Polyphonic Wonder
Whether listening to Bach or Brubeck,
One is partaking of auditory magic,
The contrapuntal genius of both artists
Is rare in a world of music
Borne of late with far too much
Gimmick and attention mongering,
Promoting imitation musical rebuttal,
Eye candy often in lieu of ear sweets.
To listen to Brubeck’s “Unsquare Dance,”
With its 7/4 time,
Driven by a country and western feel
With percussion and hand claps,
Affords more than enough magic
For the polyphonic rhythm world of jazz.
Truly a treat.
Or…
“Take Five,”
With its 5/4 signature
Taking us on a flight into Paul Desmond’s
Contrapuntal rhythmic sense of saxophone.
And…
“Blue Ronda a la Turk”
Is such a journey along rocky paths,
Crossing over rhythmic meandering of streams,
Evolving into waves of an ocean.
Of course…
Brubeck’s birth of his kind of jazz
Might not have occurred without the influence of
Johann Sebastian Bach.
So…
To hear a composition played Bach/Brubeck style
“Bach an’ All”
Is,
Shall we say,
Polyphonic wonderment?
I generally don't listen to music and never did except when in my car and before I had a television set. But I have always preferred popular music, ballads, country, rhythm and blues. I found that progressive jazz with this clashing lack of rhythm like a musical wreck so dissonant it hurt my ears. In college, I enjoyed many, many artists who came and played for us. Especially one flamenco guitarist who came and played his acoustic guitar that filled the whole auditorium. And then there was the progressive jazz group that came from Chicago, I had a flat tire and arrived about two hours late while everyone waited. They played a couple of sets and walked off the stage because no one applauded what they played.
I guess I will always be a country bumpkin who likes to listen to what is popular, and often a bit too repetitive like that one note guy, but has rhyme and reason. Sophistication like jazz, opera and even most classical music is too highfalutin for me.
Ron