"Error from Babel mutters in the places,
Cities apart, where now we word our failures:
Hatred and guilt have left us without language
that might have led to discourse
William Meredeth"
Melancholia
I too see the gray of skies, made so in our
reflection of urbane hues, a brittle chill
no matter what indian summer it is
or whose blood we boiled to keep warm
is pervasive and all consuming
.
I saw down the street a boy, 16 perhaps
who decided survival over ruled integrity
and became a he-whore to businessmen,
doctors, cab drivers and scavengers
who were lonely for taboo things
.
He sat next to a poet pecking for scraps
of bread and pizza, afraid of the police
who would roust him from his ivory tower
dulled to so many shades of melancholy
because the business guild forbade solicitation
.
There, the mountains loomed
there, was refuge for those huddled, those poor,
those yawping masses yearning to scream need
but the bus only ran on days which ended in money
and too many hands twice shy from biting
Whoa-ho, a twisty turning mind you have, Tyler, like the ragged dance of surging hypocrisy screaming to "God" how they had been tricked from heaven and bound in flesh on a crabbed, cramped planet. Is the Pecking Poet the source of the Melancholia's vibrations, or his mirrored concret image...
"The statues of Savannah's Monument Square are silent. The statue of the solemn girl in Bonaventure Cemetery—made famous in John Berendt's blockbuster book, Midnight in the Garden of Good and Evil—can't speak. Only Savannah's literary monuments can g
At the heart of the eight compelling nonfiction stories and five-article appendix which make up Dreams of the Immortal City Savannah is this interesting question: What would your life mean if you were living someone else's dream of what it should be?