisdom to mistrust what they say.”
A grin traced its way across his face, then was lost in a scowl as someone began to clank a spoon against a glass at the bar.
It was Professor Graystone, his gray curls bobbing, his plump body rigid with the effort of pretending not to contain too much gin. “Your attention, everybody!” he was saying through his long, aquiline nose. “Your attention, please! I have a treat for you. I’ve written a poem in honor of our good host.”
“Oh, Christ!” Dowley grunted. “I’ll need another drink for this.” He got to his feet. “Can I get you one?”
Marcie shook her head.
He bent down, peering at her through his bloodshot eyes. “Say, are you okay? You look a little green around the gills.”
Marcie closed her eyes a second, her long, slender fingers moving up to her neck. “I think my drink disagreed with me.”
“Well, if it didn’t, Graystone’s poem certainly will. Why don’t you pry Katherine’s hooks out of your husband and get him to take you home?”
“I think I’ll do that.” She rose a little unsteadily. “But first I’d better find the bathroom. Do you know where it is?”
“Second door off the hall. Can you make it all right?”
“Yes, thanks.” She began working her way out of the room.
“I call this poem ‘To Reginald,’” Professor Graystone was saying, “because Roscoe is really not a terribly poetic name. But we all know I mean you, Roscoe dear. Now to begin: ‘Behind ivory brow there teems a mind/Fraught with knowledge of humankind. . . ’”
Unaware that he had long since lost his audience, Professor Graystone was on his third poem—a Petrarchan sonnet in praise of T. S. Eliot—when Marcie emerged from the bathroom, her face pale, her eyes searching the room for Robert. He was still standing in the small circle Katherine had shepherded him off to, his arm still held tightly in her grasp. His face lit up as he spotted Marcie’s approach, but the pleasure in his eyes turned to concern by the time she reached his side.
“Honey, what is it?”
“I’m not feeling too well. I think we’d better go.”
He disentangled himself from Katherine’s hold, collected their coats, and made his excuses to Bradcliff. Then he led Marcie out into the cool April evening.
“Does your stomach feel up to a taxi?” he asked, slipping his arm around her waist.
She leaned her head against his shoulder. “Not yet. The air feels good, though. Let’s walk awhile.”
They walked over to Fifth Avenue, then headed south. A light rain had begun to fall, and Robert reached over with his free hand, slipping the hood of her rain-or-shine coat over her dark hair.
“You should have told me sooner that you weren’t feeling well.”
“I didn’t know sooner. It crept up on me suddenly—while I was talking to Dowley.”
Robert laughed. “That will do it every time.”
“No, really! I rather like him. He’s bitter as hell, but I get the impression that he has a right to be. Besides, it’s hard to find fault with a misanthrope who’s down on everyone except your husband.”
“He likes me?”
She snuggled closer. “Said you were the only perceptive nonphony in the bunch.”
“I don’t know that I owe my nonphoniness as much to perception as I do to laziness. I’ve never been able to see any point in knocking my brains out to make some obscure point of scholarship in some erudite quarterly.”
“Sure, you’re lazy! That’s why you’re knocking yourself out on the Edith Wharton biography.”
“That’s different. Anyway, I’m glad to hear the old bastard likes me. Though it’s not the most popular sentiment back where we hail from, I have to admit that I rather like him too.”
“Why is everybody so down on him?”
Robert shrugged. “No one in our department talks about it or seems to know, but an old-timer in the history department once told me that when Dowley was first starting out, he made the mistake of giving the rough of a paper he was writing on Chaucer to his department head for criticism. The guy found so little to criticize that he plagiarized it, published it under his own name, and greatly enhanced his own reputation. Dowley made a stink, but couldn’t prove a thing, since he’d been naive enough to let his only copy of the paper out of his hands. The department head had a big reputation, prestige, and pull, so, naturally, everyone rallied around him—they needed him more. Dowley was left out in the cold, and his bitterness has kept him there. The fact that his wife ran off with one of his colleagues a year or so later didn’t serve to sweeten his disposition any, either.”
“The poor guy.” Marcie shuddered a little. “He was really rather sweet to me. A lot of people wouldn’t have noticed that I wasn’t feeling well, but he did. You know, I think he would have walked me to the bathroom and held my head for me if I had let him.”
Smiling, Robert tightened his arm around her. “Just as long as he doesn’t want to hold any other part of you when you’re feeling okay.”
Marcie laughed. “Just because you’re a dirty old man, don’t go thinking everybody else is. Speaking of dirty old men and dirty young women—how come Katherine Marish can never keep her cotton-pickin’ hands off you?”
“Because I’m so irresistible.” Laughing, he dodged away from her quick nudge in the ribs. “Actually, she gives me a pain. She’s falling hopelessly in love with the most dazzling member of the faculty—herself—and she’s a bit of a bore about it. I’m sorry I always seem to get dragged off somewhere, leaving you stranded, when we come to these things.”
“Don’t be. The same thing happens to you when we go to a gallery opening or some other arty get-together."
“I know, but, at least, when it happens to me, a braless wonder usually comes to my rescue—not some bitter old man.”
“Go soak your head,” she laughed.
“I am soaking it—or hadn’t you noticed that it’s raining?”
“Do you want to head for the subway?”
“Not unless you do.”
She shook her head.
They walked on in the easy silence of friends and lovers, watching the headlights of passing
cars isolate the rain into tiny particles that sparkled like a shower of baguettes, listening to the soft slap of their wet shoes on the glistening sidewalk. They had no need to speak or even to think. All that was necessary for each of them was to feel the nearness of the other. That was their strength and their joy.
At Seventy-seventh Street, Robert guided their steps toward Lexington Avenue and the subway. He paused a moment before they descended, turning to look down at her.
“I wish I could paint you this way,” he said, “with the rain on your face and the dampness curling your hair.”
“Hey, painting’s my territory. Don’t try to muscle in on it.” Gently, she caressed his chin. “I was planning to immortalize this wet beard on canvas myself.”
“Well, I wouldn’t want to compete on your own grounds. I’ll get Professor Graystone to help me with an ode.”
“Paint, please! I’ll lend you my supplies.”
Smiling, he reached into his pocket for subway tokens. “You ready to head home?”
She nodded, and he noticed for the first time how heavy her eyes looked.
“That sounds good,” she said. “I’m very, very tired.”
She slept on his shoulder all the way back to Brooklyn



Professional Reviews

Midwest Review of Books
Between Two Eternities
Barbara Brett
Brett Books
www.brettbooks.com
ISBN: e-Pub: 9780963662064
Kindle edition: 9780963662071 $4.99
http://www.amazon.com/Between-Two-Eternities-ebook/dp/B00ASSEA5U/ref=sr_1_2?ie=UTF8&qid=1357601529&sr=8-2&keywords=Between+two+eternities

Between Two Eternities presents Robert and Marcie Silver, who lead an idyllic life. At age 32 Marcie seems to have the world on a platter and would appear to have decades in which to enjoy it; but fate is never predictable and even youth does not preclude the possibility of death. What begins as tiredness evolves into the eventual certainty that something is wrong - and with it the veil of lies, denial, and illusion is lifted.

The first thing readers will notice about Between Two Eternities is that there's plenty of dialogue between all characters: dialogue lending to both light discussion and deep psychological profiling: "Marcie turned to him. "Happy New Year, honey." He kissed her, hoping she would attribute the break in his voice to the rigor of his fast. "Happy New Year, sweetheart." The numbness was gone. There was nothing left to cushion the brutal reality that lay ahead. In the days that followed, Robert felt like a snail that has been deprived of its shell: There was no place left for retreat."

As the two confront the devastating truth in different ways, at first hiding their pain from each other and then clashing over these different coping methods, Marcie and Robert come full circle from confronting love to confronting death and life's meaning. And as they slowly let in friends and religious figures from their Jewish faith, they gain perspective and insight from unexpected places: "He looked from Robert to Marcie. "Maybe it's because we read so many fairy tales when we were young - or maybe it's something inherently tied up with human frailty - but we all seem to be guilty of making the assumption that we're entitled to live happily ever after, that life is supposed to be a smooth road that we should be able to skip joyfully along. Whenever evil, sorrow, or tragedy waylay us along the way, we react with hurt surprise, as though they are out of place and out of order and have no relation to the real business of living." "

There are no simple palliatives, but insights supporting how to face change (even death) with strength: "It can't be easy for anyone who knows that his own death is imminent, but, actually, it's that last bit of death-overshadowed life that you need help facing, not the final act of death itself. And the Torah would tell you to live every moment allotted to you to its fullest, and to face the fact that there are not destined to be many moments with courage and dignity."

From decisions on how to spend last days and how to renew the love between them to how to face a loved one's moving on, Between Two Eternities provides a gripping saga packed with discussions of life and death's meaning, how to face the inevitable with dignity and wisdom, and most of all - how to preserve lasting love in the face of end times.

Ethical considerations - such as the right to refuse life support - are introduced to the mix towards the end of the novel: its 1970s setting means that hard rules have to be broken to achieve this goal, raising many issues all characters must grapple with: "With a trembling hand, Robert smoothed the sheet under Marcie's chin, remembering how she'd looked the night she'd begged him not to let the doctors prolong her life. "But I love you," he whispered now. "I want you with me as long as I can have you - even if it has to be this way. Surely, you can understand that.""

While the novel's conclusion is predictable (even inevitable), the changing relationship between husband and wife is not: for both are on a journey brought about by medical challenge, truth, and life-affirming measures; and both face the ultimate test of their love and ability to give in the face of letting go with dignity.

Heartfelt, poignant, and - surprising - even uplifting at many unexpected points, Between Two Eternities will captivate any reader interested in life, death, and transition points in between.

Diane Donovan, Senior eBook Reviewer
Midwest Review of Books
April 2013, Volume 12, Number 4



Just Reviews--Fran Lewis
The portrait of a family should include all of its members. Each one distinctly painted, colors vividly depicted and smiles beaming at their unknown audience as each face has its own expression that they want to leave when they are gone. But, portraits as is life never last forever, as the paint fades, the colors blend and the faces that were once young have aged and the final scene that many see after so many years differs from the original But, what happens when one member in this portrait is caught or blindsided by fate, has no idea that the next painting will not have their image or face and the world as they knew it and would see for just a short time is about to come to an end? Between Two Eternities will leave readers with many ethical questions, debates that some have had over the issues brought to light in this novel and unanswered questions that many would have liked to ask the characters themselves.
Robert and Marcie Silver lived what they thought was an idyllic life. Not rich but comfortable Robert a college professor and Marcie an artist in her own right. Hoping to create illustrations for Bambi every child’s favorite storybook little does Marcie know that her life span as some might say has not been cut short but is complete. Although only 32 and the mother of two children we do not decide how much time we have on earth but it is up to each one of us to use it wisely, embrace the good times and manage to hard ones. Some feel that death is more than just losing a spouse and a mother. Understanding that “no life can be cut short before it is complete, that death, evil and tragedy are all a part of living,” can be difficult to comprehend. When Marcie starts to feel tired, looks pale and finds it hard to function she ignores the symptoms and feels that it might be a virus that will eventually go away. As we meet her and Robert attending a function of one of his faculty members, we learn to what lengths she will go in order to help Robert attain tenure, deal with some difficult people and even handle one that would like more than just his attention. Dictionary.com defines eternity as: “infinite time; duration without beginning or end. Eternal existence, especially as contrasted with mortal life: the eternity of God.
Theology: the timeless state into which the soul passes at a person's death.” But, Marcie and Robert faced more than just understanding the meaning of eternity or everlasting. Robert faced and made a decision that brings to light what the role of a doctor is when having to tell a patient they are terminal. As we get to know Dr. Halpern he seems callous, cold and not accessible nor is his partner. Almost like trying to avoid the inevitable and when he does the conversation between him and Robert just might leave the reader cold. An inoperable brain tumor with no chance of survival told to him by her internist. Claiming that his best neuro men looked at the results and gave him the final diagnosis still should have sent Robert elsewhere looking for answers but it did not as Dr. Halpern convinced him that all roads would lead back to him. But, what happens next is totally questionable as Robert demands and pleads that Marcie not be told. This is where ethics comes into play and where her final wishes if she had a Living Will or DNR should have been respected.
Told she had a virus and not really concerned Robert began noticing little changes within her and rather than face them what he does will surprise the reader as their closeness was one thing that most thought would never falter and the temptations placed in front of him should have been ignored. But, being what some say is only human what happens creates more than just a wide rift between him and Marcie. His children are so precious and her mother so supportive yet no one seems to realize what is happening to Marcie and Robert is hiding from the truth, as you will learn from his actions.
Marcie is astute, resourceful and definitely one to be trifled with as a major outburst that she cannot explain or control sends her to finding out what is wrong with her and as the doctor states: all roads led back to him. So, what happens when the lies, truths and falsehoods come out and how do they deal with the final outcome? Robert and Marcie are special and when she learns the truth they decide to live life to the fullest, take chances and enjoy the time they had. With the help of her courageous mother, her two children and one special weekend Marcie will get to not only live out a special dream but hopefully enjoy her time on earth.
With references to the Torah and definitions that will help the reader understand more we learn that there are two kinds of immortality: “ there’s the finite kind right here on earth, where we live on in the hearts and memories of those who loved us; there’s the infinite kind, where our souls return to God, who created them.” The reader learns more about the traditions the author shares and the feelings of both characters, Robert and Marcie come through loud and clear as each one voices his/her thoughts about the final outcome. As Marcie comes full circle with her feelings, her final wishes expressed quite clearly will Robert respect what she says. When trying to give her a special weekend the thoughts that are shared will bring tears to your eyes and hope that some kind of miracle will occur. But, truths are told, facts are real and the end result you will have to decide for yourself whether you agree with the final outcome. Do you respect the wishes of someone even when they are given verbally and not written down? What are the rights of the patient? What are the rights of the family? What role do the doctors and nurses have? Why did all of the medical personnel seem so cold and unfeeling? What happens when people need compassion? What happens when one man is torn between two eternities? This is one book that everyone should read to understand that time is short and we need to live and love life to the fullest because you just never know. Author Barbara Brett presents many issues that so many will debate after reading this heartbreaking and enlightening novel. Some portraits will change and others we know will last for eternity if just in our hearts and minds.
Fran Lewis: reviewer , JUST REVIEWS

JUST REVIEWS: http://tillie49.wordpress.com/2013/02/28/between-two-eternities/

GABINA49 blog: http://gabina49.wordpress.com/2013/02/28/between-two-eternities-my-review/




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