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Odin odin@aflx.com

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Books
· Perceptions

· ECHOSIS

· Prosetry at Work

· Said and Unsaid - Vol 1

· 3 WAY MIRROR


Short Stories
· Patience Waning

· Ladle Lines (A prosetry memory)

· A Gentle Man

· Pacing Love's Journey

· Gratitude

· A Sticky Conversation

· Blazing Now and Then

· Vulnerable Captivity

· The Kite That Would Not Bow

· Time


Articles
· War and Peace

· Desperation Breeds Desperation

· Preference Manifest

· Innocent Guilt

· Barbed Isolation

· A Place...

· Sanity's Loss

· Organs Anonymous

· Fatuous Beyond Absurdity

· Truth is One


Poetry
· The Life-long Pernicious Evil

· Cherishing Sounds of Silence

· Understanding the Unexplainable

· Reality of Another Kind

· Finding Trust Again

· Aromalicious Memories

· A Jungle-rain Pastorale

· Sediment Within the Soul

· Life's Enormous Green Chest

· Roadkill Memoriam

         More poetry...

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Oxymoronic Obsession

by Odin odin@aflx.com — Read all 3,869 poems by Odin odin@aflx.com

It is arguable that ignorance in today’s America is largely due to accepting truth is fake. (Image by Odin AI)

Saturday, June 13, 2026


Poem Artwork

Oxymoronic Obsession

We crown contradictions as kings of normalcy:
“harmless cruelty,” “profitable loss,”
“organized chaos” stacked like neat piles of rubble.
We scroll past outrage with disciplined indifference,
like gardeners watering plastic plants.
We demand transparency in opaque rooms,
polish the word
honest until it reflects only itself.
In this epidemic, language becomes a Möbius strip—
every declaration folds into its opposite
without ever admitting the turn.


And there, glowing blue in the midnight palm,
is the final specimen under glass:
The Loud Introvert—
a sealed room with open windows,
a whisper broadcast through megaphones,
a diary nailed to the town square—
someone who demands extreme privacy and isolation,
yet constantly posts intimate personal details
on public social media accounts.

 

 

 

 



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Reviewed by John Herlihy
Reviewed on June 13, 2026
A sharp and unsettling piece. You map the modern habit of living inside contradictions with a kind of clinical clarity, each oxymoron not just a phrase but a symptom. The image of language twisting into a Möbius strip is especially meaningful; it captures how easily meaning collapses into its opposite without anyone noticing. The final figure, the Loud Introvert, feels like the perfect emblem of our age, shouted into the void, vulnerability turned into performance. Welcome to the culture of self‑canceling truths.


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