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Odin odin@aflx.com

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Books
· Perceptions

· ECHOSIS

· Prosetry at Work

· Said and Unsaid - Vol 1

· 3 WAY MIRROR


Short Stories
· Patience Waning

· Ladle Lines (A prosetry memory)

· A Gentle Man

· Pacing Love's Journey

· Gratitude

· A Sticky Conversation

· Blazing Now and Then

· Vulnerable Captivity

· The Kite That Would Not Bow

· Time


Articles
· War and Peace

· Desperation Breeds Desperation

· Preference Manifest

· Innocent Guilt

· Barbed Isolation

· A Place...

· Sanity's Loss

· Organs Anonymous

· Fatuous Beyond Absurdity

· Truth is One


Poetry
· The Life-long Pernicious Evil

· Cherishing Sounds of Silence

· Understanding the Unexplainable

· Reality of Another Kind

· Finding Trust Again

· Aromalicious Memories

· A Jungle-rain Pastorale

· Sediment Within the Soul

· Life's Enormous Green Chest

· Roadkill Memoriam

         More poetry...

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Silent Masks

by Odin odin@aflx.com — Read all 3,869 poems by Odin odin@aflx.com

After reading a New York Times article on Kafka’s last trial, I couldn’t help but find myself reviewing the many years in New York, where life’s often fickle decisions became memory, and its fantasizing nature. In this invention of Time, was/is Man meant to perceive chronological events in a horizontal passage, or is the age of existence actually vertical in nature, all experiences as one, a simultaneous happening as both memory and the immediate moment? Might this mean we choose from a vertical "nowness," determining that which suits our needs at Time’s moment of observation, or as the writer. Grant Faulkner opined: “We need darkness, silence, and solitude to recognize the opaque flickerings of our unconscious and follow the images that rouse, puzzle, and feed us. We need to magnify our spirit through awe, and then bring that sense of awe to our words.” (Image by deviant)

Saturday, September 2, 2017


Poem Artwork
Silent Masks

Yesterday’s Time,
invented by man to fill
empty places.

Most dream easily,
but in The City of time ignoring 24 hours,
ticking illusion awaits delusion’s mask.

As the subway empties
and yesterday's leather and metal straps fade out,
their idle swing overhead is but a shadow dance,
a balance of gray support giving way to orange upholstered benches.

Sitters exuding the latest vogue shades
cover cunning eyes waiting for another of yesterday’s hula-hoop hips to move.

Crowded subway.
Brush this.
Touch that.

All the while NY Times folded accordion style,
stretches forward from tortoise shell glasses,
as feet of Florsheim endowed wingtips hug
undercarriage tightly,
avoiding crowded car,
the shoeshine woes for those with Wall Street image
sitting fearfully,
feeling carefully,
whispering the 1% morning prayer:
“pick-pocket blues,
stay away from me.”

Thus the ticking silently,
akin to the Kafka-like adding machine offices
once thriving with hourly wages,
now awaiting wrecking balls,
their barren floors still alive with Mad Men
and insatiable ambition,
now but yesterday's power in limbo,
ambition’s commerce-caves of dust-etched ghosts
staring vacuously skyward for...

Time ticks anxiously.

For the Happy Hour rapidly approaches,
the Every Hour, for a bar is a bar even without patrons,
even when chairs are stacked on tables
and tired neon Pabst Blue Ribbon signs flicker.

The 3rd Avenue watering hole where yesterday’s designer sneakers are replaced by today’s versions with more pizazz peeking out from skinny-tapered-denim covered legs.

Dollar a shot.

“Make it two.”

“Hit me again’ ‘til after 3 AM
and Time delivers the Klee-like night
of color and clashing reality.

Ticking loudly now…

42nd street once more than just crossroads,
now a glittering cover for continued
bright-lit consumption,
waiting to become merely another passage of time.

Forever DeNiro’s Taxi Driver lament,
windshields mirroring slumbering skies invaded by
glaring marquee lights,
bulbs 1-5-7 burned out.
2-4-8 & 9 blinking,
strobing its stabs at eyes gazing out
from a backseat respite.
The checkered yellow stops
just another all-nighter about to wind down,
emptying the cab of another experience in progress.

Such is from sunrise train
to ledger sheet hell,
to Happy Hour escape,
to bright lights dream-believe.

Ticking stops.

The Big Empty now.

Night train's end of the line.
That place where worn and stained stairwells lead
through turnstile exits up past littered passages
leading to a nocturnal desert's oasis
atop high-rises about to become witness to a city's sunrise,
where gull, pigeon,
ferry boat and sky meet for another encounter.

Nature’s surreal wonderment awaits,
as today's empty places standing free
make ready to provide undying chronology,
even as faceless clocks enjoin the desolation inherent of silent masks. 


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Reviewed on September 5, 2017
You have taken me to a world of the whirl wind life of Administration
and all the icing on the cake!! Oh, that "city's sunrise,"!!

Love ya!

Jane

Reviewed by Mystic Rose
Reviewed on September 3, 2017
Behind the masks, are heart beating individuals who have lost their way. Clay masks belong on walls not on people's faces. Well done Odin, xo

Reviewed by John Herlihy
Reviewed on September 2, 2017
Sounds like a fairly desolate landscape of humanity's own creation, and from behind a mask no less. Another excellent poem exploring the deep-sea depths. John

Reviewed by E Phillips
Reviewed on September 2, 2017
Life in the city, interrupted by staff meetings and back-stabbing, before the long sun-burned days in the Florida sun, and then you die--if you are one of the lucky ones. Same play, different location.
Well written, as usua.


New Poetry by Odin odin@aflx.com
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