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Julianza (Julie) Kim Shavin

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Member Since: Sep, 2008

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Bodycast
by Julianza (Julie) Kim Shavin → (All Poetry by Julianza (Julie) Kim Shavin)
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Acrylic "Youth in Conflict in Youth" by Julianza Shavin

Hesitant to post another very personal piece, I have nonetheless edited this poem, and posted it because I already referred readers to it, if they read "Prison Limousine." I suggested also "Catch and Release," because the unfortunate truth is that my son was/is a victim caught in the web of a painful past. The only reason he landed where he did for a few days was because there were no beds available in emergency foster care. Please keep this in mind. Poetry is, for me, cathartic, and I do love this child, in a difficult sort of way. He is, and hopefully will remain, a true survivor.


Poem Artwork

                           Body-Cast
  
By the time my son was thirteen he was complaining
they kept the jail too cold.  
I brought him a sweater and big thick socks,
which were confiscated,
so he couldn't hang himself, or another.
Yes, he's adopted;  that weary phrase to which I cling
with a dessicated soul to expunge myself from guilt.

I couldn't seem to love him enough through the demons
through the baggage saddling him
from seven months' gestation: the failed overdose; 
to the boyfriend's violating a tiny child's innocence
to get off for just a few second, just a few times,
to the thwack against a wall during
a particularly annoying squall,
which tempered his tantruming ways
and immobilized him for a time
via the blessing of a bodycast.         

We're separate now, as we always were,
I suppose -- him, knuckling his disgruntled ways 
through alarm-equipped halls
of a group home downtown,
and our visiting, rarely.
“I love you Mommy,” he says on the phone
and I return the thought,
which is shot into the cosmos
hoping someday it might register
and impact his behavior.
But I'm now befuddled by the
concept of cause and effect,
just as he was, and is:
it slips through our un-touching fingers
like so much sloo. On the one hand,
he says “I love you,” and on the other hand
was.........     And so.

Today I sit solo.  He's off to the mall
with the other teens,
those quasi half-brothers
with their ownhorrid histories
happily applying allowances
toward stupid, noisy past-times --
anything to preclude rumination.
I practice piano, trying to coax from it
what a mother might want from
or wish for, a child -- for him to sing and soar,
to somehow amend this world
but foremost, the inner one, that mooning
mourning dove wrapped in wings of woe. 
.
It is just now, on this gray day, sleeting slantwise
The soft fall makes no sound;
the little blobs plop, and I think::
Tears, opaque tears, from wherever --
that place from which we both sprang
united for a short duration, and now,
mute in our mingled yet disparate agonies,
our separate cells.

 

I hear, in the piano's complex permutations,
synaesthesias that thrill me with the color of sound,
their profusion and swell, and find
a measure of contentment
in the tranquil confinement of keys
their unequivocal symmetry, austerity,
their simple black and white.
   
                
 -- Copyright Julianza Shavin 2007

 

 

 

 

 

 


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 Reviews of "Bodycast"
Reviewed by Gene Williamson
Reviewed on November 24, 2008
This is such an incredible write, Julie. Your talent, and
your heart, never seem to amaze me. I'm sure it was a difficult
poem to write. I like to think that the healing of your son
begins with a lot of love, but then I know he's getting that.
I like to think of myself as a nonviolent guy, but I'd gladly
lead a posse to hang all child abusers by their testicles.
What a goddam sick world we sometimes encounter. Kids are
born to be treasured. Forgive a father's outburst. -gene.

Reviewed on October 12, 2008
This one is painful to read, Julianza, but very well penned -

(((((HUGS))))) and love, Karla.

Reviewed by m j hollingshead
Reviewed on October 12, 2008
enjoyed the read

Reviewed by Flying Fox Ted L Glines (Reader)
Reviewed on October 12, 2008
This one, in a deep way, is the plight of my sister, Wendy Baral Cooper. She has two sons, 21 and 19. They both were born and raised in a warm, secure, and loving home, always free of abuse and trauma. Charlie, the eldest, is everything a mother could want in a son, and she is so proud of him. The younger son, Bernie, is a social psychopath, a thief, a user of drugs and people. Bernie is the way he is because of his own life-choices. Had there been traumas in his past, those traumas would have been leaned on as excuses for his chosen behaviors today. Such excuses are never true. Even after all these years, Wendy still has a tendency to want to somehow blame herself for Bernie's choices. This self-blame is a personal choice, too. It's a mom-thing. Slowly, too slowly, Wendy is trying to be easier on herself, to relax, to love Bernie completely, and to enjoy the precious moments in her life for their own sakes ... and not as an escape from needless anxiety.

Ted


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