Keeping to my intention of using the narrative as the scaffolding on which to base the poem. Please don't feel you need to make another comment unless you'd like to - this material is pretty much the same! But I'd be intrigued to know if you like this format better or... not so much... and whether you think the poem loses anything by not containing all the information - or is that an advantage? Oh dear... so much for not making you work!
PS... The title: it's a howler; it reads badly and is really difficult to write and say... Any ideas?
Thanks everso. xx ... But only if you like the extra homework! :))
EDENARNIA - THE POEM
Her gown of midnight blue hangs
now in its new place of dark –
still, sedate, its romance hushed.
But tonight it will sway again with her
waltzing laughter, shimmer with the glow
of ruddy sparks from their fir-cone fire
and glisten with black cherry wine
spilled from his moist cherished lips,
clinked from print-smeared glasses.
Breathing anniversary remembrance
of her warm, soft curves and wafts
of her scent that still lingers in its
tucks, beads and intimate seams,
it will feel again the stroke of hands
that a year ago were smooth but which
now are cracked and calloused from
long months of sweated labour – the
chopping, planing and painstaking
sculpting of aromatic, oiled and
love-knotted timbers, crafting
the dress’s sleek armoire from the
storm-struck trunk that felled her.
Inside, too, twin pips will gleam in the
still-living core of the apple they shared –
putting down roots, sprouting shoots
of unseasonal green.
Kate,
I love the opening stanza. It's alluring. Pulled me in quite nicely. And the second-to-last verse...love the wording there. Excellent work!
Sheila
What I loved absolutely best about the first Edenarnia, was the rough exterior of that soft-soft man-- his calloused hands-- the hammer, sweat and axe... all that is gone from this one.
What I liked least about the first, was the distant beginning paragraph. I had to read quite a bit to understand exactly what it was he was building, because at first, I thought it was a cabin he was just finishing-- too many "it's" to be well-understood, although in the end, all that didn't matter because I came to know the man while I was coming to know his creation.
What I like best about this reconstruction, is that I'm getting to know the texture and character of this animated, inanimate object, the dress. --great concept-- I love it. Also, I "get" the seeds now-- totally missed that in the first write. Evenso, I really miss that line about the dark, silk sky in this rendition.
The first is a marvelous romantic twilight zone tale. Had I read this first I would have appreciated it more. But I didn't and I don't. Editing is tough I know, and the format is so very different (but excellent). Still having read the first, this feels like diet chocolate. I'll shut up now. Patrick
This is more static and centred on the gown. It looses the narrative aspect to concentrate on the symbolic. It's an interesting exercise, definitely something to try.
I like both versions, I especially like the richness of the first, but this one is so eloquent and done very well.. Why not just put the title in all caps or just lower case letters... or spread out the letters, just make the title look different.
Both versions are excellent, but I prefer this one with its smooth rhythm and flow...splendid writing, Kate
Carole~
Reviewed by Gianetta Ellis (Reader)
Reviewed on November 4, 2010
I admire both versions and the shapeshifting, ethereal transformation from one to the next - each lending insight to the other, each expressed from unique perspectives of a very skilled, talented writer.
Kate, although I enjoyed both versions, I'm going to say that I prefer this one.....seems a bit more "poetic." But having said that, Kate....everything you write is a wonderful!
Kate, both versions are truly fine art. I do concur with Jerry Bolton that this version is much more the pure poetic of the two. It reads with a pace that is a bit quicker than the other version. And the tempo for me at least, really enhances the overall feel of the work. Love and peace to you my dear friend. Jon Michael
Reviewed by Jerry Bolton (Reader)
Reviewed on November 3, 2010
THIS, of course is the winner, hands down. Yes, they both say much the same thing, but here in the poet's corner of AD, this one blends in like an old winter coat. The first one you gave us, the prose was good to fantastic, and it would be perfect for the preface or even a chapter of a longer piece of work.
So, in my opinion this much better.
P.S.: You still have my address where you can send the check, eh?
I love the opening stanza. It's alluring. Pulled me in quite nicely. And the second-to-last verse...love the wording there. Excellent work!
Sheila
What I liked least about the first, was the distant beginning paragraph. I had to read quite a bit to understand exactly what it was he was building, because at first, I thought it was a cabin he was just finishing-- too many "it's" to be well-understood, although in the end, all that didn't matter because I came to know the man while I was coming to know his creation.
What I like best about this reconstruction, is that I'm getting to know the texture and character of this animated, inanimate object, the dress. --great concept-- I love it. Also, I "get" the seeds now-- totally missed that in the first write. Evenso, I really miss that line about the dark, silk sky in this rendition.
Hope that was helpful. --Charlie
Blessings,
Christine
-gene.
Axilea
Love ya, spirit sis,
peace and light,
Amber
Carole~
Newfie hugs, Rose
So, in my opinion this much better.
P.S.: You still have my address where you can send the check, eh?
I'm going with the first one! love the imagery...........