When young, I marveled at my hands and toes,
Stepped forth on cautious feet, one at a time,
Grew my hair long, or cut it, as I chose,
Determined that my face was solely mine.
But yesterday I saw my mother's smile,
A winking in the mirror as I passed.
My father's crinkled eyes stared back, and while
I stopped I heard my grandpa's gentle laugh.
Each day I look, and there! Another trace
Of mother, father, blended into one.
I gaze a doubtful moment - yes, my face,
And yet not mine - theirs too, newly begun.
That mirror - look, a window, and in sight
A mosaic of love: ten thousand tiles of light.
It is always an indeed pleasure to read such fine well written artistic worksuch as this. I admire your strength and ability to put this together so with that said just write on poet.
Allie, the third line is a bit off the iambic pentameter, but I would grant you poetic license on that one. But... on the last line, you are two syllables too long. I think 'mosaic' is actually 3, so... if you drop the 'A' at the beginning of the last line, you can take poetic license on mosaic, and speak it's shortenend "mosa'c" - two-syllable form, then you have a virtual iambic pentameter. Sorry for being a stickler. Still, all in all, a beautiful tribute to the generations that make a family a "family." -- Jeff
Each person is but a grain of sand resting beside the sea. This thought sets the tone for Jill Eisnaugle’s latest poetry collection, Beside Still Waters.
David Hightower’s lyrically expansive meditation on the whims of fate and the unpredictability of the human condition fill the pages of THE HANGING MAN DREAMS with thrilling music and mesmerizing imagery. Hightower’s richly infused voice echoes the e
thanks,
~D.