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Odin odin@aflx.com

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Member Since: Jul, 2008

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Books
· Perceptions

· ECHOSIS

· Prosetry at Work

· Said and Unsaid - Vol 1

· 3 WAY MIRROR


Short Stories
· Patience Waning

· Ladle Lines (A prosetry memory)

· A Gentle Man

· Pacing Love's Journey

· Gratitude

· A Sticky Conversation

· Blazing Now and Then

· Vulnerable Captivity

· The Kite That Would Not Bow

· Time


Articles
· War and Peace

· Desperation Breeds Desperation

· Preference Manifest

· Innocent Guilt

· Barbed Isolation

· A Place...

· Sanity's Loss

· Organs Anonymous

· Fatuous Beyond Absurdity

· Truth is One


Poetry
· The Life-long Pernicious Evil

· Cherishing Sounds of Silence

· Understanding the Unexplainable

· Reality of Another Kind

· Finding Trust Again

· Aromalicious Memories

· A Jungle-rain Pastorale

· Sediment Within the Soul

· Life's Enormous Green Chest

· Roadkill Memoriam

         More poetry...

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Actors All

by Odin odin@aflx.com — Read all 3,869 poems by Odin odin@aflx.com

The Seven Ages implies demarcation and separation ( baby, child, lover, soldier, middle-aged person, old person, and second childhood) but today the lines are becoming increasingly blurred. “All the world's a stage, and all the men and women merely players: they have their exits and their entrances; and one man in his time plays many parts, his acts being seven ages.” Shakespeare (Photo by Ian Barber)

Sunday, February 23, 2014


Poem Artwork
Actors All
by Odin Roark

To fool
Or be fooled
Innate competition for
Life’s continuance sweepstakes

Real life’s honesty
Knows survival of the fittest
Relies on impression’s armament
One’s tightly woven costume of persuasion
Ever ready to defend strategy’s patience

Curtains rise

Settings come alive
Footlights’ massage
Spotlights’ invite
As staging presents
Seduction’s heroes and heroines

Intermission

The persuaders
And persuaded
Take respite
As presentation’s set-up and conflict
Prepares regroupings
Making ready the resolve

Closing curtain

Applause fades
Marquee goes temporarily dark

But just as the next opening
Opts to repeat tried and proven choices
Whether performer
Or audience
The art of persuasion
Continues to evolve

Gradually

Acting’s duality of purpose
Will fade-out separation’s proscenium arch
Opting to invite spectators on stage
Where applause and bows will become one
Where separate identity will cross over
Forging audience and players as one
Making the we/them question moot

Yes
The Bard was right
Actors all




 


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Reviewed by Diana Legun (Reader)
Reviewed on February 26, 2014
proscenium: 2. the wall containing the arch that frames the stage. (Merriam-Webster) -- today's new word for me. Great way to use that word = fading the separation. The first three lines of stanza two pack a wallop of raw truth. How skillfully constructed are those three lines. ~~ Diana

Reviewed by Michael True
Reviewed on February 25, 2014
Does our genetic code determine who will rely on their scripts and who will improvise? M.True

Reviewed by Ronald Hull
Reviewed on February 24, 2014
I agree with the premise that we were all born to act, and how we act greatly affects whether we are in a tragedy, a drama, a comedy, or a farce. That's why it's all right to peek in on a reality show once in a while, to see how people really act when they know someone is watching. The ultimate exhibitionism. I love it.

Ron

Reviewed on February 23, 2014
I think the whole world is a stage, and we are all actors and actresses in someone else's dreams.

Sandie :o)

Reviewed by Budd Nelson
Reviewed on February 23, 2014
very well done Odin
budd

Reviewed by Jerry Bolton
Reviewed on February 23, 2014
Oh absolutely, he was right, Odin. When I was young, I mean very young, I used to fantasize that we humans were being moved about like so many chess pieces by unseen giants of another world. We were their Monopoly game of life as it were. It was such a strong feeling it comes back from time to time. Like now.


New Poetry by Odin odin@aflx.com
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