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Odin odin@aflx.com

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Books
· Perceptions

· ECHOSIS

· Prosetry at Work

· Said and Unsaid - Vol 1

· 3 WAY MIRROR


Short Stories
· Patience Waning

· Ladle Lines (A prosetry memory)

· A Gentle Man

· Pacing Love's Journey

· Gratitude

· A Sticky Conversation

· Blazing Now and Then

· Vulnerable Captivity

· The Kite That Would Not Bow

· Time


Articles
· War and Peace

· Desperation Breeds Desperation

· Preference Manifest

· Innocent Guilt

· Barbed Isolation

· A Place...

· Sanity's Loss

· Organs Anonymous

· Fatuous Beyond Absurdity

· Truth is One


Poetry
· The Life-long Pernicious Evil

· Cherishing Sounds of Silence

· Understanding the Unexplainable

· Reality of Another Kind

· Finding Trust Again

· Aromalicious Memories

· A Jungle-rain Pastorale

· Sediment Within the Soul

· Life's Enormous Green Chest

· Roadkill Memoriam

         More poetry...

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Loneliness Of Gray

by Odin odin@aflx.com — Read all 3,869 poems by Odin odin@aflx.com

Choosing to gamble with creation, renders a certain kind of person.

Tuesday, December 3, 2013


Poem Artwork
Loneliness of Gray
by Odin Roark

Could It Be…

The mirror by which we see ourselves
This captive freedom of art in all of us
This necessity to communicate
Desire to become
Is but destiny’s
Loneliness of Gray

For if
As in physics
The typical complementary colors
Blue and yellow
Red and green
Passion's mainstay
When mixed
Yield gray

Then why
When one’s being
Claims gray
Must disappointment ensue

When there is such empirical truth at hand
When there is no opposite for gray
As it is its own opposite
It’s own quintessential purity
Of emotion’s blend
why

Yes

Some would say
The artist’s mind lives unique perceptions
Available to all
Yet determined by most
As out of reach

Few
Accept this fourth dimension
Others reject
Where hands and feet
Colors and viewpoint
Change about
Inviting the dual organs
Nostrils
Ears
Eyes
To express like colors
Embracing opposites
Allowing vocal cords of multiple mode
To render art’s communication
Imagination’s reverse tongue
Creativity’s spoken proclivity
To forever accept extremities of the mind
As wonderment
As living

Ever notice

How simple the artists’ walk
It appears to be on whatever surface
Imagination might volunteer
Be it floor
Path
Greensward
Or bomb-rutted road
Where surfaces creatively experienced
Reveal a virtually abstract pressure-balancing of gravity
Requiring little of tactile distinctiveness
But merely an accommodation
Today’s levitational force
Accomplishing needed transfers of altitude

Where the climbing of stairs
But a walk up from lower levels of existence
To higher realms of selection

To the Artist
Passage from one scene to another
Needn’t be a factor
Rather trust in gliding
Where shadow and blurred focus
Claim one’s mingled curiosity
Into a chosen whole

Where much of vision
Voids transient objects
Ambiguous appearances like
Furniture
Or details of vegetation

Seeking instead

A diffuse lighting of every scene
Rendering the scheme of reversed colors and texture
Bright red grass
Yellow sky
A conundrum of black and gray cloud-forms
Down to the white tree-trunks
Green brick walls
Embracing
A Lovingly
Angelical grotesquerie

Such reveals one’s essence
One’s creation
One’s smile at chance
Depending on how
The mirror might be hanging
   


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Reviewed by Tao Chi
Reviewed on December 4, 2013
Everything artist is unique. Each writer's style different, but still incomparable. Don't care if anyone agrees but I do not believe you can compare artist like Michael Parks to Salvador Dali. Love their art equally. Same with poets, each expresses how they interpret certain things. So many interesting perspectives. Why would one choose to Be close minded due to religious beliefs or no beliefs. This poem told so much of how each sees the world inner and outer so differently from one another and that its okay. And why some don't quite get it. I guess. That's how I perceived it. Plus more. But don't want to take up too much space.

Reviewed by Michael True
Reviewed on December 4, 2013
(Yes, I can almost make out the ghost in that fog bank.) Oh, to be able to see in the spectrum of infrared or have those exquisite x-ray visions. The constant quest is to tease those evasive colors out of our endless dreams. M.True

Reviewed by Ronald Hull
Reviewed on December 4, 2013
My first thoughts were that this would be pseudo-sensual, kind of like, "50 Shades Of Grey." And then I discovered that it must be something about everyone's artistic ability… I think.

I have in me a strong visual artistic urge that I can't dissipate even though my eye hand coordination is so far gone that drawing anything is extremely difficult and I can no longer sign my signature. I now create art through a painful process of using computer tricks to get the effect that I want without having to actually draw or paint anything.

But the mirror plays its part in reflecting our artistic selves, I think.

Ron

Reviewed by Jerry Bolton
Reviewed on December 4, 2013
What can I say, Odin, except that you excel.

Reviewed by Budd Nelson
Reviewed on December 4, 2013
you have painted this with the words of an artist
budd

Reviewed by Ruan Mills
Reviewed on December 4, 2013
The mirror, once considered 'bad magic', is proven to be a window to many things, some good and some not so good but it is always a catalyst for some level of change.
Love so many of your word choices here ...and I love that painting. Who is the artist?


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