he couldn't remember now
when it first was that he saw her there
alongside nature's majesty
gazing out across the river and listening
to the sound of her cows eating grass and
the water's constant telling of tales long forgotten
before long she became a part of him
in his head, his heart and his hands
revealing this part of his imagination
where even he again believed in its magic
believed in the soul of himself left behind
until no longer could he create one or the other
the strength of her legs or the passion between them
yes, even she forgot her place once or twice
when the scent of flowers and his presence overtook her
a madness she had never known before
at night
while they were apart
in the silence of sleep
though they would have none
the dreams remained living these other lives
entangled on the meadows of an unfinished canvas
at the tip of his brush and the outline of her frame
where when light was gone she traced the places
the brush had drawn so very deep into the flesh of her
the canvas was complete
no more the long days of other worlds shared
of an unspoken understanding of color and light
away from the gaze of other crowded city eyes
where lilac skies and moutains remembered
the milkmaid who stood waiting for his (he) art
and her cows to be done by the stream for the day
Ron
Christine
Elegantly phrased and with a strong sense of reality in the art, this touches and moves because it is so real and natural, not just the fluency of words but of emotions.
John
Lin
hugs
fee
lovely, engaging poem, as do I. -gene.
Régis