Brass on green broadcloth,
bone on bone,
blood on blood,
red rivulets reflecting
in the broad rim
of the rising sun
down the shining peaks
of the receding
Sangre De Christo,
and the misty snow breaths
of night-time storms
clinging to the breast
of the peak named Pike’s
disappearing in the distance
until finally he stands
in the steel-gray steam
on the rusty hard form
of the home of the railroad’s
risen soul away
from Carson’s culture
in the freezing crisp air
of a Denver platform.
And home, where is home,
the blue eyes wearily beg
from the pimpled face of youth
beset with the stone depths
of ancient age,
the Rockies rising unanswering,
not in the screams and cries
of deep, green jungle canopy
so far away,
yet close in memory,
but here in the unyielding hardness,
on the broad, gray steel form
of the railroad’s Denver platform?
Black shoes shined,
brass on brass,
foot on iron,
bone on bone,
blood on blood,
chill on chill,
cold, deep cold,
the flat metal unyielding,
home no home,
but the heart
of deep, abiding weariness,
sweet, bitter death
of youth
lost in the steel
where others brush by
on the railroad’s Denver platform.
Yes, the metallic sheen
of the Kansas City-bound
cold Denver platform,
blue-gray pigeons and black starlings,
scrounging for final crumbs,
in the dirty, refrozen snow slush,
bye, bye, the children sing,
no tears to the step up,
the reflection in the thick glass,
steel wheels beating
in rolling rhythm,
leaving mountains, jungles and youth
behind in misty memories,
headed up the broad backbone
of the Great Plains,
low gray sky
with blowing flakes flowing
over the red lathe snow fences,
where jack rabbits huddle,
warm bodies together
in the lee side shelter,
no friends here,
the nose still against,
the ice-fogged window.
But far away,
yes far away,
blood on blood,
bone on bone,
they wait
in the place called home,
the scent of their hair,
the warmth of their bodies
in embrace,
far away from the weeping.
Can he turn his heart
around the other way,
ribs popping and grinding,
blood rushing,
the organs falling
into new alignment,
perhaps a tear to answer theirs?
Can he remember,
can he recall
the youth and joy,
blood on blood,
bone on bone,
beyond the cold, gray steel,
hard unyielding,
frozen in time,
a life left behind,
crying without weeping,
in the chill of the railroad’s
Denver platform?
Copyright 2008, Jerry W. Engler
Jerry, you have matured a lot as a poet in the last year. This is top-notch. I like the details of description; the Great Plains versus my beloved Rocky Mountains. I love your repetitions, "Blood on blood."
A train platform is a lonely place.You reminded me of the West Belin S-bahn.
Your friend, Kathy
In "The Denver Platform" you share with us the shame of the "pimpled face of youth beset with the stone depths of ancient age" and the seering trauma of "blood on blood, bone on bone" and the tragedy of "crying without weeping, in the chill of the railroad's Denver platform."
What a powerful write of scenes from mankind's immoral quest to subdue his neighbor, renewing in our hearts the plea, "Why can't we all just get along?" while God looks down and shakes His head in disappointment.
Another brilliant piece, uniquely Jerry Engler.
Richard
Regis
Ted
Bless You! and a Merry Christmas to you and yours! Jasmin Horst
(((HUGS))) and love, Karla.
Events and time change us...and sometimes those that aren't there with us during those events tend to freeze time and forget that although their lives moved on, ours did too...
Going home can be a difficult thing, as it is never what it once was in our memories.
This poem also had great personal meaning to me on a totally different level as we struggled last night with trying to support our beloved daughter, who isn't really ours, as she tried to voice her decision to her "real" parents about having us adopt her... and them voicing their unhappiness. A child...torn in two... As I tried to console her after their unhappy words to her... I picture her going "home" (if she ever does visit them) to be somewhat like what this young man experienced...the trepidation, the fears, the trying to find emotion to express...but fearing to show what is really in her heart for fear of rejection, loss, etc...
Oh, the wounded and scarred heart of this girl we love as our own...
Cryssa