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Odin odin@aflx.com

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Books
· Perceptions

· ECHOSIS

· Prosetry at Work

· Said and Unsaid - Vol 1

· 3 WAY MIRROR


Short Stories
· Patience Waning

· Ladle Lines (A prosetry memory)

· A Gentle Man

· Pacing Love's Journey

· Gratitude

· A Sticky Conversation

· Blazing Now and Then

· Vulnerable Captivity

· The Kite That Would Not Bow

· Time


Articles
· War and Peace

· Desperation Breeds Desperation

· Preference Manifest

· Innocent Guilt

· Barbed Isolation

· A Place...

· Sanity's Loss

· Organs Anonymous

· Fatuous Beyond Absurdity

· Truth is One


Poetry
· The Life-long Pernicious Evil

· Cherishing Sounds of Silence

· Understanding the Unexplainable

· Reality of Another Kind

· Finding Trust Again

· Aromalicious Memories

· A Jungle-rain Pastorale

· Sediment Within the Soul

· Life's Enormous Green Chest

· Roadkill Memoriam

         More poetry...

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Worlds of Black and White

by Odin odin@aflx.com — Read all 3,869 poems by Odin odin@aflx.com

Using prosetry to explore the difference between the student and the teacher; the artist and the journeyman is challenging. Finding common language for both sides of a painting, symphony, poem, i.e., the creator and the patron is never easy. Still, we owe it to ourselves and those being challenged to respect our work, to make such an effort. “The lessons I learned at the keyboard went far beyond any specific piece of music I performed. Music has helped to inform my life; it has helped to develop my own capacity…” Jane Chu – (Image by Eunbyul Sabirna Lee).

Tuesday, March 20, 2018


Poem Artwork
Worlds of Black and White

How furiously most navigate
these polarized worlds of image and sound,
of color and lack of.

For many,
black never becomes white,
White never embraces black,
paradox is banished,
stunted minds only perceive one,
or the other. 

Yet…

For a precious few,
those who sit before
a black and white world of keys,
how paradoxical the piano’s
tendons,
bone and skin,
stretching forth,
inviting limber fingers,
co-mingling in the wonders of creative sound.

Such merging of color’s deep mix,
its wash of infinite searching
for hue and texture
gives birth to unique tone and vision,
enabling layers of voices to step forth,
becoming echoes to overlain echoes,
welcoming sound of distinguished structures.

Hands realize the enigmatic reach,
that unheard touch to gratify the stretch,
to speak that which might remain mute,
were it not for those in need.

Such is the struggle.

Behind such fingers and hands,
wire and dampers,
there resides a restive pulse,
that place where artistry gathers legitimacy,
where striving to be felt as a language
for those who know its distinction,
suffices the heart’s desire,
the mind’s nourishment.

Mystery…

The keyboard’s invention understands,
while the pianist and patron's mutual longing persists.

   


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Reviewed on March 23, 2018
There is a magic that swirls through the room while someone is blending the black and white keys into a beautiful sound! You offer a sound argument in this poem as well. Great metaphors.

Love ya!

Jane

Reviewed by Ronald Hull
Reviewed on March 21, 2018
When it comes to talent, the black-and-white keys do not discriminate. I recall vividly the crushing defeat when my brother and I enjoyed some time at a local radio station, yet could not perform well on the piano accordion.

Music is a powerful motive drug that few escape while humming.

Ron

Reviewed by Jerry Bolton
Reviewed on March 21, 2018
THIS is a complete and utterly precise and fascinating indept look at the mystery of the hatred of color of the races. Taking the black and white example of hatred between the races. Just sit and listen to the beautiful music which comes from the black and white keys gives one happiness that the black and white keys can make such beautiful music, and on the other hand a deep and personal sadness that through the ages the black and white races have served up hate instead. Quite a marvelous
poem, Odin.

Reviewed by John Herlihy
Reviewed on March 20, 2018
I read with fascination and amazement your treatise on the black and white tones and what the piano can produce that is the extended presence of ourselves. Excellent.


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