MOTH
We all know what draws her here:
Forget scenes i to xix: this is xx
for the actress who, despite her
countless criss-crossings, has
her wide wing-eye fixed bee-line,
drawing her inexorably through
night’s thick dusty curtain to bask
in the glare, the kindled flame of
the many unseen, rapturous faces
pulsating like froth at her feet.
How their love fuels her path like dry powder
and palms of their crackling applause
are streaked with her shed gold;
and see, together, how brightly they burn!
it all come to life,as one glorious memory of magical Cinema!
Eileen
Peace, love and light,
Amber
Your poem's theme is original, your wording precise and insightful, the mood musing, and the whole together is a magical combination of muse-inspiring stuff, as you can see by the fabulous reviews below. --Charlie
(((HUGS))) and much love, your friend in America, Karen Lynn in Texas. :D
Ron
On a Monday night at the Palace Theatre in London is delightful.
Lady Mary Ann
Axilea
Always,
Deborah
Regis
Oh boy, do I ever love that friggin' line, Kate.
The glare of the spotlight and the frothing of the faithful is where she will live and where she will die when they stop writing about her and the froth turns to meddlesome dry hacking coughs, both from her and from her adoring one. Accent on "one," for by now there is only he who is left. Damn, there is a poem in there somewhere.