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Jansen Estrup

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Art and Reality
by Jansen Estrup   
Rated "G" by the Author.
     
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A brief examination of art and reality through the eyes of Henry Miller

Art and Reality

by

Jansen Estrup

 

“The cultural era of Europe, and that includes America, is finished. The next era belongs to the technician; the day of the mind machine is dawning. God help us.” Henry Miller, Sunday After the War, 1943

 

 

Henry Miller thought that the artist was one of three magical pilgrims on the roads to reality. He ranked them as the middle link between the saint and the hero, all three vital in any culture.

 

He lamented that Europe, where he was an ex-patriot between the wars, would rebuild in America's image. There, he writes, artists were appreciated no matter what their level of skills, notoriety or success. Penniless, he could easily find cafe owners anxious to feed him just to have a writer, even an unknown one, on his premises. With artists, dancers, writers, musicians there was always a creative atmosphere, a simmering of ideas and good will among those with divergent allegiances and philosophies.

 

Strangers offered precious coins, even during the Depression and a place to stay for a few nights. Those who'd sold a piece or secured a job were just as generous with each other and debts were so common that no one even remembered who owed what to whom … nor cared.

 

The saint, artist and hero were friends … travelers, pilgrims, adventurers on the road to … of reality.

 

He could and often did simply sit and watch the people of Paris, of a day or night, watch them play, dance, quarrel, all the while accepting the certainty that Nazi Germany was just there on the border, and Il Duce was yonder, on that one, and the other, still hotly contested by Church and atheist, was yet another tyranny.

 

He wanted to visit Greece before it died. He did, but escaped only by a hair. And when he returned to Brooklyn, he wrote ...

 

“The time of the assassins” has come. And with it the great split. The world is no longer able to contain its anguish. Fear, nameless and uncontrollable has broken loose. The world egg totters on its precarious balance. Do we face a period of total chaos? Or will the gods come forth again in all their splendor through the shell of the egg.” Henry Miller, Remember to Remember, 1941

 

 


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Reviewed by E Phillips
Reviewed on October 3, 2015
Since Miller's death we are now a nation where $17 billion per day is being sucked up from the economy and deposited into the hands the very wealthy. We are being ravaged as never before by the wealthy and their puppets in Congress. It's difficult for people to be generous with each other in such an environment. His voice would be a welcome antidote in these times.

Reviewed by Ronald Hull
Reviewed on October 3, 2015
While I own his great trilogy, thanks to my grandmother, I didn't know that Henry Miller came to the United States from Europe. I do recall that during the Great Depression, the federal government kept many artisans alive and on their payroll. I also believe there were enclaves in places like New York City, Los Angeles, San Francisco, and New Orleans, where artists were treated both by their peers and by the community, nearly as well as in Paris.

But times have changed, and been changed by the digital God of commerce and isolation. One no longer travels to these meccas of artistry. One carves out a place of isolation and "freedom," to eke out a living using the working world while trying to pursue a craft. Today, it is the Internet that links us and not the coffee shop, theater, or dance studio. Who knows what tomorrow will bring.

Ron

Reviewed by Eva Pasco
Reviewed on October 2, 2015
May the saint, hero, artist, and those of us in-between who strive to make our mark, find middle ground. I enjoyed a glimpse of Henry Miller through your eyes.

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