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Sage Sweetwater

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Expanded Commentary on Aberjhani's Reading Rumi After September 11-Part 2
by Sage Sweetwater   
Rated "R" by the Author.
     
Last edited: Monday, October 22, 2007
Posted: Saturday, October 13, 2007

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Aberjhani's encouragement to post a title of this essay of her own prompts Sage Sweetwater to post a title from Sage's commentary on Aberjhani's A MOTH TO THE FLAME


Authors Note: This writing is the second part of a commentary in the form of a short essay which I left on Author/Poet Aberjhani's recent A MOTH TO THE FLAME - one of the strongest book reviews I have ever read, quilled by Author/Poet Aberjhani.  It pulled me in and I was drawn like a moth to the flame-[Sage Sweetwater]

PART 2:
Rumi, Rushdie, and Jung -
Whirling Dervishes, The Satanic Verses, and the Philosopher's Stone.

Rumi: One-handed Basket Weaving.  This poem of Rumi's partly inspired my poem, "Wind River Shoshone Woman,"
in which Wind River Shoshone is an avatar who has metamorphosed.  I realized in Rumi's One-handed Basket Weaving that these Jungian feelings surfaced in my own Dreams and personal space - emptiness. And Rumi's lines in this poem, "
Know that your body nurtures the spirit, helps it grow, and gives it wrong advise" persuaded me to "masturbate" to give it right advise, transforming into basket-weaving. My lines here in "Wind River Shoshone Woman" [b'tween, masturbate with the fantasy of your basketry not so tight, it leaks, teach celibacy how to speak different languages,] were written with Jungian philosophy.  And then Rushdie's lines in "The Satanic Verses" 'And yet, in spite of profanity and debilitation, this was a face inextricably mixed up with holiniess, perfection, grace: God stuff.  No accounting for tastes, that's all.  At any rate, you'll agree that for such an actor (for any actor, maybe, even for Chamcha, but most of all for him) to have a bee in his bonnet about avatars, like much-metamorphosed Vishnu, was not so very surprising. Rebirth: that's God stuff, too.'

     One-handed Basket Weaving by Rumi

     
    I've said before that every craftsman
    searches for what's not there
    to practice his craft.

    A builder looks for the rotten hole
    where the roof caved in. A water-carrier
    picks the empty pot. A carpenter
    stops at the house with no door.

    Workers rush toward some hint
    of emptiness, which they then
    start to fill. Their hope, though,
    is for emptiness, so don't think
    you must avoid it. It contains
    what you need!
    Dear soul, if you were not friends
    with the vast nothing inside,
    why would you always be casting you net
    into it, and waiting so patiently?

    This invisible ocean has given you such abundance,
    but still you call it "death",
    that which provides you sustenance and work.

    God has allowed some magical reversal to occur,
    so that you see the scorpion pit
    as an object of desire,
    and all the beautiful expanse around it,
    as dangerous and swarming with snakes.

    This is how strange your fear of death
    and emptiness is, and how perverse
    the attachment to what you want.

    Now that you've heard me
    on your misapprehensions, dear friend,
    listen to Attar's story on the same subject.

    He strung the pearls of this
    about King Mahmud, how among the spoils
    of his Indian campaign there was a Hindu boy,
    whom he adopted as a son. He educated
    and provided royally for the boy
    and later made him vice-regent, seated
    on a gold throne beside himself.

    One day he found the young man weeping..
    "Why are you crying? You're the companion
    of an emperor! The entire nation is ranged out
    before you like stars that you can command!"

    The young man replied, "I am remembering
    my mother and father, and how they
    scared me as a child with threats of you!
    'Uh-oh, he's headed for King Mahmud's court!
    Nothing could be more hellish!' Where are they now
    when they should see me sitting here?"

    This incident is about your fear of changing.
    You are the Hindu boy. Mahmud, which means
    Praise to the End, is the spirit's
    poverty or emptiness.

    The mother and father are your attachment
    to beliefs and blood ties
    and desires and comforting habits.
    Don't listen to them!
    They seem to protect
    but they imprison.

    They are your worst enemies.
    They make you afraid
    of living in emptiness.

    Some day you'll weep tears of delight in that court,
    remembering your mistaken parents!

    Know that your body nurtures the spirit,
    helps it grow, and gives it wrong advise.

    The body becomes, eventually, like a vest
    of chain mail in peaceful years,
    too hot in summer and too cold in winter.

    But the body's desires, in another way, are like
    an unpredictable associate, whom you must be
    patient with. And that companion is helpful,
    because patience expands your capacity
    to love and feel peace.
    The patience of a rose close to a thorn
    keeps it fragrant. It's patience that gives milk
    to the male camel still nursing in its third year,
    and patience is what the prophets show to us.

    The beauty of careful sewing on a shirt
    is the patience it contains.

    Friendship and loyalty have patience
    as the strength of their connection.

    Feeling lonely and ignoble indicates
    that you haven't been patient.

    Be with those who mix with God
    as honey blends with milk, and say,

    "Anything that comes and goes,
    rises and sets, is not
    what I love." else you'll be like a caravan fire left
    to flare itself out alone beside the road. 

    Wind River Shoshone Woman by Sage Sweetwater

    burning wild celery,
    woodpecker drills a hole
    to remind me how to get to
    the sap, I emulate, I know the
    drill, thrust good measure harnessed
    in my leather strap, don't you need...in
    your lap, and I...

    ...take what's rolled inside
    the cornhusk, the vision is born
    from the smoke rising dusk,
    fish
    for salmon in spring, gather acorns
    in fall, in b'tween, masturbate with the
    fantasy of your basketry not so tight, it
    leaks, teach celibacy how to speak different
    languages,
    extinguished from the dew of a leaf
    before I can stone, Mama Cass Elliot sings Creeque
    Alley, "McGuinn and McGuire
    still are gettin' higher in L.A.
    you know where that's at," and I...

    ...Wind River Shoshone Woman,
    fast until I see a robin, my transition
    in the early spring, I keep count of the
    passionate nights we fucked, on a marked
    stick, Black Wind made Earth, Yellow Wind
    made Light, Lavender Wind made love, notched
    feather dyed red, according to warrior
    coupe, I was wounded, transition
    turned blood of the feather to ink
    of the quill, I dreamed a storm, when
    I woke, my heart was painted with
    a jagged thunderbolt that tore into
    my left breast, my body thrashed
    with the marks of hailstones, and I...

    ...have vivid visions you are
    the moon's representative, making
    an ancient appearance, bringing me Light
    from the dark who tramped on my garden and
    chased pussy from range, I know the
    drill, thrust good measure, the
    deepest Truth harnessed in my
    leather strap, don't you
    need...in your lap, and I...

    ...Wind River Shoshone Woman
    love this beautiful land, red cedar
    message-laden, the Salmon elders
    ask if I followed their instructions,
    fish for salmon in spring, gather acorns
    in fall, in b'tween, masturbate with the
    fantasy of your basketry not so tight, it
    leaks, teach celibacy how to speak different
    languages...

    I...



    Copyright 2007 Ms. Sage Sweetwater, firebrand lesbian novelist

    ...the power of philosophical enlightenment - Rumi, Rushdie, and Jung - Sage Sweetwater's essay with a tie-in to Author/Poet Aberjhani's recent A MOTH TO THE FLAME. Please follow this link to Author/Poet Aberjhani's recent A MOTH TO THE FLAME.

    http://www.authorsden.com/visit/viewarticle.asp?id=33673&AuthorID=25279


     





 
     


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