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Odin odin@aflx.com

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Books
· Perceptions

· ECHOSIS

· Prosetry at Work

· Said and Unsaid - Vol 1

· 3 WAY MIRROR


Short Stories
· Patience Waning

· Ladle Lines (A prosetry memory)

· A Gentle Man

· Pacing Love's Journey

· Gratitude

· A Sticky Conversation

· Blazing Now and Then

· Vulnerable Captivity

· The Kite That Would Not Bow

· Time


Articles
· War and Peace

· Desperation Breeds Desperation

· Preference Manifest

· Innocent Guilt

· Barbed Isolation

· A Place...

· Sanity's Loss

· Organs Anonymous

· Fatuous Beyond Absurdity

· Truth is One


Poetry
· The Life-long Pernicious Evil

· Cherishing Sounds of Silence

· Understanding the Unexplainable

· Reality of Another Kind

· Finding Trust Again

· Aromalicious Memories

· A Jungle-rain Pastorale

· Sediment Within the Soul

· Life's Enormous Green Chest

· Roadkill Memoriam

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Precarious Stilts

by Odin odin@aflx.com — Read all 3,869 poems by Odin odin@aflx.com

We seldom read or hear or watch TV that relays the internal struggle that Manhattan demands of the wide majority of workers. What might they be going through?

Friday, March 13, 2026


Poem Artwork

 

Precarious Stilts


Hot, humid Manhattan—21st century heat waves
press against factory walls like a verdict.
The night air tastes of welded metal and
overworked transformers,
their blue hum flickering through industrial canyons

where commerce never sleeps.


Textile ghosts still cling to the rafters—
wool sweating in the damp,
chemical dyes slicing the back of the throat,

oils pooling in thick, stubborn shadows
as if labor itself had liquefied and refused to leave.


A century of hands,
brown, pale, blistered, forgotten,
still lingers in the grain of the floorboards.


And above it all…


A single work‑for‑rent dreamer holds vigil,
limbs nimble, hope fragile,
waiting for his sliver of unclaimed time,
his nightly arabesque of relief
before the alarm of obligation claims him again.


At 2 AM the moon grants parole,
silver thrusting through tall, industrial glass,
cutting clean angles across metal frames
like a silent choreographer.
Light arcs over rust‑bitten radiators,
skates across the battered planks he calls a dance floor,
a rough‑hewn stage polished only by sweat and repetition.


But from below…

 

The presses stir,
that dissonant seduction rising as machinery wakes hungry.
Rhythms misaligned like a city’s heartbeat,
a chaotic overture settling into an accelerated allegro of deadlines
and a scherzo of late‑shift curses.


While others hear only racket,
he hears a strange orchestration,
iron cogs gnashing like sharpened teeth,
gears kissing in brief metallic affection,
belts whipping themselves awake,
pistons rising and falling like factory lungs gasping for rent money.


This rumbling crescendo wraps him in its mechanical cocoon,
nurtures his belief that beauty can survive even here.


So he moves,
a silhouette bending into pain and breaking it open

into something sweeter.
The room becomes a lung,
his body the breath it holds.


But night grants only borrowed freedom.
The spell snaps before dawn,
as the new century’s citywide grind asserts itself,
warehouses short‑staffed,
unions locked in negotiations,
gig workers flooding morning trains,
inflation gnawing at every paycheck like a persistent rat in the walls.

 

His own shift demands no questions asked,
only lifting, hauling, enduring.
By sunrise, his arms,
once instruments of craft,
droop heavy beside legs that once carried flight.
Yet even as they tremble,
mere precarious stilts trying to get him home,
something steadies in him,
a small uprising of breath,
a stubborn ember refusing collapse.


For the city that takes so much
cannot strip the pulse that insists on rising again,
on shaping motion out of exhaustion.


So he steps forward,
leaning into the day’s crush with a quiet, muscular promise:
that somewhere between the cracks of rent slips and time clocks,
he will keep carving space to move,
to lift his body into meaning,
and send a shard of beauty breaking through the margins
like first light insisting on itself.

 



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Reviewed by John Herlihy
Reviewed on March 14, 2026
Ah, the work that keeps Manhattan functioning— the heat, the machinery, the exhaustion, and the fragile hope that survives inside it all. Your dancer becomes a kind of quiet wildcard, carving beauty out of a place built for deadlines and grind. The final image of him stepping into the day on “precarious stilts” still carrying that stubborn ember feels both human and true.

Reviewed by Ronald Hull
Reviewed on March 14, 2026
You have written it so well. So many go to the city to make it, and many of them return home, broken.

On the other hand, New York City has always been the dropping off point for many immigrants coming. Many of them have little money to move out into the countryside and get trapped into the kind of work you describe so well in the city that never sleeps and exhausting challenges.

Ron


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