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Antoine Archange Raphael

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The meaning of Justice, in Voodoo, within the boundaries of the laws
by Antoine Archange Raphael   
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This article concerns a book recently published by www.lulu, entitled "Voodoo, within the boundaries of Laws". A French version will be out soon.

The meaning of justice In Voodoo,

within the boundaries of the laws

Antoine’s books are all dramatization of philosophical topics such as human conditions, moral orientation, love, the nature of major human activities (religion, art, politics, science—and so forth).

This particular book “Voodoo, within the boundaries of the Laws” is a realistic attempt to dramatize the meaning of justice, as an application of rationality, righteousness, equitableness, and moral orientation to social intercourse, as the same qualities do wonders in mathematical and logical disciplines, as well as in experimental and social sciences.

Justice predicates that People remain equal under the law. Each of us has the right to live, to possess, and to look for happiness. This explains the reason why the scale symbolizes justice. My right should balance out someone else’s right. If it does not occur this way, then, there is no justice. No one should interfere with such existential basics, above all with a view to harming.

Justice expresses the rigorous respect for the individuals’ right.

Of course, the wise person does not need any reminder. He happens to be the embodiment of the law. He knows that he may safely act within the boundaries of these existential basics. He knows that it is wrong to steal, to kill, to cheat, to deceive. Thus, he will never forget others’ existence, knowing that his treatment of others justifies his degree of morality and civilization.

He may even go behind these elementary rules of moral conduct; he may, for the love of humanity, not to harm others, even within the parameter of his own rights. For, he has a moral orientation that requires of him to think twice before acting, above all, if his action will hurt others and himself.

The wise man also eschews anything that may impair his judgment and makes him behave in an irrational manner. For, at the end, he will claim responsibility for his action, as a free man, realizing that he cannot get away with any excuse for misbehaving.

However, the evil person does not want to accept the idea of rationality applied to social intercourse. He takes the liberty of interfering in the unfolding of existential basics.

In this story, the evil person hides behind popular traditions, beliefs and taboos to kill, as he understands that the local jurisprudence is on his side by its silence.

Attorney Ellis, however, does not see the criminal’s misdeed this way. He agrees that taboos abound in the world, but, like scientific truths, they depend on social conventions to keep their sacred characteristics. However, if we can modify, criticize and reject scientific theorizing, so can we act on taboos.

We should violate them, criticize them and disregard them, if they endanger human lives, the most precious values, as far as we, men and women, are concerned. If we have to put them above our lives, then they will serve no purpose; for, in the end, we wouldn’t be around to appreciate them.

Additionally, it is the march of time; we cannot afford to repeat the mistakes of the past, without minimizing its heuristic value. Why shouldn’t we accept the past for its own sake, while we know it is no longer with us?

Actually, whether as individuals or as a community, our maturity depends on our acknowledgement of the past as such, in space and time, with respect to the present and the future. Nothing is more nerve raking in a familial setting than the constant, nagging reminder of past mistakes by one of the members; nothing is more likely to delay community advancement than its insistence on living through the past, a past that often has crippling, negative and deleterious elements

In other words, homicide, whatever the means used to commit it, happens to be a phenomenon as tangible as the cement we use to build our homes, the grass in our courtyard, the drink we use to quench our thirst. Therefore, Maître Ellis must prove the killing of his close friend Theo and bring the murderer to justice. 


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