The Quiet That Found Me
A room…
Where I entered as one might enter a cave,
not to escape,
but to quietly echo my presence.
Walls…
Did not speak,
but they listened like aged trees do,
their silence thick with memory.
A chair…
Its shadow curled like a sleeping cat,
waited without agenda.
I sat,
and the world folded inward like a paper crane mid-flight,
teaching me that solitude is not absence,
but a lantern lit from within,
casting shadows that dance like forgotten friends on the walls of the mind.
Estrangement…
Tugged gently at my sleeve,
not as a thief,
but as a guide leading me into the wilderness
where choices bloom like wildflowers unafraid of not being seen.
There, a fox blinked at me
with eyes like burnt amber,
and I suddenly understood the language of stillness.
A wilted daisy leaned into my palm as if asking not for rescue,
but for recognition.
Even the wind seemed to pause,
its breath a hymn to the magnificence of things that do not clamor.
Yes…
In that dark room,
I met myself as one meets a stranger who somehow knows your childhood nickname.
And I stayed,
not out of loneliness,
but because the quiet had teeth,
that bit gently into the noise I once mistook for belonging.
However, a Vietnamese man that was translating Vietnamese poetry from people held in Vietcong prisons into English asked me to edit them. Written on scraps of paper with bits of charcoal and then smuggled out of prison, these poems were as stark and limited of color as their meager existence.
Described food and longing for warmth of human contact, mostly in very few words.
Ron