Category: History Publisher: Lulu Enterprises
ISBN-10: 1445255685
Type: Non-Fiction
Pages: 179
Copyright: Dec 23, 2009
ISBN-13: 9781445255682
Investigación a través de la cual se expone la hipótesis de cómo debió sonar la música en la España Antigua y en la Andalucía prerromana, haciendo un difícil ejercicio de "musicología comparada" entre las comunidades autóctonas (primero los tartesios y más tarde los iberos) y las colonizadoras: fenicios, griegos, cartagineses y romanos.
Excerpt
Tartessos was an ancient culture that arose in South West of Andalusia (Spain). The archelogical remains of that culture are scarce... but still more scarce are the musical ones. This fact motivated Ángel Román Ramírez to investigate 'The Music in Tartessos and in Pre-Roman Peoples of Iberia, as the title of his work says: La Música en Tartessos y en los Pueblos Prerromanos de Iberia (Raleigh, NC: Lulu Enterprises, 2009. ISBN: 978-1-4452-5568-2).
It's an investigation which exhibe the hypothesis of how music should have sounded in Ancient Spain and in Pre-Roman Andalusia, making a complicated exercise of 'compared Musicology' between the indigenous communities (first, Tartesians and later Iberians) and the colonizing ones: Phoenicians, Greeks, Carthaginians and Romans.
The Borderline Anti-Memory PastBook asks questions a diary does not ask and raises the questions to dialectics and answers them in a way a memory work does not answer questions.
The authors of Savannah: Brokers, Bankers and Bay Lane: Inside the Slave Trade (Civil War Savannah), received the 2012 Award for Excellence in Research from the Georgia Historical Records Advisory Board. The Award was issued by then Georgia Secretary
