I entered her building,
condemned by the City,
Climbed up the moaning stairs,
condemned by time,
and in a small room, found her,
condemned by fate and
her local energy provider.
She was on her ratty couch,
curled up like a kitten,
her arms crossed and still squeezing
her shoulders together, in one last,
desperate attempt at warmth.
She wore white nylon stockings
with a hole on each knee,
and a cheap white bath robe;
She wore no make-up,
and her eyes were wide open,
staring at everything and nothing.
I radioed in the report:
Fifty-two Robinson Street…
One female, mid-forties…
No signs of forced entry…
The apartment felt like a frozen shell;
I could see my breath clearly.
I walked to her kitchen table,
and found a small, yellowish envelope.
It was a final, unpaid, NYSEG bill
and a politely cold disconnection notice.
I ground my teeth, and put the envelope
in the inside pocket of my uniform,
I don't know why.
That night I woke up next to my wife,
sweating like hell. It was weird.
I got up, drove to Wegman's,
and paid that bill in full.
I got home and looked at the clock:
it was two-thirty-nine.
My wife never woke up.
“The woman or man who is a poet, or fiction writer, or playwright, or all of these, is engaged constantly in a jazz ballet of vocabularies, passions, genders, histories, perspectives, death, love, and life. The music of revelation announces itself to
SandieAngel :o)