jumpin’ jeepers dangerous days
followed by window fixing evenings.
so the street seems deserted,
most folks on porches screened
from errant missiles,
the practice fairways
slicing and hooking geraniums
from pots momma bought
at flea markets.
straight drives get applause and radio
announcements boom distances like
racetrack bookies cheering horses.
no one cares any more,
the white orbs clog up sewers,
robins mistake
blue balls for eggs and
broken drivers litter the uncut
grass like mileage markers
on super highways.
politicians promise fences
rising from the ground like Berlin walls,
but real estate agents make killings as
new owners pull up stakes while
birdies, eagles and bogies
flood scorecards
like recipes for disaster.
I love the way you write--one can not just skim over your words, they must digest them slowly and let the hidden meanings appear like a mirage--excellent write yet again!!
Robin Ouzman Hislop's poetry is certainly in dialogue with some of the key architects of the 'poetics of indeterminacy' – both the Modernist strands represented by the likes of Beckett and Stein, and the postmodernist strands represented, initially,
In the Whirlwind is a poetic storm that frees history from the cages of corruption and puts it in the hands of everyday people. Words are weaved into a new fashion statement that has nothing to do with runways but everything to do with projects!
I love the way you write--one can not just skim over your words, they must digest them slowly and let the hidden meanings appear like a mirage--excellent write yet again!!
(((HUGS))) and love, Karla. :)
Love Tinka