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Odin odin@aflx.com

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Infinity's Echoes

by Odin odin@aflx.com — Read all 3,869 poems by Odin odin@aflx.com

With the noise factor of global unrest unabated, it’s easy to forget the therapy still out there...and accessible. (Image by esty)

Tuesday, July 18, 2023


Poem Artwork

 

Infinity’s Echoes


Some believe
Sound is eternal,
That its waves
Cease to stop,
Even after rippling
Beyond volitional perception.

History claims…

Post-primitive beginnings
Bore the ethereal sounds
Of harps and flutes,
Lyres and bamboo pipes,
Five and seven tone scales,
Sumerian hymns,
Greek chorales and rhapsode,
Pythagoras’s introduction of octaves,
Aulos and citharas becoming precursors
To Aristotle’s foundation of musical theory,
Aristoxenes’ tripartite.

  
Today’s digital sound…

Eerily resounds
With technology’s immortality,
Preserving our cosmic life force,
The emotional blood flow,
The DNA of lyrical and dissonant sound
Passed through centuries of evolution’s
Mutation,
Transition,
Metamorphosis,
And even digression.

Listen…

To hear antiquated vibrations of
Hominid caves,
Ancient Egypt,
Greece,
And China,
Is to understand infant cries,
Toddler frustration,
Child and adolescent temperament,
Musicality’s kinship and respect
For primal beginnings,
Unavoidable ways
As tonal language found
Its voicing
Its boundless vibration.

To hear such gifts...

Is to feel the mathematics of Bach
The pomp of Mozart,
Lonely atonal explorations of Cage,
Pioneering Americana of Copeland,
Melancholy’s Satchmo,
Urban’s story of Bernstein’s West Side,
Collector-pride for Beatle mania,
Brubeck’s contrapuntal magic,
Coltrane’s frenetic social-purge,
Poetry’s rappers
Sentiment’s country style
And especially…
In-your-head-and-won’t-stop
Mellifluous melodies.

To know of this legacy
Is to hear forever
The echoing breath of time,
Perpetuity’s indomitable respiration,
The forever-tickling of musical creations.





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Reviewed by Richard Cederberg
Reviewed on July 18, 2023
I remember you sharing this piece years ago as 'Infinite Echoes" A healthy piece that resonates with me. Loved Brubeck. 'Take Five', (playing in 5/4) was a piece that broke new barriers. It humbled most of the drummers I knew. Took the band I was in at the time over a week to learn it good enough to perform it in the clubs. Enjoyed. r


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