Category: Historical Fiction Publisher: Wayne Clark YUL/NYC
ISBN-10: 0992120268
Type: Fiction
Pages: 455
Copyright: 2016
ISBN-13: 9780992120269
Price: $5.95 (eBook)
A young woman takes on the brutal merchant king of New York's East River waterfront—and wins.
A young woman takes on the brutal merchant king of New York's East River waterfront—and wins.
Illness suddenly deprives 17-year-old Sarah Da Silva and her older brother Jacob of a mother. Before Sarah has come to terms with that loss, her merchant father grows frail and increasingly desperate in the face of impending bankruptcy. On the rainy night their father scours the docks of Bordeaux, France, to make his final bid to save his family, his children are kidnapped and forced onto a ship bound for New York City where they’ll be separated and sold to the highest bidder as indentured labor.
Purchased by a grotesque merchant whose wealth, backed by a team of henchmen, allows him to dominate the chaotic East River docks, Sarah strikes back the only way she can. Vowing to never allow him to put his hands on her again, she presses a knife to his fat neck. She demands her freedom, a roof over her head and the means to start a business. Her leverage? Knowledge obtained on the voyage that would bring the big man to his knees forever. He yields to her demands but privately swears to become her worst nightmare.
Professional Reviews
Kirkus Review
A historical novel follows two indentured servants in 18th-century New York.
In 1748 on a stormy night, 17-year-old Sarah Da Silva and her 19-year-old brother, Jacob, children of Jewish merchant Gabriel, are kidnapped from a pier in Bordeaux, France, and sold into indentured servitude in New York City. Because they are educated and skilled, Sarah works as a bookkeeper for Zachariah Croman, a prominent merchant, and Jacob as an apprentice to Henry Fitler, a master engraver. Although they toil only blocks apart, the siblings do not see each other again for two years. Their reunion is facilitated by Noah, a free black man who befriends Sarah one night when he finds her crying on the street. For two years, Croman has been raping Sarah, and now she swears retribution. She obtains her freedom, but revenge begets revenge in a tale of life in pre-Revolutionary New York, with its immense array of cultures and languages, from the filthy crowded streets to the Broadway mansions. The docks vibrate with commerce and opportunity, and the harbor is packed with merchant ships waiting to unload their cargos. Historical tidbits about the city (Greenwich Village served as a “country retreat” for the upper class) enhance an action-packed plot that includes forgery (responsible for prodigious contributions to the supply of paper currency), thievery, immigrant fortitude, and the unbreakable bond of friendships that evolve into “family” in this new land. Clark’s (He and She, 2014) prose is vivid. Describing a Frenchwoman who will become Sarah’s friend and business partner, he writes: “Geneviève’s story came out in pieces, as if well intentioned short phrases had come to her tongue and no further, only to be forgotten about for moments on end … the engrossing story offers plenty of skulduggery to keep the plot moving.
Well-stocked with vibrant details about the merchant trade, this engaging Colonial tale delivers likable heroes, despicable villains, and a strong female protagonist.
https://www.kirkusreviews.com/book-reviews/wayne-clark/that-woman2/
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