This little exercise started out with the aim of being a sonnet.
However, as usual, it did not appear to be working out too well, so I thought I would abandon the strict iambic pentameter and give it a bit of the Habbie Simpson to cheer it up somewhat.
However, as Burns so aptly stated “The best laid schemes o’ mice an’ men Gang aft agley”
So having admitted defeat on the sonnet, and now given up on any idea of imitating either Fergusson or Burns’ undoubted mastery of the Habbie Simpson format.
It now appears as though it has developed into something approaching that of a delating narrative.
If my somewhat limited time permits, I may give it a rethink, with possibly more of the Doric and perhaps less o’ the Morningside Scots.
Aye cauld! whit sibylic seers’ yer rain aboon.
Tae wipe sambraidean smile frae this auld toon.
An rin like purging torrents o’ needs relieve
Tae empty intae turgid waters o’ the Leith.
An’ swans tae their ain desideratum.
Tae curse last grimace o’ thae sun
that deems he too, his day’s wirks done.
An’ leaves arboreal’s fall frae grace;
Tae hide where ere
that Borean wind seeks tae displace.
An’ nature too, nae thought tae defer.
Its bare-boned nakedness.
I dacker doon auld reekie’s Royal Mile,
its Scrabster slab-stanes gleaming brightly.
A cauld frasachd has stopt
least fer a while.
Tae let again Craigleith’s grey stane,
an’ Locharbriggs’ permian
in symmetrical approbations
its ruddiness delight me.
I wander passed thae Kirk on Cannongate.
An’ see a fine bronze figure stridin’,
Oor Fergusson; he’s nae aged a bit!
Nae fer him, wearied bones a findin
Or he misluk thae elder.
A’ winder where he is aft tae sae late?
an’ him poor cheil; strude oot at nicht;
Withoot a tam or aye a gravat fit,
or woolly roond his thrapple ticht.
Fer nae be him
tae blench ain mise en scène
though seems, I might aboot be richt
he may have had -a wee bit o’
thae palliative an’ tipple...
Aye dour Samhain yer nicht be drawin’ in
an’ winter’s hand, not yet cauld given.
Bleak sodium lichts up mony a landed sin
an' mony mair
dark closes nae scared o’ livin’.
Whilst gas still warms aw’ thae within,
thae richer concinnities o’ Ramsey Gardens.
Dùn Èideann’s statues stand supreme.
Their ain testament tae greatness.
Tae tell thae tales o’ Academe,
its mony spots o’ ephelis,
an' its discreteness,
in Scotia’s history an’ remembrance.
Doon bye strath’s basal green array;
an’ Nor’s great muckle Mound an’ garden
There shows some braw fine gildin’.
Where art
has come tae claim its place
a minder o’ mason’s ain repleteness;
o’ sterling work
an’ ever worthy station.
Fer there I knew: by sight and sound,
There wid be a fair assemblage
thae frae yon clamjamfry clan.
an' walkin trammie –labbie,
Where there’d be mair,
discomposures found,
about oor ain hirpling camions;
“ an’ even mair aboot their expatriation “
Within sic mephitic evanesce
o’ Waverley’s hot coals,
or steamy moschate savouries.
Tho’ nae a match
fer Edinburgh’s
great tryst o’ breweries,
an’ ain superior coadunation.
Aye niver mind!
Auld Walter sits above them aw’
minded by his deerhund Maida
They baith weil placed
Wi’ outlook ow’er his penned reign
tae see maist o’ thae drama
frae his high tower o’ Binny’s stane.
He dress’d in finest white Carrera;
High up; his book folk sit apairt
far from thae city’s clatter.
Shame they’ve gone sae smoky black;
In need o’ soap, an’ lots o’
dabble-dachies guid Leith watter.
Ten thousand mair stand oot this nicht
tae watch last trams gan bye.
Nae mair fer them a thruppenny ride
Or hear yon crabbit clippie cry
“Fit ye mean ye only hae a ten bob note
fer a tanner ride tae Dalry;
This is nae a bloody taxi.”
Stage tickets sell at fast a pace.
Wi’ clippies takin lots o’ sillar,
an’ mair than a few o’ nickel; though
sic peregrination-gainin’ nae a grace;
Nae fun in riding tae Shrubhill depot!
Unless ye were quite paluvious.
Fer we aw’ knew, fit tae agree
Thae shugglin trams last trip was on that nicht.
Ahint, a newly painted white chameleon.
Instead o’ its ain
madder an’ cadaverous variegation.
Nae mair we’d ever likely see
Its trolley sparks frae poles o’ fricht
or wheels that shriek like patties in a jig.
frae oor slow coach built immurement.
Where we’d aw’ sit as quiet as courtroom clerks.
On bench hard seats,
o’ gurdies shuggled truckle.
And thought oor silver piece well spent
When we got oot, tae stretch our legs
at Granton;
an’ walk around thae well-kept harbour.
Or on those few rare an’ sunny days
We wid aw’ travel oot tae Joppa.
An’ look fer Portobello's pier.
Thae auld tram tracks were parlous tae,
if yer bike got caught up in yin.
Thae cobble stanes stood nae forgivin’.
An’ mony a buckled wheel went hame
Tae land up in thae scaffies bin.
An’ we again
back on that auld shanks’s garron.
Mor.
Although I would have to carefully translate it all to get the full meaning, I thoroughly enjoyed reading what you've written, and wouldn't change a bit.
Ron
'Them old tracks were perilous
if your bike got caught up in them
the cobblestones were unforgiving'....
Indeed! A summation that spreads out (IMO) into many areas of metaphor. You remain an authentic original voice. Enthusiastic, healthy work, Mor. As much as Habbie Simpson was the town piper, Mor o' Inchory will undoubtedly go down in history as the town poet. Continued inspiration.