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Danielle Margaret de Valera

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Member Since: May, 2010

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Beginnings
by Danielle Margaret de Valera
Monday, December 16, 2013

Not rated by the Author.

       


     When the author is a little girl, her father changes her life by teaching her how to write a composition - something she believed she couldn't do.

 

Beginnings


It’s strange the way things pan out in life. My career as a writer almost didn’t happen.

     I was in 3rd grade in primary school, slowly getting on top of things, when we were sent home one day with instructions to write our first composition.

     I trudged home. My career as an even halfway-coping schoolkid was over. I knew I’d never be able to write a composition.

      My mother was in the kitchen, preparing the evening meal. Unusual for him, my father was also home; there’d been very few ships in port that day. When he saw me slumped in misery at the kitchen table, he asked me what was wrong.

     I said, “We have to write a composition about trees, and I can’t write compositions.” I began to cry.

     My father put down his newspaper and said, “It’s okay. Whatever the subject is, you just talk about it.”

     “Talk about it?” I wailed.

     “Yeah,” he said, “like how they’re green and leafy and they give people shade. Do you like trees?”

     Of course I liked trees. I practically lived in the loquat tree up the back.

     “Have a go,” said my father, returning to his paper.

     I sat there, chewing the end of my pencil, and tried to write as if I was talking about trees. This half-page took me the best part of an hour.

     “How’d it go?” said my father, who must’ve been watching my progress from behind his paper. He read through what I’d written. “Not bad,” he said. “But it needs something.” And he dictated a line about leaves dancing when the wind blew; something quite poetic. “Slip that in somewhere,” he said.

     I rewrote the piece, placing the line he’d dictated where, I hoped, a teacher was least likely to notice the extra zing it put into my dreary effort.

 

By the time the English teacher came into the room carrying our exercise books three days later, I very much regretted using the line my father had written. Now, it was all too late, as she began to deal with each composition in turn, from worst to best — a tried and tested form of torture even when your conscience is clear, and mine certainly wasn’t. Eventually, there were no exercise books left but mine. I was convinced she’d saved mine ‘til last because she intended to expose me before the whole class. Why had I let my father talk me into adding that line about leaves in the breeze?

     To my surprise, she pronounced my composition the best, and read it out to the class. I felt no elation, though it was the first time I’d ever come first in anything. How, I asked myself, was I going to continue this run? My father was leaving in a few days for a job at sea. What on earth was I going to do?

     We were given a new subject to write about. I trudged home and sat at the kitchen table. Nothing came. I felt like the girl in the fairy tale who was supposed to spin straw into gold. Or else.

      In desperation, I decided I’d pretend to be my father. Clearly, I had no talent for writing, but he did. Okay, Dad, I said to myself, what have you got to say about pets? And I began to write.

     I was stunned when that composition also came first. Around me, there were boys in tears, boys who hadn’t been able to get even four lines onto the pages of their exercise books.

     I knew how they felt.

     It was pure chance my father had been home that day.

 

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