To get there, you need a jeep or good hiking shoes for the road is winding, pitted, and steep. Trees tower overhead, and the sun winks through them, dappling the ground.Neither flowers nor grass grow within the shadows.Leftover leaves compose the forest's carpet, merged with the wrappings of forgotten picnics, long ago rendezvous. Abandoned deer runs crisscross the woodland. Scarred hills bow to brown water.Fish swim with beer cans in the shallows, their tails rippling the muck. Half-submerged in the bank lays the tire once used to swing or dive from until its rope broke. The bank is battered by decades of feet playing hooky from school.Far from the road in a clearing cut just for it, the house stands in silence. It is built of shingled wood, unpainted and dried to a soft gray.A yard encompasses the house, the outhouse, and a lopsided woodshed. To one side, a car lists in ruts of mud. Under a tree, a box of old bottles, some whole, some not, shimmers in the grass.The house leans on an outdoor stairway leading to the attic. From unscreened windows, tongues of curtains pant in the heat.The porch is shady and uneven, and the boards creak with any shift in weight. It's lined with chairs in various states of repair. Near the door is a wooden ice cream churn. A spider lives in it.
Mary Angela Nangini's poems celebrate the richness of life and love. From the city to cottage-country and the roads in between, Nangini explores the changing seasons of her varied region. (This book will soon be reprinted in hard cover.)
(Self-published. Please contact author directly to order.)
Enter the pages of diaspora in quiet introspection. Bathe your thoughts with subtle humor; synchronize your spirit-sense with history-in-heat; fall headlong with eyes wide open into