You’d like to meet her
On the Spanish Steps in Rome
That’s what they call
La Dolce Vita
Learn a little Italian, son
And you’ll be on the right path
To La Dolce Vita
I hear you’re a poet,
A painter; the paintings sell
But the poems, well...
Go on, ask her
If she knows Dante
Or Michelangelo
You’ll hear her answer: Armani, Gucci,
Cardin—you fool
She loves Ferraris
Expensive restaurants
Modeling gigs
'Terza rima' won’t keep
Her yacht, her boat afloat
Vain and conceited, she ought to
Blush like a tomato, Pomodoro
Hit the books again, son
And find a lovely reader
In the library or at the poetry festival
Festivals are part
Of La Dolce Vita
For the right girl...
Ciao, I hope you meet her
On the Spanish Steps
Or on that beautiful island, Capri
Robin Ouzman Hislop's poetry is certainly in dialogue with some of the key architects of the 'poetics of indeterminacy' – both the Modernist strands represented by the likes of Beckett and Stein, and the postmodernist strands represented, initially,
Ron
wayward wanderings!